sábado, 19 de septiembre de 2015

THRONAR


Origen: Holanda, Arnhem
Formados: 2002-2009
Estilo: Atmosferic, black, folk
Temática: Batallas antiguas, fantasía e historia
Enlaces: Myspace
Miembros:
  • Bouke "Buke" Braun Bajo
  • Jarno Olinga Batería
  • Kevin Olinga Guitarra
  • Nathalia Hoogkamer Teclados
  • Otto van Beusekom  Guitarra y voces
Discografía:
  • Promo 2003 Demo 2003
  • Arnhem Trolleymetaal Split 2003  
  • For Death and Glory CD 2005
  • Unleash the Fire CD 2008

FOR DEATH AND GLORY (2005)
Los orígenes del grupo hay que buscarlos en 1998 en la banda Cerberus, pero es a partir de 2002 cuando oficialmente nace Thronar, una banda que podemos encuadrar, como a ellos mismos anuncian como Battle metal. El sonido es del todo épico y recoge de la mejor manera posible el fragor de la batalla. Su música tiene un componente contundente y brutal de la mano de la batería y las voces agresivas, casi guturales, rozando el death melódico. A esta parte más agresiva se enfrenta otra mucho más atmosférica de la mano de unos teclados cargados de épica, unos buenos riffs de guitarra en donde predomina la melodía y una aire folk que impregna todo el álbum. Bandas como Amon Amartth se antojan como clara influencia en su música, si bien Thronar se encauzan más hacia la melodía y un punto por debajo en cuanto a agresividad. En su propuesta se recrea un ambiente de batallas épicas e históricas y resulta imposible abstraerse de esta sensación a lo largo de todo el álbum, incluso este ambiente está presente en los dos temas instrumentales. (8,1).



1. To Kill and Be King 06:34
 We live, we grow stronger and then we fight

Kill, for a new life, kill and be king
Kill, a second chance, kill and be king

The dream, so far away, all that is left is hate

Kill, they can feel the rope, kill and be king
Kill, there is no other way, kill and be king

This is what we are trained for
This is our new life
We have escaped the scaffold
We now serve the skull

And we will fight, where others fall
In every war, Thronar prevails
Our enemies, face to the ground
Their heads will roll, their blood will flow

We live, we grow stronger and then we fight

Kill, for a new life, kill and be king
Kill, there is no other way, kill and be king

This is what we are trained for
This is our new life
We have escaped the scaffold
We now serve the skull

Even the legions of the dark lord fear when they face us in battle

And we will fight, where others fall
In every war, Thronar prevails
Our enemies, face to the ground
Their heads will roll, their blood will flow

This is what we are, this is what we do
And this is what we are made for
This is what we have become
2. Gift from the Gods 06:07  
Running over landscapes of ice and snow
Hiding the sword that carries the prophecy
My mind is full of grief and despair
I am maybe the only one left to destroy 
To destroy them all

I took the sword from my dying father's hand
His last words: "Run my son, the prophecy will prevail"

The warrior approached the forest of ice
And so the prophecy began
For it is written that a warrior will find
The way to avenge his family and brothers
And brothers in battle

I took the sword from my dying father's hand
His last words: "Run my son, the prophecy will prevail"

Deep in the forest of ice lies a valley
In the centre lies a crystal temple
The warrior knew this was a gateway to the gods
And so he entered the crystal temple

Creator of solid steel
Bless the coming battle
I promise you a great war
I will fight without fear

Creator of solid steel
Bless the coming battle
I promise you a great war
I will fight without fear
Without fear

The warrior's prayers were answered
At the foot of the crystal temple hundreds of warriors gathered
All drawn here by the prophecy of a great warrior who would lead them into a victory of vengeance
Brothers in arms, I promised the gods a great war
They follow us with great expectations and are anxious for the coming battle

We will not rest until Gorodar's head
Is nailed to our wall of battle trophies
Every enemy will regret, will regret their sins
Their death will not be without pain, without pain

The warrior approached the forest of ice
And so the prophecy began
For it is written that a warrior will find
The way to avenge his family and brothers
And brothers in battle

I took the sword from my dying father's hand
His last words: "Run my son, the prophecy will prevail"
3. The Hunt for Vengeance 05:08
Like shadows they moved, he had broken his oath
His new name: "He Who Knows No Fear"
Now a warrior of Shara Kondor
Crimnor Valora was no more

You will wear the colour of the night to honour your forefathers
You are Shara Kondor, strong and brave
I will wear the colour of the night to honour my forefathers
I am Shara Kondor, strong and brave

Like shadows they moved, he had broken his oath
His new name: "He Who Knows No Fear"
Now a warrior of Shara Kondor
Crimnor Valora was no more

Born for battle, I will die in battle
Born for battle, I will die in battle

After my death a cheering crowd will welcome me in the halls of the creator of steel
They will raise their pints and bless me for my glorious battles

Born for battle, I will die in battle
Born for battle, I will die in battle

Lord of steel, may this last battle be one to remember
I will die laughing and without fear

Under another name, under another god
They hunted and destroyed Gorodar
Outnumbered by far they attacked in the night
A battle won by pure strength

This will be my last battle
Before I enter the halls of heroes
Where a cheering crowd will welcome me 
And praise my glorious death

Enter the halls of heroes
Praise my glorious death

Born for battle, I will die in battle
Born for battle, I will die in battle

After my death a cheering crowd will welcome me in the halls of the creator of steel
They will raise their pints and bless me for my glorious battles

Born for battle, I will die for battle
Born for battle, I will die for battle

Lord of steel, may this last battle be one to remember
I will die laughing and without fear
4. Crimnor Valora 04:20
If I die in the battle to come
My death will be worth a great song
The crowds will shout my name
Commander of the flames
A force of pure rage
The crowds will shout my name

It doesn't matter how I die, I die for my king
I do not care how I die, I die for the crowds
It doesn't matter how I die, I die for my king
I do not care how I die, I die for the crowds

I am the symbol from the power of my kingdom
My fame reaches many lands
I am Crimnor the warrior
I am the nearest thing to death you will find
My battles are legends to come
I am Crimnor the gladiator

It doesn't matter how I die, I die for my king
I do not care how I die, I die for the crowds
It doesn't matter how I die, I die for my king
I do not care how I die, I die for the crowds

Face me, behold the eyes of death
You are nothing, nothing but another victory
Hail to Crimnor
He spares no man
Face him, behold the eyes of death
You are nothing, nothing but another victory
His flaming sword will light the sky
His battle-axe is the last thing you will see

I am the symbol from the power of my kingdom
My fame reaches many lands
I am Crimnor the warrior
I am the nearest thing to death you will find
My battles are legends to come
I am Crimnor the gladiator

It doesn't matter how I die, I die for my king
I do not care how I die, I die for the crowds
It doesn't matter how I die, I die for my king
I do not care how I die, I die for the crowds
5. Dainar's Last Rites 01:16  instrumental
6. For Death & Glory 07:25
 Hail to ones who ride by our side
Death to the ones who still deny
Now that the lands are free at last
We hunt down those who praise the past
We hunt down those who praise the past

Our banners showing the fearful skull unchanged in time
From Skullmount we ride
The beginning of an invasion, the time to strike is now
Shara Kondor, Palantia, and Lore now united
Together they strike back
The beginning of an invasion, the time to strike is now

For death, for death and glory
For death, for death and glory

We believe in the power of steel
Times will change, we'll break the seal
Together we ride deep in the night
Armed with steel for one last fight
Armed with steel for one last fight

Through the wasted lands of Kahadran, we arrived at last
Fharadahr will fall tonight, storm the black walls
Through the shattered gates we ride
Leaving ruins behind, never to rebuild
Fharadahr will fall tonight, storm the black walls

We come over land and sail over sea
The time to strike is now
Three hundred and fifty ships, ten thousand men strong
The time to strike is now

At the horizon thousands of banners rise
Thronar's skull, the white wolf of Lore and the painted faces of Shara Kondor
A view of tremendous fear

Hail to ones who ride by our side
Death to the ones who still deny
Now that the lands are free at last
We hunt down those who praise the past
We hunt down those who praise the past

Our banners showing the fearful skull unchanged in time
From Skullmount we come
The beginning of an invasion, the time to strike is now
Shara Kondor, Palantia, and Lore now united
Together they strike back
The beginning of an invasion, the time to strike is now

For death, for death and glory
For death, for death and glory
7. Screams of Thunder 05:22
Serving king nor queen
Living under no law except our own
Fighting to revenge our clans
Serving the one who grants us the secret of steel

The sound of clashing hammers filled the morning red sky
Blacksmiths working day and night

If we die it battle it's the will of the gods
Our hearts filled with nothing but pride
Led by the one bonded to the blade
We feel our ancestors looking down from the stars
Screams of thunder after every slain foe
Cursed are the ones who ignore our legions

Serving king nor queen
Living under no law except our own
Fighting to revenge our clans
Serving the one who grants us the secret of steel

In his dreams a spirit visits the One (bonded to the blade)
A blood red scar reveals his cause of death

Samuel: 
"Follow the morning sun for three days, chosen one
For there you will find the inhabitants of Lore
These great archers can help you reach your goal
They share your quest for revenge"

The next morning we set foot to the pathless woods
The spirit's words still fresh in our minds

"Follow the morning sun for three days, chosen one
For there you will find the inhabitants of Lore
These great archers can help you reach your goal
They share your quest for revenge"

