viernes, 23 de enero de 2015

TEURGIA


Origen: Hungría, Nagykanizsa.
Formados: 2002
Estilo: Black melódico
Temática: Paganismo
Enlaces: Bandcamp
Miembros:
  • Ádám Somogyi Guitarras y segundas voces
  • Balázs Pöcz Batería
  • János Molnár Bajo
  • Zsolt Lédeczi Voces

Discografía:

  • Hanyatlás Demo 2003  
  • Mors Tua Ero EP 2003  
  • A Vég Útján Demo 2006  
  • With True Faith  CD 2008
  • Memento of Ancient Memories CD 2013
MEMENTO OF ANCIENT MEMORIES (2013)
Segundo larga duración para la banda húngara y que hasta la fecha parece que será el último ya que la banda se encuentra en estado de hiato desde hace un tiempo. Desde sus inicios la formación siempre ha tenido presente en su música elementos del paganismo, sobre en cuanto a letras ya que en lo que refiere a su música y más concretamente a este álbum han tirado más por una vertiente más agresiva del género con cierto acercamiento al death en partes como las voces o el doble bombo que hace acto de presencia. Los riffs de guitarra de clara orientación melódica, en general rápidos y veloces, este último apartado, el de la velocidad nos acompaña en todo el disco. Otra faceta a destacar son las voces, en general agresivas pero que se ven complementadas por algunas más guturales incrementado la agresividad de su música. El ambiente en general es bastante anodino, hay buenas ideas musicalmente hablando pero el álbum se hace bastante previsible y con ciertos altibajos sin apenas reminiscencias al sonido clásico del género y ofreciendo en definitiva un disco de metal. (7,3).


1. Memento 03:39  instrumental
2. Revival 04:14  
3. When I Look up to the Stars 04:49  
4. Scourge of God 04:43  
5. Vata - Rise of the Last Hungarian Pagan Warrior 04:16  
6. At the Crack of Dawn 05:41  
7. The Golden Deer 04:15  
8. For Dead Brothers 04:48  
9. Ancient Orison 04:03  
10. Fields of Blood 06:40  
  47:08  




martes, 20 de enero de 2015

CEREMONIAL CASTINGS

CTHULHU (2014)
La peor noticia que nos puede dejar esta álbum es que sirva de epitafio para la carrera de la veterana banda estadounidense después de dieciocho años de carrera.  "Cthulhu" como su nombre indica esta inspirada en la obra de H.P. Lovecraft, escritor y obra reconocida y respetada en las escena, ¿cuántas veces ha servido su obra para inspiración y temática de una obra de la música extrema?. Lo que tenemos aquí es una obra conceptual en toda regla, con un inicio, un desarrollo y un final que se nos va hasta los setenta minutos de duración. Un tiempo más que extenso para un trabajo de black metal pero la verdad es que prácticamente logra mantener la atención del oyente en toda su longitud gracias al buen hacer la banda que ha conseguido un acople entre la vertiente más violenta y rápida de su música de gran influencia black y death, con la atmósfera etérea, vacua y de soledad que logran el añadido de teclados y algunas partes de guitarras y voces limpias. Asistir a la audición de este álbum es afrontar un viaje inmersivo en la obra de Lovecraft en toda regla, la banda ha arrancado una musicalidad fuera de toda duda logrando una riqueza de sonido difícil de comparar, aportando un ambiente oscuro y endemoniado a todas las composiciones. Guitarras afiladas no exentas de ciertas melodías, una buena batería, rápida y aplastante, ciertos adornos de teclado que aumentan la vertiente algo sinfónica de su música y las voces que rugen con fuerza pero también son capeces de aparecer en pasajes hablado, casi susurrados, quien conozca a Bal-Sagoth, sabrá de lo que hablo. La edición digital disponible en su bandcamp y la edición física se entrega con un segundo cd con un solo tema instrumental de cerca de una hora de duración. (8,7).

Disco 1
1. The Great Old Ones 07:03
By the words of the Mad Arab Alhazred From the nameless city & keeper of the keys Behold my findings from behind 9 doors Rushing devils now invoke my dreams Dark univers I hear ye yawning Black as the Witches' Cauldrons are Old Minds more intelligent than Miskatonics Here I seek you and dare to travel far Gathered now the black brotherhood be Under stars aligned in Trapezohedron form Bas-relief readings from the idol stone conducting rituals; Cthulhu be reborn! Before hell-wind & titan-blue Aeon-shadowed Walpurgisnacht Rise from Yith-infested Seas Psychic-tentacle mind rot Cthulhu, Azathoth Nyarlathotep, Shub-Niggurath Father Dragon, Dagon Mother Hydra, Yog-Sothoth Borne on the wings of night Are those out beyond space From dim eras & dark stars Entering here through the spirit gate Black-winged ones travel through sky Cephalopods of cryptic lore Stretching beyond Arkham minds Cthonian prophecy shadows forth Electricity from below smoke-wreathed world of dream Violet lamp-starred twilight Nothing here is what it seems I see the tower in the dark A shadow that is out of time Lightning strike from cloudless skies In their name dark star Yuggoth shine
2. