MANDRAGORA MALEVOLA

Origen: Portugal, Ereira, Coimbra

Formados: 2013

Estilo: Black, death

Temática: ?

Enlaces: Bandcamp y facebook

Miembros:

• Igniferum     Todos los instrumentos
• Kaos     Voces

Discografía:

• Black Flame ov Illumination Demo 2015
• Awakening the impvre  CD 2017

BLACK FLAME OV ILLUMINATION (2015)

Priemero demo para esta banda procedente de la siempre prolífica e interesante escena extrema portuguesa. En sus filas podemos encontrar a un par de músicos que ya conocemos de otros proyectos como Everto Signum o Igniferum, y que vienen dándole forma a esta nueva banda desde hace un par de años, tomando como referencia el black death y reflexionando sobre la naturaleza humana, tal vez los dos elementos más reconocible de Mandragora Malevola. La demo consta de tres temas, siendo el primero de ellos una breve intro que sirve para situar al oyente en ese ambiente oscuro y frío que eclosiona en los siguientes dos temas. En primer lugar la música se decanta por su vertiente más death, voces agresivas rozando lo gutural y música rápida y contundente haciendo de blast beat su mayor apoyo, hasta aquí podríamos casi que situarlos en el plano death metal. Pero es a raíz de la larga duración de ambos temas que su música se va enriqueciendo con partes más lentas en donde podemos comenzar a apreciar unos elaborados riffs de guitarra que aporta cierta melodía a su música, e incluso alguna incursión de teclados hacia la parte final que logra una ambientación casi que folk, alejándolos de ese plano más death para acabar por refugiarse en el black y de esa dualidad emerger con una demo que nos hace abrigar grandes expectativas hacia el combo. (8).

Mandragora Malevola 01:44

Mandragora Malevola é um manifesto de liberdade moral, o caminho esquerdo da independência espiritual, o local onde o Homem se ergue no Centro do Universo. 

Mandragora Malevola não tem o propósito de descarregar energias ou exorcizar demónios, mas sim conhece-los e aceitá-los como parte essencial da natureza Humana. 

Mandragora Malevola é a aceitação do mundano decadente Humano, aquele que não procura Deus mas sim ser o próprio Deus. 

Mandragora Malevola é a abolição de qualquer submissão religiosa ou mandatária.

Arkangelvs Satanis (The Red Moon Wolves) 06:01

Abandoned by heaven 

We walk the earth as Gods 

Running with the red moon wolves 

Hunting you as our prey 

Ripping your flesh, drinking your blood 

Devouring your soul 

Forever we lost our grace 

Cursed we are 

Now, that the moon is bright 

We awake, for the killing! 

Pleasure and pain, like beauty 

The eyes of the beholder 

Snatching the weak with insanity, 

Erasing the twisted sacraments of purity 

Unseen, trapped in all dreams 

Of lust and blasphemy 

Walking the earth we are 

Sowing destruction 

The stars of the night 

Are the eyes of the wolves 

And the wind their songs 

Harbingers of death are summoned 

Raised in the gardens of paradise 

Sent by the morning star 

Released to clean the veil of mankind 

And now the wolves are here 

Invoking the red moon 

Opening the adamantine gates of hell 

Foreseeing the coming of their lord 

Through the shadows of dusk 

We witness your kings and queens 

Divinities and all their false prophecies 

A dying man in his crucifix 

We are the blood of life 

The flesh that never dies! 

Burning their false believes 

Living fearless, unchained 

The stars of the night 

Are the eyes of the wolves 

And the winds their songs 

Awakening the impure 

Vast legions all believers 

In a rotting empire 

With golden eagles, 

Crucifixes, and holy creatures 

Hypocrisy for the newborn future 

Abandoned by heaven 

We walk the earth as gods 

Running with the red moon wolves 

Hunting you as our prey 

Ripping your flesh, drinking your blood 

Devouring your soul

Apotheosis (Hvmana Manifestvs) 07:13

Oh almighty angel of wisdom, 

Symbol of rebellion of all mankind, 

Sphere of light, source of delight. 

Hail great dragon, hail eternal… 

…Lucifer, your voice is with us 

He who understands, He who comprehends 

God is what we are, each one of us! 