Guided by wolves we resumed our journey 
We resumed our journey to the pathless woods
There a blood oath was taken
A blood oath was taken
Two became one
Two became one
A blood oath was taken
Two became one

Guided by wolves we resumed our journey 
We resumed our journey to the pathless woods
There a blood oath was taken
A blood oath was taken
Two became one
Two became one
A blood oath was taken
Two became one

We drink before the battle
We drink to forget
We drink to the fallen heroes, who fought here at our side
Burning water, take our fears away
One last feast before we enter the battlefield

Serving king nor queen
Living under no law except our own
8. Where Sword, Axe and Bow Strike Together 07:01
 Thronar, never taken by a mortal soul
Now, revelation of prophecy is coming
Ancient omens are revealing
Light is diminishing and danger is coming
The danger manifests itself as a powerful army
An army fighting under the hand of Sandrier,
The first lieutenant of Gorodar
The traitor raised in the flaming towers

United under the banner of Thronar
A union for freedom and revenge
Three mighty weapons forged for battle
A union for the freedom of lands

United under the banner of Thronar
A union for freedom and revenge
Three mighty weapons forged for battle
A union for the freedom of lands

Strong magic has wiped all light gone
Madness burns itself into the heads of brave men
But three nations shall remain courageous
Their purpose is to impale Sandrier

Thronar, close to be taken
Fighting 'til the last man

A fight becoming a legend
Subject of songs never fading in time
Bravery and bloodshed go hand in hand
When the sword, axe and bow are killing

Where sword, axe and bow strike together
The glorious battles of the united lands
Where sword, axe and bow strike together
The glorious battles of the united lands

Where sword, axe and bow strike together
The glorious battles of the united lands
Where sword, axe and bow strike together
The glorious battles of the united lands

Thronar, close to be taken
Fighting 'til the last man

On the war-stricken lands, the sight of beheaded corpses and the smell of rotting flesh 
Show the immense bloodshed that has ravaged over Palantia
In the middle Thronar stands, victorious and strong as ever
This victory shall become the subject of tale and song
This mighty army we honour
Wielding the weapons of true craftmanship
The sword, axe and bow

Where sword, axe and bow strike together
The glorious battles of the united lands
Where sword, axe and bow strike together
The glorious battles of the united lands

Where sword, axe and bow strike together
The glorious battles of the united lands
Where sword, axe and bow strike together
The glorious battles of the united lands

And so it ended, the siege of Thronar
The end of a battle, the dawn of a new age
The alliance of the three armies
The greatest force ever witnessed by men
The One, Famien, and Aradas will never be forgotten
9. The Butcher's Bill 01:26  instrumental
  44:39  









jueves, 17 de septiembre de 2015

PROMETHEUS RISING


Origen: U.K., Pontypool.
Formados: 2010
Estilo: Black
Temática: anticristianismo, depresión, misantropía y odio
Enlaces: Facebook y myspace
Miembros:
  • Carwyn Marshall Bajo, batería programda, guitarra, teclados y voces
Discografía:

  • Gospels of Hate EP 2010  
  • Cruel Britannia Demo 2010  
  • The Embrace of Night CD 2012
  • I Don't Give a Shit Demo 2012
  • Ex Oblivione Split 2013  
  • The Definition of Evil EP 2013  
  • And All Returns to Ash CD 2013  
  • Lost and Hopeless Compilation 2013

I DON´T GIVE A SHIT (2012)

Segunda demo para la one man band inglesa Prometheus Rising, a día de hoy no se sabe a ciencia cierta si todavía sigue activa, pero por aquel entonces, año 2012, estaba en la mitad de su carrera. Lo que recoge esta demo es un velado homenaje a la obra de Darkthrone, cualquier fan de la banda haría bien en prestarle una escucha. Realmente el tema que abre el álbum es el único nuevo aquí, los dos últimos son versiones del F.O.A.D., y ya desde al comienzo Carwyn se ocupa de entregar un black sucio, rápido y con una actitud muy punk, muy en la línea de Darkthrone, hecho que se ve totalmente ensalzado en los dos últimos cortes. Una demo que para cualquier seguidor del black más crudo y sucio en su versión más punk, será bienvenida y el aporte de la revisión de un clásico todo un aliciente. (7,6).

1. I Don't Give a Shit (Fuck You All) 03:43  

2. F.O.A.D. (Darkthrone cover) 03:54  
3. F.O.A.D. (Darkthrone cover; alternate mix) 03:44  
  11:21  









miércoles, 16 de septiembre de 2015

IN LEAGUE WITH SATAN




Origen: Italia, Ferrara
Formados: 2007
Estilo: Black, death
Temática: Anticristianismo, blasfemia, guerra, oscuridad y satanismo
Enlaces: Myspace
Miembros:

  • I.K. Bajo
  • Necrogoat Batería
  • P.C. Odio     Guitarra
  • R.A. "Total Disgrace" Guitarra y voces
Discografía:

  • In League with Satan CD 2008  
  • NekroAlkoholik Abominations with Satan Split 2010  
  • Black Mass into the Church of Rats EP 2011  
  • Seven Spittings on the Face of Madonna Split 2013
  • In League with Satan / Blaspherian Split 2015
  • Preachers of Filthy Idolatry Split 2024
IN LEAGUE WITH SATAN (2008-2015) 
Tenemos aquí la reedición en formato tape del állbum debut de la banda italiana In League with Satan, en clara referencia a Venom, álbum editado en origen en 2008. El estilo de la banda siempre se ha regido por un percepción del black en su vertiente más extrema, aquí podemos apreciar influencias del raw y sobre todo del death más brutal que en combinación ofrecen un resultado final violento y extremo cercano a bandas como Necrovore o Autopsy. Desde el inicio, y a lo largo de los apenas veinticinco minutos que entrega el álbum, la música golpea al oyente sin compasión, próxima al ritmo marcial y brutal del avance de una guerra y sin casi momentos de respiro, solo presentes en algún ritmo más lento y pesado en alguna intro. Nueve temas de puro y violento metal extremo con guiños a la obra de HP Lovecraft y al mito del anticristo en una reedición en formato tape muy recomendable para coleccionistas. (7,9).



1. Faceless Deceit 01:43  
2. Sacrilegous Progeny 02:43  
3. Goddess of Bestial Lust 03:23  
4. Outbreak of Satan 02:37  
5. Wind of Nullification (intro) 02:03  
6. Fetid Heresy 03:31  
7. Affirmation of Antichrist 04:29  
8. Daughter of the Ancient Ones 04:04  
9. Cult of Debauchery (outro) 00:50  
  25:23  






lunes, 14 de septiembre de 2015

INFERNAL EXECRATOR - INTERVIEW


1. The beginnings of Infernal Execrator must be placed in 2005, why did you decide to form the band? Why did you decide the name Infernal Execrator already referred?
Infernal hails! Before execrating INFERNAL EXECRATOR, I formed Demonic Death but dead. We have line up issues and most of them are unable to commit towards the band. I’m also a session guitarist for both Kraton (RIP) & Istidraj in 2004. I’m more to black/death metal and already composed 3 tracks and so, I decided to formed INFERNAL EXECRATOR and gave 666% full satanic force towards the legion with extreme irreligious hatred and that’s why I named it INFERNAL EXECRATOR. AGAINST ALL!

2. Despite being in other bands as Imperial Tyrants, Istidraj or Kraton, start Infernal Execrator decide what offers Infernal Execrator regarding the bands previously mentioned?
I’m only a session guitarist for all the bands you mentioned above. 

3. Throughout these years, you've edited enough material: demos, EPs and splits with Infernal Execrator in different stamps, including one Spanish, but especially striking different versions and editions of these launches, at what is should all these different versions and why you do it?
There were other versions for Demo, EP and split with IMPERIAL TYRANTS which is different format. Most of our releases are strictly limited and we want to maintain the limitations of every releases we commence. And most of them are rerelease with permission. We had 3 different version / pressings with different bonus tracks and cover for our album “Ad Infinitum Satanic Adherent” and both versions CD / LP are limited to 500 copies with different bonus tracks exclusively. Reason is, the label, INFERNAL WAVES from France supposed to release the recent album and he went disappear after he got the master copy. No reply from him via email and also Jewbook and so I decided to have this album pressed on 2 difference pressing with exclusive cover & bonus tracks via EASTERN VOICE PRODUCTION from Malaysia for Asian pressing and DUNKELHEIT PRODUCTION from Germany for European pressing. Both CDs are strictly limited to 500 copies and 12” LP were released by APOCALYPTIC EMPIRE RECORDS from Norway. A BIG FUCK OFF to INFERNAL WAVES!

4. "Ad Infinitum Satanic Adherent" is your first album, how was the process of writing and recording? Why now nine years since your creation, decide to edit your first album?
We took 3 days to record all 9 tracks including mixing & mastering. Why nine years? First of all, we have other commitment beside the legion which is WORK and money. And we lack of rehearsal studios in Singapore. We are not a band to keep producing an album every year but ending up with shitty tracks and shitty recordings. We are not a band for fame or planned for thousands of albums and RIP with shit. We are very serious on both releases and live ritual we desecrated. It doesn’t matter to me if the band would takes another 3 years to dominate another album. 

