sábado, 31 de julio de 2021

DSKNT

 


Origen: Suiza, Sion

Formados: 2013

Estilo: Black, death

Temática: Conceptos abstractos, inexistencia, temas cosmológico y vacío.

Enlaces: Bandcampfacebookspotify y youtube

Miembros:

  • Asknt Todos los instrumentos
  • Quasar Voces
Discografía:

  • PhSPHR Entropy CD 2017  
  • Vacuum γ​-​Noise Transition CD 2021

VACUUM γ​-​NOISE TRANSITION (2021)
Segundo larga duración para ese enigmático combo suizo que lleva la propuesta de su anterior álbum un paso más allá si cabe. Estamos ante un álbum cuando menos inquietante, profundamente denso y muy oscuro en donde el oyente se me inmerso en una especio de horror y soledad cósmica. Atronadores riffs, muchos de ellos disonantes, acompañados de un bajo denso y profundo nos dan la bienvenida desde "Deconvolution J/ψ [Part I]" después del tono más atmosférico de "Spin", a partir de aquí se desata un caos sónico que no renuncia a ciertas influencias vanguardista en algunas secciones, todo ello para sembrar el caos en forma una pasta de sonido que en esencia recoge las influencias de un sonido black digamos que clásico que se va fundiendo con influencias demoledoras de estilos como el death, sin perder de vista en ningún momento la pesadez y violencia sónica. Como bandas abanderadas de estilos relacionados con el black de temática y ambientación "cósmica", DSKNT logra transmitir esa sensación de terror hacia lo desconocido, hacia el vacío y la frialdad más absoluta. El aporte de Quasar a las voces se antoja imprescindible para si cabe añadir mayor carga de oscuridad y densidad con unas voces de criatura atrapada en el vacío cósmico, empleando para ello unos aullidos y un tono grave que se centra en un estilo como el death. En definitiva un álbum muy denso y profundo que ofrece un black de conceptos cósmicos y etéreos que pasa por alto elementos ambientales que son referentes en otras bandas de estilo similar, para centrarse en ofrecer un sonido demoledor, repleto de profundos riffs y en donde las disonancias y la densidad llevan buena parte del peso. (8,3).



1. Spin 03:03  
2. Deconvolution J/ψ [Part I] 07:38
   Bend the Origins. Destructurate.
Behind the sporadic affliction of Negated, the utter halogenic radiance.
Crawling mechanics of void disturbance.
Degenerating. Ravenous partial reconfiguration of abscond diety.

Matter across time, backward primitive convolution.
Nullification.
Matter behind time slaved under invariant convolution.
Convulsions.

Doom over the Origins. Annihilate.
Down, awaiting the elementary utterance.
Iridescent disorder of spectral uproar.
Famished unreality of excoriated particles.

Immanency across time, incorporation of the Absurd.
Perpetual abrasion.
Redundant fusion of the elder Deconvolution and initial state.
Deconvolution.

Radiating Synthesis.
Final Momentum.
3. Transition K0 [Part I] 06:39
  Obscure and fractalized Decay
materialize time sinking.
Spoken gap unleashing devoured intervals,
The slight bursts of the unseen species
since the tamest Chaos
Unveil the ominous hidden Terror.
Slowly consumed, scorned are the Remains.

As the beginning and the end,
A relentless shudder swallows the horizon.
Incompletely faded.

Melted light into the primordial singularity and
Excruciated variance of the last remnants,
Isolated Echoes and Inaccessible Decay before
the advent of the Negation
Nuclear and Toxic Transition.

As the beginning and the end,
An unreachable and persistent tremor spit out the
shapeless space.
4. Θ-Noise - Phase Shift 05:59
   Lacerate and rip up.
Telluric wretched failure.
Behind the veil of inexistence, the confuse
dichotomy of linear disturbance.
Master of Incursion, slaved under primitive
and geometrical obsolescence!
Immanent but pernicious, Void stretches
beyond the cosmic horizon.

Ephemerae neurons mangled.
Phasis ambiguity.
Dis-constructed amorphous shades.
Dis-Phasis coercive organs.