Everyone is a king to be 

Emotions of hate, emotions of love, 

All is natural for the human being 

No thoughts of guilty, no sacred sins 

No compromise, no prejudice 

We are the masters of the universe 

Lords of all creation and the keepers of temptation 

Ravenous for wisdom, never fulfilled 

Seekers of all to come and always thirsty for more 

Oh great dragon, father of rebellion 

star of light, reason of defiance 

fountain of illumination, master of inspiration 

infernal, iconic, horned majesty. 

Liberatus Manifestus 

Humana Apotheosis 

O momento da verdade 

Quando sabemos que somos Deus 

Lucifer, your voice is with us 

He who understands, he who comprehends 

God is what we are, each one of us! 

Everyone is a king to be 

No heaven above 

No darkness below 

No king to serve 

No God to fear 

Liberatus Manifestus 

Humana Apotheosis 

O momento da verdade 

Quando ascendemos a Deus

DALKHU

Origen: Eslovenia, Slovenj Gradec

Formados: 2003

Estilo: Black

Temática: Misantropía, oscuridad y satanismo

Enlaces: Bandcamp, facebook, soundcloud y youtube

Miembros:

• Kalki Batería
• J.G. Bajo y guitarra
• Lucerus Voces

Discografía:

• Ars Goetia Demo 2006  
• Imperator  CD 2010
• Descend... into Nothingness CD 2015
• Lamentation and Ardent Fire CD 2018

DESCEND...INTO NOTHINGNESS (2015)

Ya sabíamos como se las gastaba la banda tras la edición hace unos años de "Imperator" pero es que el salto de calidad ofrecido en este "Descend... into Nothingness" está fuera de toda duda y sitúa a la banda en un nuevo escalón. Dalkhu ofrecen en este álbum siete temas de black death metal en toda regla, aunque es del todo injusto quedarse con está definición, ya que su sonido abarca muchos otros estilos. Bien es cierto que esa base e influencias del death-black está muy presente, voces guturales y brutales la mayor parte del tiempo y la violencia del sonido así lo atestiguan. Sin embargo poco a poco vamos apreciando la riqueza de su sonido en forma de la melodía de los riffs de guitarra que por momentos aportan un aire más folk y pagano a su música, aspecto que permite una ambientación un tanto épica y oscura en todo el álbum. Precisamente está riqueza y distintas influencias musicales es lo que sitúa a este álbum por encima de la media, sobre toda gracias a la posibilidad de poder convivir en un mismo tema las partes más brutales de metal con otra más melódicas y atmosféricas gracias al buen hacer en la partes de guitarra. (8,2).

Satanath records

1. Pitch Black Cave 05:31  

2. The Fireborn 05:07  

3. In the Woods 05:49  

4. Distant Cry 04:59  

5. Accepting the Buried Signs 05:32  

6. Soulkeepers 06:53  

7. E.N.N.F. 09:57  

  43:48

ENDLICHKEIT

Origen: Rp. Checa.

Formados: ?

Estilo: Black

Temática:?
Enlaces: Bandcamp

Miembros:?

Discografía:

• Endlichkeit I–II Demo 2013
• Endlichkeit III–V Demo 2014  
• Endlichkeit VI-VIII  Demo 2014  
• Endlichkeit / Regnum Split 2015
• Teile I-VIII Recopilatorio 2016
• Endlichkeit Recopiltorio 2024

ENDLICHKEIT VI-VIII (2014)

Sin casi ningún tipo de información sobre la banda, Endlichkeit poco a poco va ofreciendo sus música en forma de demos y splits manteniendo ese tono de misterio en torno suyo. VI-VIII contiene tres temas de un black metal lento y crudo, tal vez sus mayores señas de identidad. En general los temas se componen de una base de guitarra distorsionada, sin apenas variaciones a lo largo de la canción, siendo esta bastante retorcida, sobre todo por las voces rasgadas que crean en todas la composiciones una atmósfera depresiva y agobiante. El tono de la música de Endlichkeit pretende acercarse al sonido clásico del black metal, sobre todo en cuanto a crudeza y sonido undergound, sin embargo si música no está exenta de cierta épica, aunque si principal defecto sea su excesiva línea continuista y monótona. (7,6).

Fallen empire records

1. VI 06:45  

2. VII 07:29  

3. VIII 07:13  

  21:27  

MISþYRMING

Origen: Islandia, Reykjavík.

Formados: 2013

Estilo: Black

Temática: Caos, muerte, oscuridad y sufrimiento

Enlaces: Bandcamp y facebook.