5. How would you describe the sound of "Satanic Adherent Ad Infinitum" How has evolved the sound of the band from your first demo "Thy Demonization Conquers" until "Ad Infinitum Satanic Adherent"?
What I can say is the album “Ad Infinitum Satanic Adherent” has a mixture of both clean and raw sound and that is what we wanted. A totally different concept and sound from our previous releases and demo. Our first release which is our demo in 2005 “Thy Demonization Conquers” have a poor sound quality and also we recorded in a budget studio.

6. From my point of view we can find your sound clear influences of bands like Marduk, Satyricon in its infancy or Impiety, for ¿which you are the main influences in the sound of Infernal Execrator?
Absolutely correct. Our main influences are IMPIETY, MARDUK, ANGELCORPSE, INFERNAL WAR, (Old) ENTHRONED and BELPHEGOR.

7. Your lyrics have a strong anti-religious component, why such direct attack on religion?
We denounce religions and its shitty laws and it is part of the legion ideology! Exterminate the weak! Death to the false! 

8. Do you use the same tools to record it for a concert? Regarding concerts, which guards a better memory?
No! Every live rituals we desecrated comes with a sound engineer and that is how we communicate on our sound and etc. And all these depends with the sound system and monitors. We have experienced a shitty sound man with shitty equipment. The best ritual and most memorable is Davao, Phillipines, with 400+ crazy yet true bestial maniacs and they are real INFERNAL EXECRATOR worshipper! 

9. Tell us about your distributor Demonization Distro, why did you decide to create it? What criteria do you follow when bands make material?
I’ve started Demonization Distro in 2008. Reason is many here worship Mp3 shit! And not many collect CD/LP/Cassette. I have many contacts on both bands and labels and I will either do trades or bought it from them and spread their blasphemy here with a reasonable price. This is not about business or money making. It is part of my passion and blood I’ve sworn and the Distro still prevails since 2008 up till now. You may check Demonization Disto via our Distro page:Demonization distro

10. How did you get started in music: first concerts, cds you bought, etc ... Why decide to be a musician Do you keep the same enthusiasm today than when you started?
I remembered clearly I was 11 and I bought an Asian blackmetal compilation CD featuring SURRENDER OF DIVINITY, MANTAK, DEMISER and etc, Metallica CD and King Diamond tapes from a shop named “Lavanita” which were introduced by a friend. Made a few new friends to do tape trading and trading of zines. I gained more knowledge of bands and label via the zine I read and start emailing them or by using the old technology which is either Myspace or MSN. It is so hard or slow to wait for them to reply. But with full patience, I managed to contact quite a number of old and new bands as well label. Unlike now, most are using this new technology which is Jewbook! You get to know many shitty and great bands or komrade. Not to forget RIPP OFF scums as well. I don’t rely much on Jewbook! My contacts are still contactable via emails! 
My very first show that I watched together with Fauzzt, Firaun and Shyaithan from IMPIETY is at a community centre. A very small show with local acts and we enjoyed the show very much. From there, I started to learn more about guitars and started my basic practices and started to do a cover songs such as Slayer, Emperor, King Diamond and etc. Day by day, I invoked my inner soul for more extreme satanic metal bands and I managed to listen to many killer bands and also attend to local and overseas shows. The blood of pure satanic hate runs in my blood and will forever prevails!

11. Genocide Shrines, Draconis Infernum, Rudra, Vallendusk, bands all geographically close to you, how is the extreme scene in Southeast Asia? Particularly in Singapore, which bands we recommend?
I know Genocide Shrine & Chathuranga as well Chris from Draconis Infernum as we are in contact. Great bands! For Rudra and Vallendusk, I only knew the band name and have listened to their music but I don’t know them personally! Nothing much going on with Singapore scene. Full of political shits and polluted with scumbag and poseur rats! Only few bands are still active and a real hordes that deserve an eternal support! These are the band that are recommended! IMPIETY, IMPERIAL TYRANTS, BATTLESTORM, PURBAWISESA, TANTRA, ISTIDRAJ, NOCTURNIZED & DAMNED ETERNAL!

12. "Ad Infinitum Satanic Adherent" was edited in principle by the seal tape format Eastern Voice Production, although few months later was reissued by the German label Dunkelheit Produktionen how the possibility of working with Dunkelheit Produktionen arise?
“Ad Infinitum Satanic Adherent” Asian pressing tape & CD was only released by Eastern voice productions from Malaysia. The Asian pressing tape are limited to 150 copies and are already sold out! Warhemic Production from USA, released it on 3 different coloured shell which are RED, BLACK and YELLOW GOLD tape shell with a limited embroidered Infernal Execrator logo patch. Only few copies left via the label. Dunkelheit production only released our CD format and 1st 100 comes with and A3 Heavy poster. Before commencing our Asian pressing CD / tape via Eastern Voice Production, I contacted Baal from Dunkelheit Production, and so we made the deal with a different cover art and a different bonus track! We are very satisfied!

13. Tape, CD and vinyl, all three formats in which we can find edited your material, what for you is the best what?
All Tape, CD & vinyl format are the best! All comes with different artwork, different bonus track and for the vinyl, there’s a hidden track. 

14. What future plans do you have for the band in terms of upcoming releases, concerts, etc ..?
The legion are planning on a European tour in 2016 and we will announced the dates once everything has been 666% confirmed! For releases, our 2005 demo “Thy Demonization Conquer” will be released on a 7” format, pro CD and also limited pro tape and these will be released under Witchery Records. At the same time, our upcoming blasphemies will be our 2 new tracks on 7” limited to 150 copies will be released via Gempita records. In 2016, we will have 2 splits and 1 Ep. More news with unholy attack soon! 


15. Thank you very much for taking the time to Black Metal Spirit, if you want to add something for the followers of Infernal Execrator this is the place. I hope the questions are to your liking.
Infernal hails and massive thanks for the killer interrogations! DEATH TO THE FALSE! FUCK YOUR GODS! 
Invoke INFERNAL EXECRATOR at infernalexecrator@gmail.com



Limited to 300 copies with 12" inlay.

HAZTE CON ÉL EN : BLACK METAL SPIRIT STORE O DISCOGS





domingo, 13 de septiembre de 2015

AMIDST THE WITHERING


Origen: E.E.U.U., Atlanta
Formados: 2000
Estilo: Black sinfónico, doom
Temática: Amor, mortalidad y tristeza
Enlaces:Facebooktwitter y Amidst the withering  
Miembros:

  • John Hembree Voces
  • Serge Farinas Bajo y guitarra
Discografía:

  • Ars Moriendi CD 2005  
  • The Dying of the Light CD 2015  
  • Such Devils We Shame CD 2020
THE DYING OF THE LIGHT (2015)
La banda comenzó su andadura hace más de década y media, en este tiempo sólo habían editado un álbum debut allá por 2005, ahora vienen a editar su segundo larga duración que es el que no ocupa, aunque no nos debe de lleva a engaño ya que en este nuevo lanzamiento encontramos prácticamente los temas incluidos en su álbum debut, revisados para la ocasión y algún tema nuevo para completar el lanzamiento. El sonido de la banda es complicado de describir, en el se dan cita el black en un plano sinfónico, el death y algunas partes más doom. Teniendo en cuenta que los temas, en líneas generales son bastante extensos, podemos apreciar esta riqueza musical y las diferentes influencias musicales de la banda en cada uno de ellos, destacando la variedad. El álbum se hace agradable de escuchar ya que cualquier seguidor del metal extremo de los géneros anteriormente mencionados, podrá sentirse reflejado en este álbum. La base de la música se sustenta en un black sinfónico y death melódico en su mayor parte, aunque también hay un reflejo del gothic. Las voces son un aspecto también muy elaborado, en un principio recurren a sonido agresivos y casi guturales de orientación death, aunque no descuidan algunas limpias y en contraste con las anteriores, ofreciendo una interesante dualidad que se complementa con la atmósfera épica de algunas partes. Los riffs de guitarra tienden hacía la melodía y algunos toques de teclado acaban por acercarlos al black sinfónico también. La propuesta es interesante y nos habla de una banda de variadas influencias que ha plasmado de manera acertada en este su segundo álbum. (8).




1. A Prelude to Darkness 01:28  
2. Auri Sacra Fames 07:53  
3. The Clarion Light 04:31
4. The Withering 07:36  
5. Aegri Somnia 06:15
6. Autumnal Lament 05:15
7. Infinitus Dolor Amoris 03:32  
8. Seraph Enslaved 05:55   
9. The Acolyte 06:49  
10. Prologue 00:43  
11. A Love Benighted 07:41
12. Epilogue (A Defiant Succumbing) 01:52
13. The Dying of the Light 03:49
  01:03:19  









viernes, 11 de septiembre de 2015

XAEMORA


Origen: E.E.U.U., St. Louis.
Formados: 2012
Estilo: Black
Temática: Caos, misantropía y muerte.
Enlaces: Bandcampfacebooktwitter y youtube
Miembros:
  • Deyanira Teclados
  • Dreathus Guitarra y voces
  • Hartväig Guitarra
  • Vltir Sarnat Bajo
  • W. Batería
Discografía:

  • 2013 Demo Demo 2013  
  • Kingdom Venom I EP 2014
  • Kingdom Venom II EP 2016
  • Pandemonium's Ocean CD 2017
  • At Dusk of Existence EP 2020
KINGDOM VENOM I (2014)
Hasta la fecha la banda ha puesto en circulación una demo inicial y este Ep, aunque en breve le tendrían que dar continuidad al mismo publicando su segunda parte anunciada para este mismo año. Lo que nos ofrece aquí Xaemora son 6 temas de black sinfónico y melancólico en la línea de bandas como Dimmu Borgir. A decir verdad, su música suena de manera ampulosa, no se satura con teclados innecesarios, más bien estos permanecen en un discreto segundo plano, aportando en ciertas partes una atmósfera de melancolía rozando la épica. Hay buenos riffs de guitarra en algunos temas, la batería se ha trabajado especialmente como sucede en la mayoría de las bandas de black sinfónico y las voces se decantan por una vertiente casi gutural pero permanecen un tanto latentes en medio del resto de instrumentación. Estamos ante un ejercicio de black sinfónico casi que en toda regla, los temas discurren en esa linea, bastante variados en cuanto a ideas, hay buenos cambios de ritmo y buena melodía, sin embargo falta concretar un tanto más la propuesta, tal vez algo de frescura que seguramente se verá corregido en la segunda parte de Kingdom Venom. (7,7).


1. Gadara 05:24  
2. Absolute Severance 04:11  
3. Descension 04:45  
4. Violent Rebirth 02:44  
5. Desolation Solitude 04:32  
6. No Longer 02:52  
  24:28










jueves, 10 de septiembre de 2015

HEATHEN BEAST


Origen: India, Kolkata
Formados: 2010
Estilo: Black
Temática: Ateismo, cultura y sociedad de la India e historia
Miembros:
  • Carvaka Guitarra y voces
  • Mimamsa  Batería
  • Samkhya Bajo

Discografía:

  • Ayodhya Burns EP 2010
  • The Drowning of the Elephant God EP 2012
  • The Carnage of Godhra EP 2015
  • Trident Recopilatorio 2015
  • Rise of the Saffron Empire EP 2016
  • $cam EP 2017
  • Bloody Sabarimala Single 2018 Fuck All Religions Equally / Bloody Sabarimala Single 2019 Fuck All Religions, Equally Single 2019
  • The Revolution Will Not Be Televised but It Will Be Heard CD 2020
THE CARNAGE OF GODHRA (2015)
Tercer EP para la banda india que viene a dar un toque de atención sobre la escena emergente del país. Tres temas que discurren entre pasajes de black metal, death metal y música tradicional de una forma bastante equilibrada, tal vez estemos ante la obra más completa de la trilogía de eps que han editado, tanto por la madurez de la propuesta como por el sonido profesional arrancado a los temas. El grupo viene de ir evolucionando poco a poco su sonido, pasando en sus inicios de una mayor influencia del black, a ir virando y dejar que el death fuera ganando peso, todo hay que decirlo no exento de cierta melodía en segundo plano. Su música recoge varias influencias pero es interesante el acierto de incorporar elementos de música tradicional en las composiciones de manera efectiva. Todo ello acaba por sonar como una maquina de destrucción de black death metal, no en su vertiente más clásica pero si cumpliendo sobradamente. Tal vez se eche en falta una mayor contundencia de la batería, las voces se emplean a fondo en una faceta agresiva escupiendo letras de crítica social y antireligión. Un ep, en definitiva, que ofrece tres temas agresivos y contundentes de black-death con algunos toques folk. (7,9).

1. The Carnage of Godhra 05:56
 

2. Ab Ki Baar, It all goes back to Ayodhya, a holy land claimed so,
Wretched human religious beliefs, seeds of hate they sow.

The train it chugs along the rail she goes,
Somewhere along the way an evil it did grow.

The returning pilgrims with a religious blindfold,
Then came the attack for reasons unknown.

Godhra it was named, humanity shamed,
There is no fire without a spark.

Trapped. Stoned. Burnt Alive.
Were they Hindu, Muslim or Humans in the fire?

What reason could there be to spark such horrific ire ?
The tales are a plenty, who speaks the truth? Who is the liar?
The provocation was there and the reaction was strong
And this you believe is a service to your god?

Do you realize it begins at the divide?
Do you realize you are blinded by lies?
Take away your religion and see what you find.
Take away your god and do you still see eye for an eye?

How can you sleep with the blood that you’ve seen?
Live each day, is there no guilt you feel?
Do visions of those charred bodies not haunt your sleep?
How can you still justify your religious beliefs?

The truth is still buried and justice is not served
Conspiracies are a plenty, 59 people burned,
So many different stories, which one is the word?
Who was the real demon leading the violent herd?

This was just the beginning
Of a genocide that was brewing
The swords they were sharpening
For the mass revenge killing

In the name of a god.
Your best imaginary friend
In the name of a god.
It’s just good business in the end. 06:51
A mountain of bodies, in four trucks disposed
In an empty well, dozens more found a home.
Women and children, no one was spared.
Even the police, did not seem to care.

We begged the gun-toting police,
Sir, let our innocent children go
He questioned their innocence and said
Aaj marna hai tum ko!