Lacerate and rip up.
Dangled and confined nexus below reality.
Shifted Light, shifted initial paradox, listen
to this underlying wretched low scream
Palpable and inaccessible disorder.
Master of Incursion, slaved under primitive
and geometrical desuetude!
Intrinsic but wicked, canceled are the bounds
beyond the cosmic horizon.

Ephemerae neurons distorted.
Phasors uncertainty.
Dis-constructed shapeless shades.
Dis-Phased forced nerves.
5. Transition Ω- [Part II] 07:20
Paroxysm. Pierced incarnation of pulsating doom. Illogical dust and light eating each other. Opaque revelations among deeper reduction. Tranfiguration coalescence. Spontaneous Decoherence. Down decay. Inconsistent core: nothing left behind bent remnant Sank within. Architectural chaos: profound and intense collapse Feeble light. Distorted breath. Molten reality. Cosmic Scars. Converging sparsely elsewhere. Transfiguration coalescence. Spontaneous Decoherence. 
6. Deconvolution Ξ*0 [Part II] 09:17
   That clarity away from aeneous presence
Dreadful blast of Nihil.
That hidden passages away from vision
Obnoxious discharge of Void.
Infinite Death and Perception
Insufferable burst of All.
Merged form, melted horizon
Diverged topology of Time, Convoluted behind.
Flattened deconvolution at the end.
Interleaving Cosmos with this slow wave.
Gazing in the pit, Light inverse rising overflow.
Declining shapes, dying figures.
The Implosion of Time
Unveils the certainty of Nothingness
7. Spore 03:23  
  43:19  





Cassette, Album





TEMPLE OF ABRAXAS

 MCMXXXI (2021)

Sleepwalker regresa con su cuarto trabajo al frente de Temple of Abraxas, una obra que no dejará indiferente al oyente por su amplitud y el sonido ofrecido en ella. La temática del álbum gira en torno al vampirismo, llevando con su ambientación el sonido del álbum un paso más allá, pues esa ambientación siniestra y oscura que se nos ofrece carga el álbum de un aura de inquietud y desasosiego. El punto de partida del sonido de este trabajo se encuentra en la esencia del sonido más clásico dentro del black metal, con abundancia de riffs pegadizos de origen thrash que surcan todo el álbum, muchas veces logrando llevar el sonido hacia terrenos que quieren adentrarse en secciones mucho más primitivas, dejando paso a más melodías y un carácter también épico, como si la figura de Bathory quisiera emerger de las profundidades del sonido de este "MCMXXXI". La labor de la batería resultad del todo destacable, capaz de arrancarse de manera violenta, ayudando con su vigor a elevar el tono de las composiciones, pero mostrándose también accesible en un tema como "Creature of the Night" en donde predomina un carácter mucho más lento en donde es necesaria una contundencia más de segundo plano. Las voces también son variadas, pasando por la agresividad de un black más primitivo, hasta permitirse los medios tiempos en donde se sigue empleando un tono rasgado así como ofreciendo un elementos meramente narrativos cuando es necesario. Otra obra interesante de este proyecto, capaz de recoger el sonido más clásico dentro del black para darle una perspectiva diferente y llevarlo a su terreno. (7,7).



1. Intruder 01:59  
2. Plague of Rats 04:44  
3. Danse Macabre 03:59  
4. Returned as Fog 05:51  
5. Creature of the Night 05:34  
6. Altar of Death 05:37  
7. Broken Oaths 04:24  
8. Night Terrors 03:07  
9. Crypt of the Master 04:21  
10. Rise from the Light 05:37  
11. Thy Banshee's Wail 03:40  
12. Hellbound 03:11  
  52:04




Strictly limited to 100 hand-numbered copies. Contains A4 insert with translated lyrics.









miércoles, 28 de julio de 2021

MALICE DIVINE - INTERVIEW



 1. When did you decide to end your time with Astaroth Incarnate and create Malice Divine? Why did you choose the name Malice Divine and what does it refer to?

I didn’t decide to end my time with Astaroth Incarnate because the ending of my time with them wasn’t my decision. They fired me very unceremoniously back in the summer of 2019. I had already been working on the songs that would end up on the debut Malice Divine album for a while prior to my firing, but after being fired I was able to really pick up the pace with the completion of the album. I choose the name Malice Divine because I feel like it suited the overall vibe and lyrical content that I am going for. The name doesn’t refer to anything in particular other the literal meaning of the two words together, which means a god or any other form of the divine as a malicious entity. 