Miembros:

• D.G. Voces
• G.E. Bajo
• M.S. Batería
• T.Í. Guitarra

Discografía:

• Söngvar elds og óreiðu CD 2015
• Ivory Stone / Hof Split 2017
• Algleymi CD 2019
• Með hamri í lifandi formi Directo 2023

SÖNGVAR ELDS OG ÓREIðU (2015)

Creo que la mayoría de seguidores de la escena black coincide en la opinión de que este "Söngvar elds og óreiðu" debe de ser considerado como uno de loas álbumes más importantes del pasado año. La banda, por aquel entonces en formato dúo, irrumpió con fuerza en la escena con un álbum de black retorcido y un tanto inclasificable, que por un lado es fiel al sonido clásico del black metal, al mismo tiempo que le gusta integrar algunos elementos más vanguardistas, es decir a modo de resumen, su sonido se puede ver influenciado tanto por el de bandas islandesas como Svartidaudi, tanto como por el sonido de otras tan dispares como Deathspell Omega. "Söngvar elds og óreiðu" son cuarenta y tres minutos para afrontar del tirón, para poder sumergirse en la intensidad de su sonido de la mano de unos tremendos riffs de guitarra, en la violentas y desgarradas voces de D.G. y en el ritmo implacable de la batería. El sonido del álbum resulta crudo pero al mismo tiempo es muy rico y ampuloso entregando un atmósfera opresiva y violenta. Constantes cambios de ritmo imprimen un carácter variado e inquietante al resultado final y algunos interludios aumentan la sensación de gravedad de la obra. Sin lugar a duda pocos lanzamientos al año merecen la pena por su calidad y por diferenciarse del patrón establecido, ofreciendo un concepto distinto dentro del género, sin lugar a dudas este "Söngvar elds og óreiðu", está entre ellos. (8,9).

Terratur possessions

1. Söngur heiftar 04:54  

2. ...af þjáningu og þrá 04:16  

3. Endalokasálmar 05:29  

4. Frostauðn 04:25  

5. Er haustið ber að garði 02:29  

6. Friðþæging blýþungra hjartna 06:49  

7. Söngur uppljómunar 03:56  

8. Ég byggði dyr í eyðimörkinni 07:34

9. Stjörnuþoka 03:22  

  43:14

WREODAN HEALH

Origen: U.K.

Formados: 2004

Estilo: Ambient, black

Temática: Medieval, naturaleza, oscuridad y temas antiguos

Enlaces: Bandcamp y facebook

Miembros:

• Asgaja Bajo, guitarra, teclados y voces
• J. Foster Batería
• Ræloth Teclados y voces

Discografía:

• Læcig Demo 2014

LÆCIG (2014)

Primera demo en la carrera de una banda que se remonta como tal ha hace una década y que podemos añadir a la nueva hornada de bandas de black metal de las islas que están aportando un soplo de aire fresco a la escena. La demo se compone de tres temas, siendo el inicial una intro que de manera instrumental va acercando al oyente a lo que le depararán las otras dos composiciones que no es otra cosa que un black con dos elementos muy reconocibles, primero la importante presencia del ambient en toda la música y segundo las melodías de las composiciones que tienden hacia elementos medievales y antiguos, casi como la recreación de una batalla medieval. Las voces se enfocan hacia una tendencia cruda y agresiva y la música no está exenta de cierta melodía, ya sea en los riffs o también por el aporte de los teclados. Estamos ante una demo corta en cuanto a duración pero que espero siente las bases de una banda con un futuro bastante prometedor. (8,1).

Cara A

1. Shadowreathed 02:12  instrumental

2. Kingdom of Ancient Sorrow 04:50  

Cara B

3. Towers over Desolate Realms 05:10  

  12:12

Human Bodies / Leather Chalice - SPLIT 6.99 €

Boston's Human Bodies, having just completed a full U.S. tour to great aplomb, and NH act Leather Chalice, continually forging nihilistic hymns, now come together for a split release that's not one to miss. Limited to 300 copies on black 7" vinyl

HAZTE CON ÉL EN : BLACK METAL SPIRIT STORE O DISCOGS

SERAPHIC DISGUST

Origen: E.E.U.U., San Diego

Formados: 2013

Estilo: Black, death

Temática: Demonología, diablo y ocultismo

Enlaces: Facebook

Miembros:

• AC Guitarra y voces
• KA Voces
• NB Batería y voces

Discografía:

• Rehearsal Demo 2013  
• Altarcunt CD 2015
• Rotting Manifestations CD 2021

ALTARCUNT (2015)

Puesta de largo para Seraphic Disgust, banda que ofrece un death metal con tendencia al war de corte violento y agresivo y con claras referencias a un sonido old school. Blast beats brutales, buenos riffs, en la mayoría de los casos agresivos y rápidos y unas voces que también se decantan por la versión más brutal del género. Todo ellos viene rodeado de una ambientación repleta de ocultismo y por algunas partes más ambient, de la mano de algunas pausas de sonido más limpio que traen una mayor presencia de un sonido black a su música, tal vez con un fuerte regusto a thrash también en ciertas partes. Un álbum que recrea un ambientación muy oscura y brutal, impreganda de guiños al ocultimso y a la demonología y que sigue el cauce del sonido más clásico dentro del death-black metal. (7,8).

Engulfed in Darkness records

Iron county records

1. Stagnation (And Ethereal Malice) Among Lowly Spirits  

2. Seventh Knight  

3. Crematory Waste  

4. Prelude to Oblivion  

5. Vehement Disgust  

6. Stygias Dominii  

7. Altarcunt  

8. Outro

Rites Of Thy Degringolade ‎– An Ode To Sin 17,99 €

Nuclear War Now! Productions ‎– ANTI-GOTH 032

Vinyl, LP, Album, Repress

Single-pocket jacket with insert.

HAZTE CON ÉL EN : BLACK METAL SPIRIT STORE O DISCOGS

BLLIIGGHHTTED

KOSMOSKAMPF (2015)

Cuatro temas conforman este nuevo lanzamiento de los turcos Blliigghhtted, cuatro temas con una considerable duración y que siguen manteniendo el tono irreverente de anteriores ediciones, aspecto que más de un quebradero de cabeza ya le ha dado a la banda en su hasta el momento corta existencia. Su anterior "No Temple" ya  mostraba cierta evolución en su sonido, sobre todo en la inclusión y mejorado aspecto de las guitarras, permitiendo que aunque la música sigue conservando ese atmósfera opresiva y asfixiante al mismo tiempo se acerca y aproxima más al black más underground de comienzos de los noventa. La mayor duración de los temas permite añadir un cierto aspecto épico a la música sin descuidar en ningún momento la carga opresiva de la atmósfera. Por otro lado, otro aspecto que se había comenzado a introducir en su anterior obra, era el cierto aire doom en algunas partes, en " Kosmoskampf" no solo está presente sino que por momentos se adentra en terrenos del funeral doom. Como siempre Blliigghhtted no deja a nadie indeferente con su propuesta musical ni con todo lo que rodea a la banda, ofreciendo otra obra rica en influencias y en contrastes. (8,2).

Merdumgiriz

1. Laughing Siblings 11:41

  His endless laughter echoing in the infinite ever multiplying halls of my mind.

Father do not feed no one else,

Do not give them the fuel you made me from.

You give me and I give back,

Would they ever understand?

You gave me your mistress,

I lick your semen from her bloodstained feet.

A whore gave birth to my mother,

I do not know what to do.

Slaughtered black angel you are.

You will no longer be afraid of anything,

Neither of the dreadful dreams,

Nor the fair child of past failures.

Faith does not matter anymore,

Serenity is forever yours,

For you are the anomaly that did not die.

You can wield every image at will

You can scorch sleep

You have chosed to name your success

As the keeper of the great darkness.

Everything that stung you named order.

And everything that you are chaos.

You give reasons to fight for the hopeless,

As you took it from them.

Even if you fail, you've been touched.

By the everlasting flame,

That unites us all.

No one can understand,

How happiness does not matter anymore.

There is no more fingers to point,

When reunited with the true self.

For he resided in a netherworld

Where you fell from.

The fountain of uncertainty is a mirrored monument.

Sculpted in the borderline of the worlds on high and low.

Sculpted by you and yourself.

Do not tell the self that he is on the wrong side.

Warm is my head when my heart turns east,

Longing for an eternal return to father.

Warm was the heaven's throne when she shone,

Longing for her son in his vast dreams.

Warm is the home of the son,

Longing for terror.

Warmth is never to be abandoned,

Warmth is never to be seeked.

Cold was the mind without the cross,

The cross found its way to the candles.

Cold was waxed out of nightmares,

The candles they are the black light.

Cold was the mind in darkness,

The black light is darkness.