They surrounded us and doused us with petrol and kerosene
They burned us alive; I screamed I cried, at the bottom of the human pile, still alive
Six of my family, none have survived, my baby boys I watched them die
The government can give us money but will it really suffice?
Cash cannot replace justice, how do you put a price on their lives?

The women who tried to escape, they were molested
Their mouths were clamped, their clothes were torn
Kausar she stood beside me, with a child, unborn
Her womb was slit open, the foetus impaled on a sword.

At the graveyard he sits, counting the dead bodies
Not a sight for human eyes, hamari bhi himat tuti

Wherever there was an attack, women were raped
Their bodies still scarred, each mark tells the tale.
Another family of seven, hid in a field for two days
Found by the mob who stole their money and killed them anyway.

Jafri was dragged into the street and forced to parade naked
Refusing to say "Jai Shri Ram" they beheaded and burnt his remains

Think of the hate they create
Of all the lies they spread
Hindu or Muslim, it doesn’t matter
Religion should be dead.

Motherfucking religious leaders
Brainwashing the gullible fools
Creating an army of religious warriors
To fight a war that can bear no fruit.

Mandir bhi le lo, masjid bhi le lo
Magar tum hamare lahu se na khel
3. Gaurav Yatra (The Aftermath) 06:52
 Seven Ninety Muslims and Two Fifty Four Hindus died
The religion doesn’t matter that is over a 1000 human lives
The fires died down and the smoke did clear
A blood stained ground, people living in fear

Widespread destruction, a system that failed
So many arrested, murderers let out on bail
Homeless, penniless, wandering in pain,
Still waiting for justice and relief that never came.

We are still missing answers, to what started the fire
What was the incident to spark the ire?
What was the reason? Have people conspired?
Is this all part of some political game?
They say in a game of Chess, the pawns die first. 
Does the butchering of innocent really quench the blood thirst?
If you both had the same god, who would draw their blade first? 

In the wake of this tragedy some prominent leaders did speak
Their speeches filled with hate, more evil they did breed
Bal Thackeray spewed venom and so did the VHP
Evil did show many shames, behold the Indian Mujahedeen

Violence will only breed more violence
When will the killing of the innocent stop
We must educated the youth of our nation
Empower them to not be brainwashed, by religion.

Can you imagine watching your family killed before your own eyes?
Do you think you will ever sleep peacefully after watching such horrific crimes? 
How can anyone even live a normal life after hearing those helpless cries? 
Will you still find a reason to live after everyone you love has died? 
Even though 10 years have passed, the ghosts still haunt my life
There has been no justice, no relief, a nightmare with no respite.
  19:39

 










martes, 8 de septiembre de 2015

SHOW ME WOLVES


 

Origen: Islandia, Reykjavík
Formados: 2015
Estilo: Black progresivo, metalcore
Temática: ?
Enlaces: Bandcampfacebooksoundcloud y youtube
Miembros:
  • Hörður Lúðvíksson  Todo
Discografía:
  • Between Man, God and False Idols CD 2015
  • The World They Took Over CD 2016
  • Silence of the Frail Mind​.​.​. Single 2022
  • All Roads Lead To The Same Grave EP 2023
BETWEEN MAN, GOD AND FALSE IDOLS (2015)
Primer larga duración de esta one man band procedente de Islandia, que nos presenta ocho temas en poco más de cuarenta minutos que discurren por un sonido que tiene como referencia el black, pero que poco a poco a va desgranando diferentes influencias en su sonido. El álbum comienza con un tema que con un sonido black bastante clásico pero que aporta influencias del hardcore de una manera muy descarada. Tal vez el hardcore sea la influencia más representativa en el sonido de este álbum, pero es que Hörður no le hace asco tampoco a incorporar a su sonido el metal progresivo o el doom, acabando por ofrecer una propuesta bastante original, alejada del sonido más clásico pero que cumple sobradamente. En su sonido, bajo mi punto de vista, hay dos elementos fundamentales, uno es el buen hacer a las guitarras, agresivas y melódicas en la mayoría de los casos, consiguiendo un sonido con mucho groove; la otra sin lugar a dudas son las voces, capaces de sonar agresivas y casi que violentas en la mayoría de los casos, con una reminiscencia punk, pero es que tampoco se corta con la incorporación de algunas más limpias y corales. Un trabajo, sobre todo variado, con una gran riqueza musical que se aleja un tanto del sonido clásico pero que ha sabido incorporar con maestría diferentes estilo de metal a la propuesta final. (7,8).


1. The Lies of His Sons 05:17  
2. Amongs Us 04:02  
3. False Beings 06:18  
4. Sea of Trees 05:07  
5. Unknown Reflection 06:14  
6. Steps into Oblivion 03:37  
7. Beyond the Sun 05:21  
8. From Ice to Fire 04:55  
  40:51