2. "Malice DivineE is your first album, an album that is surely the result of years of ideas and work. How was the process of composing and recording this album? As the main composer of the band, which was more complicated for you at the time of recording? What brand of instruments did you use for the recording?

The composing and recording of the album was a lot of fun, but at the same time it was a ton of hard work! It was a very mentally taxing process despite how enjoyable and exciting it was. It’s hard to pinpoint what was the most complicated part of recording the album. It was all pretty challenging stuff. For the brands of the instruments that I used, those include my Charcoal Grey Jackson Dinky for recording all of the electric guitar parts, as well as a Yamaha Classical Guitar and a Yamaha Bass for recording the classical guitar and bass parts. 


3. "Malice Divine" is an album that, beyond styles such as death or black, sounds tremendously melodic in general terms. What band have been your main sources of inspiration when composing and recording this album? How would you describe the sound of the album to those who have not yet heard it?

I can’t pin point just one band because there have been so many that have been inspirations for me. Some of those bands include Dissection, Watain, Amon Amarth, Wintersun, Ensiferum, Death, Morbid Angel, Behemoth, Absu, Destroyer 666, Skeletonwitch, Immortal, Bathory, Iron Maiden, just to name a few! To those I have not heard it I would describe it has the most melodic and catchy black metal and death metal combination there is.


4. Dylan Gowan was the drummer for the album, how did the possibility of working with Dylan on “Malice Divine” come about? What do you think Dylan has contributed to the final sound of the album?

In late 2019 I made a post on social media about looking for a drummer for my new musical project. Dylan, as well as two other drummers reached out to me. It soon became clear that it wouldn’t work out at all with the other too drummers so going with Dylan was the most obvious choice. We worked together briefly once when I was in Astaroth Incarnate, as he filled in on drums for one of the shows that we played. I was super impressed with drumming, so you could say that show planted the seed for me to get him onboard for session drums for what would end up being Malice Divine. Dylan contributed a lot to the album, most notable his incredibly powerful and tight drumming, as well as plenty of killer fills and even a few drum beats of his own. For example, the tribal pattern during the verses of ‘Ancient Visions’ is something that he had come up with. With that said, I did compose most of the drum parts in Guitar Pro.


5. What themes does the lyrics of "Malice Divine" address and why do you consider it important to address them? Do the lyrics of the songs appear before or after the composition of the music?

The lyrics of Malice Divine ranges across various different themes such as spirituality, resilience, determination,  and emotional expression. The lyrics appear after the composition of the music. They are usually the last part of the songwriting process for me.


6. The album artwork was the work of Pzychopart, why did you decide to work with them to make the artwork for “Malice Divine”? What does the cover represent and how does it relate to the music on the album?

I decided to work with Pzychopart because I was incredibly with his work. He is an excellent illustrator. Out of all the people I talked to about potentially doing artwork for the album, I liked his style the best. The cover represents the overall vibe of the music. I showed him the album covers of some of the albums that I have been heavily influenced by as a reference for what I want for the album, and then what you see is what he came up with.


7. Tyler Williams and Lasse Lammert have taken care of aspects such as the mixing and mastering of the album, why did he decide to work with them and what do you think they have contributed to the final result of the album in terms of sound?

I had worked with Tyler Williams before when I was in my previous band, and I found him easy and pleasant to work with. I really like his production style so I knew that from working with him I’d get some killer results for the album. He also lives pretty close to me which is a big plus. Lasse Lammert I was referred to by Tyler and I decided to get him on board for mastering because of his experience. He’s worked with well known bands such as Alestorm, Abigail Williams, etc, so I knew he’d do a killer job with Tyler’s Mix. 



8. The album has been self-released in digital and CD format, why are you making this decision to self-release the album? Was there no interest from any record label to release the album?

I decided to self-release the album because I didn’t want to deal with any of the headaches that come with being a part of a label. Since Malice Divine is a very new project, I wanted to make sure that whatever return on investment that comes from the music goes back to me. I don’t want to split it with anyone else. It wasn’t a matter of there not being interest in a record label to release the album at all because I didn’t even look for a label in the first place.


9. How were his beginnings in music, the first albums he bought, the first concerts he attended, etc. What made him want to be a musician in his life?

I was 12 years old When I really got into music. I started off with a lot of classic rock and traditional heavy metal/thrash metal. Some of the early bands that I loved include Pink Floyd, Led Zeppelin, Black Sabbath, Iron Maiden, Judas Priest, Metallica, Motorhead, to name a few. The first albums that I ever bought were two that I bought together. Those were Metallica’s Ride The Lightning and Master Of Puppets. What made me want to be a musician? Thats a great question. I was so inspired by the music that I loved as a kid that inspired me to one day create music that makes people feel the way that my favourite music did one day.


10. What is the extreme metal scene like in a city like Toronto? Which bands would you recommend from the ones you are just starting out?

The extreme metal scene in Toronto is pretty good! Some Toronto bands you should check out include Vesperia, Iomair, Centuries Of Decay, Thantifaxath, Tomb Mold, Panzerfaust, and VI.


11. "Malice Divine" was composed and released in full confinement due to Covid-19, what has this period meant for you when it comes to dedicating time to the band?

“Malice Divine” wasn’t composed and released in full confinement due to Covid-19. I started composing the album long before the Covid-19 Pandemic had even started. What this period has meant for me when it comes to the “band” (I used band in quotations because Malice Divine is first and foremost a solo project) is the free time that it offered me to put whatever final touches and refinements to the songs and to practice my ass off to deliver the best performances possible for tracking the album.


12. Which album represents to you the essence of black metal? What recent albums have you bought?

Even though this isn’t my all time favourite black metal album, I have to go with Mayhem’s De Mysterius Dom Sathanas. The atmosphere and the riffing on that album captures the essence of black metal perfectly. I haven’t bought any albums recently.


13. With your sights set on the future of the band, are there possibilities of including new musicians in the Malice Divine line-up with an eye to, for example, performing concerts? What future plans do you have for Malice Divine? Regarding upcoming releases, reissues, etc?

There is a live line-up being put together for Malice Divine! I am aiming to start performing live with Malice Divine in 2022. Other than that, future plans for Malice Divine include finish the second album and then recording it!


14. Thank you very much for the time dedicated to Black Metal Spirit, if you want to add something for Malice Divine the place. I hope the questions have been to your liking.

Thank you to everyone who has checked out my music and to everyone who has supported me in any way!

-----------------------------------------------------------------------------------------------------------------------------

Svartsyn ‎– Nightmarish Sleep (vinyl Purple With Oxblood Red Splatters, limited to 100 copies) 19,99 €



Limited to 100 copies.
Comes with LP-size double-sided lyrics insert.







martes, 27 de julio de 2021

VARMIA

 


Origen: Polonia, Olsztyn

Formados: 2016

Estilo: Black, folk.

Temática: Paganismo

Enlaces: Bandcampfacebook e instagram

Miembros: 

  • Aleksander Chodkowski  Bajo y voces
  • Lasota Guitarra y voces
  • Michał Andrzejczyk Batería
  • Piotr Percusión, tagelharpa, didgeridoo, cuerno de cabra, tuba, krivula, y voz
Discografía:

  • Z mar twych CD 2017  
  • W ciele nie CD 2018  
  • Bielmo Single 2020  
  • Bal Lada CD 2021