Fertilize I must the pain induced by love,

Love is a face of lesser Evil

The rapist is the true father

In the mind of any woman

The friends of many are different,

Of the same father,

The blood that unites us

Disgusts me blind.

2. In Absu's Absent Presence 10:17

  I am chained to my kind through hate,

The breath I take is gifted upon me by you.

You are all I wish to be

Unless you think better of them.

I am a slave to my ego

As I try to run myself out of spirit

By respiratory fornication.

Father can I not be your most beloved

Until you cast on me your wretched spells.

You think I will never be of virtue

that you ever were.

I shall rule your universe one day

I know if that would be the day,

You think I will be unforgiving

You will only see that I was something beyond

And I will not hide behind false modesty

Like your sister and your mother.

That suffered your own father.

Your soul is a slut, just like them.

In the midst of all trouble you caused me,

I know you aren't a murderer,

But I also know,

You are a torturer.

He who does not submit to the darkness he is made of,

Shall always beget his flesh until he does.

A true warrior of the sealer of time I become,

Through your atrocity.

Forever enslaved I am within the knowledge and feeling of the end.

Therefore I will never deny what evil resides within.

A disease my kind and me were thought to be,

It only makes sense that we were the cause of suffering.

Blighted by the fact that we were so many,

This world spat out the disease.

What evil resides within every human being?

3. And Tiamat's Present Absence 11:26

 A soul can be stilled by force

When a mother walks across what used to be a torture chamber.

Fear stays where it was summoned.

And anyone to invade that space is deemed guilty in divine law.

Strength of charm under your spell,

Paternal lips thicken with venom,

Eating vermin away from maternal cunts is the cure

Drinking menstrual blood from teet of daughters respite

When the power of all lies become mere objects of desire,

I inhale the smoke once again to bring back chaos,

Unto realms untouched by evil spells

The slithery forms my real being

Fire they breath,

Nephesh of atesh

Fire fertilizing the realms

Where flowers float in space.

Grandmaster of all lies bleeding into my guts

I piss into his son’s mouth

As he defecates back in liquid form

Makes me vomit and vomit

The release of terrestrial crisis

The revelation of spiritual awakening

Makes me vomit and vomit

All flows down into a backward castle erected underground

In which all inhabitants became flowers

Rotten semen coming from within cracks of its walls

To meet the wrath of flowers’ cowardly piss

Fear bleeds philosophy from underground

How do you find the will to walk paths to no Temple?

The only true revelation is the living learning from the dead.

As they are drowning in an ocean they've bled.

Power brood

You slay yourself again.

Tempted soul,

You need to torture him.

He is you,

Murder him in yourself.

Murder yourself in him.

Let everyone who knew him forget you.

Breathe under blood

Breathe over space.

Breathe in eternal sleep

If only everyone were to breathe.

There are some, who try to plant this,

If everything you say is the same thing, why keep saying?

If everything you say is not the same thing, why keep saying?

I speak in eleven ways of kingdoms far away.

I am purged when I accept my faith in believing in mirrors in front of my eyes.

You are Him, and you know his spells are too strong.

We are forever all but doing his lonely will in everything we think we do for ourselves.

4. Nephesous 10:15  instrumental

  43:39

SCÁTH NA DÉITHE - INTERVIEW

1. The band was born in 2015, How and why did you decide to create the band and why choose the name Scath na Déithe?

ST: Cathal and I knew each other from gigging with our other bands (Nautilus and Astralnaut) but I’ve more recently discovered Dúnmharú. Cathal has been consistently releasing EPS with Dúnmharú over the years and once I discovered them I knew I had to work with him.

Initially we had planned to get together to write and record one song purely for fun however that quickly turned into what we have now.

CH: We wanted a name in the Irish language that would reflect some of the themes in our music, we chose Scáth Na Déithe, which roughly translates as “The Shadow of the Gods.”

2. At this time you have released your first EP, "The Horrors of Old", how was the process of writing and recording the songs? What is your way of working in the studio?

CH: The songs for this EP came together very naturally, we had all the songs written and recorded within the space of a couple of months.

The EP recording session was done like most recordings now days, we recorded the drums first and then laid down all the other instruments one by one on top of the drums.

3. You are not newcomers, both are in other projects, that if one more related to her black and one with the rock, stoner, however Scath na Déithe offers a sound that has a black hand, but also a strong component doom or even funeral, how you will define the band's sound and what are your musical references?