BAL LADA (2021)
Tercer larga duración para esta banda polaca que aunque se les puede encuadrar dentro del sonido black/folk, no e menos cierto que su propuesta se nutre de otros elementos como pueden ser tanto el doom como el pagan o el death. El álbum arranca sin concesiones, con un sonido potente en donde podemos encontrar tanto unos riffs inconmensurables como una batería portentosa de ritmos potentes que en un primer momentos fusionan tanto elementos del black  como el doom de manera oscura y densa sin renunciar a un regusto death. Esto será una constante durante la mayoría del álbum en donde las voces también se muestran oscuras y agresivas, salvo en determinadas secciones que se rebaja un tanto el peso de esta oscuridad para ofrecer unas voces más limpias que se aproximan a lo que podríamos definir como pagan/folk. Sin embargo Varmia cuenta con un buen número de instrumentos de factura folk que poco a poco van cobrando cierto protagonismo en las composiciones, sobre todo en la segunda parte de disco, donde la propuesta fluye de forma mucho más cercana a terrenos como el paganismo, tanto por la inclusión de instrumentos relacionadas con este estilo, como cierto viraje en las voces que también se dejan atrapar por secciones más limpias y melódicas. Procedentes de un país como Polonia en donde referencias como el back/death están a la orden del día o incluso el vanguardismo, Varmia se sitúa en un lugar destacable en medio de estas corrientes, destacando por ofrecer un álbum de black/folk/pagan oscuro y denso alejado de cualquier estereotipo, inspirado en elementos clásicos pero resultado del todo difícil de encasillar debido sobre todo al uso que saben hacer de diferentes corrientes dentro del metal extremo. (8,1).



1. Woanie 01:56  
2. Bielmo 04:50  
3. Ruja 05:12  
4. Upperan 05:11  
5. Nazachód 05:42  
6. Zari Deiwas 07:51  
7. O 06:37  
8. Głody 07:15  
9. Ten blask co po nim śmierć 06:39  
10. Koniec 07:24  
  58:37




Weathered brown marble 2LP set
(Limited edition of 300 copies)
Also includes a wooden necklace.

"This album was recorded in a makeshift studio set by the band in an old manor in Northern Poland.
Songs were recorded as the band was playing live there in August 2019.
No sound editing is used on this record.
Special thanks go to our host Aneta
and all who helped us make this effort succesful by renting gear
(Darek Adamczyk, Łukasz Tomczak, Lolek, Jasiek Wroński and Maciek Wiśniewski)."





lunes, 26 de julio de 2021

DEMISER

 


Origen: E.E.U.U., Carolina del Sur

Formados: 2018

Estilo: Black, thrash

Temática: Anticristianismo, libertinaje y profanación

Enlaces: Bandcampfacebook e instagram

Miembros:

  • Defiler Bajo
  • Demiser the Demiser Bajo y voces
  • Gravepisser Guitarra
  • Phalomancer Guitarra
  • Raw Fucking Vomit Batería
Discografía:

Surrender to Sin Demo 2018  
Tour Promo MMXIX Demo 2019  
Through the Gate Eternal CD 2021

THROUGH THE GATE ETERNAL (2021)
El primer álbum de los estadounidenses en un homenaje en toda regla a los sonidos más enfurecidos de un black/thash primitivo y visceral, fruto sin lugar a dudas de la experiencia de sus músicos en bandas precedentes que han eclosionado en forma de un sonido que encaja perfectamente en los finales de los ochenta. Hay que decir que este "Through the Gate Eternal" esta repleto de riffs memorables, de descarada influencia thrash con elementos que no renuncian del todo a un cierto aire de melodía pero perfectamente encajados en un mezcla de destaca por su intensidad, sin sonar del todo sucios pero con el toque justo de rugosidad que se le pide a este tipo de lanzamientos. Todo ello viene acompañado de unas voces también agresivas , que se mueven con soltura en medio de la música, entre digamos que la agresividad de un thrash primitivo, algunas influencias del heavy y ciertas influencia que podemos describir como del black metal. Y es que todo el conjunto del sonido de este álbum suena como una mezcla entre bandas como Venom, Sodom o Desaster, encontrando un termino medio entre las propuesta de etas bandas, sobre todo si nos situamos en el inicio de sus carreras. El álbum mantiene la intensidad y agresividad de principio a fin, con un excelente trabajo de producción que ofrece un sonido clásico sin comprometer en ningún momento elementos como la melodía y la visceralidad. En medio del álbum nos encontramos con un tema acústico como "Song of Byleth" que pone un poco de pausa al conjunto aunque realmente sirve para abrir boca ante lo que está por llegar. Este "Through the Gate Eternal" es un álbum que casi podríamos definir de sonido atemporal, hundiendo sus raíces e influencias en los más profundo de un sonido black/thrash clásico pero que para nada desentona como álbum de black metal en pleno siglo XXI. (7,6)



1. Through the Gate Eternal 03:59
The grave beckons your marrow To the great white throne The fires crave your bellows Splitting sacred stones Satan claims your soul, hahaha Pray to your false god you’ll never know Alastair, yearning, burning hellfire Grand torment and pain Ripped from all you know Stripped of who you were A broken shell of a man… your flesh belongs to hell Satan claims your soul The fiery gates call for you once more Alastair, yearning, burning hellfire As I drag you through deepest tracts, the deepest tracts of hell Your skin, rots to my pleasure Satisfies the beast Fear, pain, are our treasures Eternal endless years Satan’s claimed your soul Kneel before us, we are all you know Alastair, yearning, burning hellfire As I drag you through deepest tracts, the deepest tracts of hell  
2. Offering 04:31
Ripping hell, beast of fallen saints Terra, anguish and distraint Demons wrath, Osmodeus takes flight Sacrifice to live, or soon you’ll know my scythe Renounce your fucking son The war has just begun, now hear my serpent tongue I’ve granted thee eternal life, and this sacrificial knife Now that the feast has just begun Slaughter your second son Onslaught, burn the only heir Poison gasses fill the air Cherubim with wings that cannot fly Laughing demons fill the sky Renounce your fucking son The war has just begun, now feel my serpent tongue I’ve granted thee eternal life, and this sacrificial knife Now your offering has come, slaughter your second fucking son 
3. Deathstrike 03:41
   Galloping forth at speed of death
Wind carries a calvary of steel
Hide your priests and snap your cross
Because we don’t fucking kneel
With hell-roaring thunder and shattering glass
Our boots on holy ground
Birthed from hellfire, here for your blood
Demiser’s on the prowl…

Demiser deathstrike
Angels writhe in agony
Demiser deathstrike
Vile fucking blasphemy

Smashing the lock on this holy house
Here there’s no sanctuary
No cross unturned, no bishop unburned
Churches turned mortuaries
The faithful fecal father is split
Taking nuns on the altar of lies
Twisting goat horns in their sainting slits
Divinity meets its demise

Demiser deathstrike
Angels writhe in agony
Demiser deathstrike
Vile fucking blasphemy
4. Raw Fucking Vomit 03:24
  Libations flowing free
Down the hatch with you
Bourbon hits my belly
The devils share is due…
Begin the whiskey ritual
Throne of Bacchus usurped
But fear runs down my spine
I let out a warning burp…
My liver starts to dance
Guts churn within
My throat fills with scum
As I cover you in sin…
Upchucking hellfire
My unholy deposit
I’m the black flame of bile
RAW FUCKING VOMIT
5. Song of Byleth 02:12   instrumental
6. Unholy Sacrifices 04:06
Unfading virgin cries, vomit from dungeons deep
Innocents within, sacrificial sheep
To your maker with your maidenhead, eternity of lust
Submit to my call, feel my ancient touch

Behold this unholy treasure, infernal maw of flesh
Conjured forth from the gash
Blood on the sheep, blood on the sheets
Meeting your fate, return to sleep

Spoiled sacrifice, nephilim eager in the mist
Unknown to the clergy lurks a traitor in their midsts
Bend them to thy will, shed from them their blood
They shall have their souls enslaved, servants for eternity

Behold this unholy treasure, infernal maw of flesh
Conjured forth from the gash
Blood on the sheets, blood on the sheep
Meeting your fate, return to sleep

Release the power of the blood moon
Limb from limb, ferally hewed

detpecca eb ot uoy htiw tcaP
,em ot nepo ot eripmE
lanrefnI eht fo setaG
eht llac I ,nomyanA dna ,noddabA
,laileB fo seman eht ni dna ,eman rouy ni ,lezazA
7. Hook and Torment 04:21
  Tight the grip of the Malebranche
Xaphan fans the flames of hell
A grand torture, the eight circle
Beneath a boiling lake of pitch

Malocoda
The evil tail
Hook and torment
Scarmiglione, be still
Alastor calls
Barbariccia
Rubicante
Vultures awaiting to…

Let the terror recommence
Beat your wings above the pitch
Stand ye aside, while I enfork them
Their screams scratch my itch

Infernal pits of the malebolge
Twelve fiends of hell
The more pain, the more pleasure
Ensnared by the demon hells

Malocoda
The evil tail
Hook and torment
Sarmiglione, be still
Alastor calls
Barbariccia
Rubicante
Vultures awaiting to…
Vultures awaiting to feast

On the carcass of a decaying game
Bend your hooks and be vicious
Ever as barbariccia near them came
Thus underneath the boiling they withdrew
8. Demiser the Demiser 03:24
  In all great columns, in each burning flash
You’ll meet your demiser, your bones turn to ash
Beyond the fires, torment and pain
I’m all that is real, death is my name

I am the face of death
Your demise, my bet
Endless sleep, now rest
Inhale me, I’m your last breath

I am demiser the demiser
I am demiser the demiser
Revel in misdeed, surrender to sin
I’ve come for your veins, I’ve come for your skin
I’ve thousands of years, I’ve been the cold breath
A creeping demiser, I am your death

I am the face of death
Your demise, my bet
Endless sleep, now rest
Inhale me, I’m your last breath
I am demiser the demiser
I am demiser the demiser
9. Warfuck Demonlust 04:20
Aroused by night, betrothed to flame The blood within, flows to my vein The forces of hellseed rise to jorgmungandr Desire manifest, I can’t control my demon lust Thirst unquenched, I need my warfuck demon lust Sit on the pike, bitch I don’t bite Fill you with sin, fill you with spite Wet your lips for the serpents’ kiss He’s come for you… haha Desire manifest, I can’t control my demon lust Thirst unquenched, I need my warfuck demon lust Hammer of hammers, this hammer of mine I split fallen angels, like soaking wet pine The flames from the womb expel as I bust Feeding my warfuck demon lust A trail of blood flows from the land that I was promised Face fucking the heavens, unto me god vomits  
  33:58




BLACK VINYL // 180g (Heavy Vinyl), 300gsm Cover, Insert, Paperbag, Poster in A2 format
300x Black Vinyl, 100x Gold Vinyl,




domingo, 25 de julio de 2021

ISGHERURD MORTH

 


Origen: Rusia, Krasnoyarsk

Formados: 2015

Estilo: Black progresivo y vanguardismo

Temática: ?

Enlaces: Bandcampdeezerfacebookinstagram y spotify

Miembros:

  • Ghoul Batería
  • Pitom Bajo, guitarra y voces
  • Res Guitarra

Discografía:

  • Hellrduk CD 2021
HELLRDUK (2021)
Primera entrega para esta banda rusa que ofrece un álbum de black metal con influencias diversas entre las que podemos destacar por un lado las progresivas y por otro los elementos vanguardista que pueblan su sonido. El álbum consta de cinco temas que a diferencia de muchas propuestas centradas en sonidos progresivos, logra sonar directo y visceral, sin perderse en desarrollos innecesarios, manteniendo en todo momento un tono agresivo tanto en lo musical con riffs incendiarios que transitan entre un black de segunda ola con algunas influencias tanto thrash como death, así como en una batería dinámica entre la contundencia y al posibilidad de mantener un tono más de acompañamiento que logra recrear una atmósfera muchas veces perturbadora. Las voces suenan precisas, ofreciendo una vertiente repleta de agresividad al tiempo que no descuidan tampoco aspectos como pueden ser las profundidad. Algunos arreglos vanguardistas en forma de disonancias y sonidos que podríamos encuadrar dentro del jazz, acompañan y completan al conjunto, pero siempre en un segundo plano que rara vez se ve traspasado para cobrar un papel más protagonista. Este "Hellrduk" no es un álbum de sonido fácil, agresivo y disonante al tiempo que se mantiene bastante fiel a elementos del black de los noventa sin renunciar a cierta dosis de experimentación. (8,4).



1. Inferhn 07:57
  There is nothing except time that you're trying to grasp.
Your world - the desire to have time and be on time.

Your cough brings vomiting.
You spew that day, lounging in a pool of shit material concerns.
Clock hands shake the consciousness.
Don’t have time.
No strength to run.
You're on your knees, crawling...

In the hope of reaching the limit and stop hurry,
brain already decomposed by feeble purposes – eat, shit and fuck.
You can’t be content with less - you need more.
All must say how cool you are.
You claim to prove your place in the sun.
Trying to convince that you're not a pariah. (2x)

Where is no sun and heat.
Where a cold-blood numbers and greed.
Where there is never enough time.
Where targets are being drawn on you.

Choking
Retching
Belching
Yourself.

Eat Your Shit. (2x)

You Late.
Already Never.
No time for you. (2x)
2. Kultth Tormentr 06:39
   I - the pain in the light of ruined stars.
I - a sign of hope extinguished.
I - the horror of your nightmares.
I - the plague infected your life.

Everything you’ll touch - I will torment you.
By fear, doubt and lies
Whatever you took over - it will bring you
agony, annihilation, ruin and darkness.

I - your flesh, which you don’t belong.
I - your mind that you succumb to
Kultth Tormentr

I - your soul, which you have long forgotten.
I - the one who has turned your life into anguish.

I will torment you forever. (2x)

People like you - millions.
Foolish, careless, covetous.

It was me, who have united you all and gave you the bread. (2x)

What a pleasure to rape you all.
Every hour, every minute...
Putrid scum, cancer of that earth.
Who fear to lose the crowd.

I will torment you forever.
3. Nokturahl 05:05
  My open eyes soften tear fallen soil.

Black drops by dark furrow fill my ears.

Dried lips compressed by the ground’s heaviness.
The facial nerves twitching to the beat of rolled lumps.

Heavy clay is softened by saliva.
My throat fills with black lava. (2x)

Don’t bring me flowers.
Leave me here to wither.

Last sobs.
Just a few breaths left.
The last heart beats.
The ripple of pallor veins.

Night - where the dark.
Dark - where’s the depths.
Depths - where I'm alone. (2x)
4. Lucir Stormalah 06:32
  Someone has said that there is a God and the Devil.
Someone somewhere was talking about the great wisdom.

There were cults and faith that led the masses.
And are still those who believe in all this nonsense.
And there was a savior who will come and forgive.
And there was one who rose up against him.

There is nothing else in the world.
This is something for which we serve today.
That inevitably pursues every minute.
This magical light from our hands.

They were more who are insipid and forsaken.
Now it's time to divide all of them.
Put each in a coffin and give glowing screens,
Denying the ability to talk and see.

Personal Jesus.
Private Lucifer. (2x)

Lucir Stormalah…

Now there is a bright and shining light.
A magical glow that everyone wants to have. (2x)
5. Beliath Todh Grimr 05:20
  Vessel of iniquities.
Receptacle of blemish.
Inventor of evil Deeds.
Virtuoso of perverse Arts.

Master of Strife,
kindling the flames of Lust.
Fashionable Gentleman
molesting children.

Pleasant Stranger
who talks with us
during Mass.

Beliath Todh Grimr (2x)

God, who worship Atlántida.
Architect cult of desolation and lies.

Demon of Passion and Lust,
Who brought sodomites into the Temple.

First Esthete of Hell
bringing a pleasure of Death.

Infinite Lord of the Earth.
Cruel Beast of Man.
Our God and Dream.
Our Mind and Flesh.
  31:33





DAMNATION -"Reborn..." 12" GATEFOLD LP
label:WITCHING HOUR PRODUCTIONS
format: 12" BLACK VINYL GATEFOLD LP
year:2014
country: POLAND
genre: UNHOLY DEATH METAL

FIRST TIME ON VINYL FORMAT !!!
STANDARD EDITION
Vinyl edition of this classical debut album of the ALMIGHTY DAMNATION !!!
Legendary album returns with classical form.
Sound NOT REMASTERED !!!
12" black vinyl,gatefold jacket.
HAND NUMBERED !
344 COPIES !!!
NUMEBERS FROM 101-444

SIDE "A"

1.Pagan Prayer / The Antichrist
2.The Land of Degradation
3.Leaving into New Reality
4.From Broken Cross (Bleeding Jesus) / Time of Prophets

SIDE "B"

5.Infestation / Maldoror Is Dead
6.Forbidden Spaces
7.The Rulling Truth
8.Behind the Wall of Tears
9.Reborn...