CH: It is difficult to try to properly define the sound of a project you are involved in, as different people hear different things in your music. For me the core of our sound consists of black and death metal, with some of the melodic aspects of doom and an atmospheric element added in to the sound.

4. Another miss important in your compositions is the atmosphere, that time may recall pagan elements, similar to bands like Drudkh line, is it something intentional, I had made any comment on this?

CH: Being from Ireland that sort of atmosphere does tend to seep into your music, even though it’s not our intention to sound “pagan” or be a pagan metal band. There is a lot of sadness in traditional Irish music and folklore that for me can have an influence on the music I create.

5. I think the theme of the album revolves around death and everything around you arrive, why you choose to treat this topic in your lyrics?

CH: The lyrics on the EP do deal with death, they are based on two stories from Irish folklore, one is based on the story of mothers that have died that return nightly to try to steal away their children and the other is An Sluagh, the spirits of people who committed great sins when they were alive, who return to collect the souls of the dying.

I chose these stories to base the lyrics on because the dark side of Irish folklore and storytelling has always interested and influenced me.

6. The EP has had a good impact and both media and public do not hesitate to recognize the enormous potential of the band, satisfied with the repercussion?

ST: It’s great to see what people think of the music however we are keen to see how people react to the songs in a live setting. We have had some very positive reviews and feedback sent our way so we are very happy with the response so far.

CH: We are very satisfied with the attention we have gotten so far. We didn’t expect to receive as much positive feedback or attention, as we released the EP without having played any live shows or releasing anything prior to this. 

7. It surprised however that no record label interested in her edition of "The Horrors of Old," will there be any reissue in the future?

ST: We actually have had a little bit of interest from various labels, both local and not so local. We will be releasing “The Horrors of Old” on tape via Sarlacc Productions in the new year. We might also look at doing a CD release later in the year. Sarlacc have been putting out some great stuff recently, definitely worth checking out.

8. How were your beginnings in music: first cds, concerts, etc. Why decide to be a musician?

ST: I’ve been into metal from a young age however I have played in some very non-metal projects over the years. Piano and Clarinet were my first instruments. I took lessons in piano and clarinet for a few years but I was more interested in metal drumming than sitting in front of a piano. A double kick pedal soon followed.

CH: I’ve listened to hard rock and heavy metal as long as I can remember and over time I kept seeking out heavier and more extreme music. I would consider myself a songwriter more so than a fully developed musician, and learning the guitar was the way I chose to create the music I wanted to make.

9. What can you tell us about the scene black Irish?

CH: The Irish underground scene is very strong at the moment, there are a lot of bands who are making amazing metal; Altar Of Plagues, Slidhr, Malthusian, Vircolac, ZOM, Corr Mhóna, From The Bogs Of Aughiska, Oh Daith, and of course the bigger bands like Primordial and Mourning Beloveth.

10. The cover design was entrusted to Manum Diaboli Art, what do you want to represent with this cover and how it relates to the content of the album?

CH: I had worked with Manum Diaboli Art before on other projects and I can’t recommend him highly enough. The cover art depicts an old woman clinging on to old books and scraps of paper, this represents the old stories and folklore that our lyrical themes are based on. 

11. The recording was made in veterans Balbriggan Station Studios in operation since 1960, why did you choose these studies for recording?

CH: We chose to record here as the studio is extremely well equipped and suited to capturing the type of sound we wanted for this EP.

12. What future plans do you have for the band? Are you working on new songs?

ST: Cathal is working on new material right now so we hope to release a full length at some stage in 2016. I feel that The Horrors of Old was a suitable introduction however a full length seems more appropriate this time round.

CH: Early 2016 we will begin rehearsing new material that we hope to record soon after and release during the year as a full length, live shows are also a possibility in the new year.

13. Thank you very much for taking the time to Black Metal Spirit, if you want to add something for the followers of Scath na Déithe, this is the place. I hope the questions are to your liking.

CH: Thank you for taking the time to interview us and thanks to everyone who has checked out our music, sláinte!

Kawir / Nergal / Embrace of Thorns / Soulskinner - Emissaries of a Profane Advent 10,99 €

10"

1. Kawir - Prometheus 06:56

2. Nergal - Flegethon 04:47

3. Embrace of Thorns - Dismal Augur of Hierophant Mass 04:49

4. Soulskinner - 44 Caliber Killer 04:47

21:19

HAZTE CON ÉL EN : BLACK METAL SPIRIT STORE O DISCOGS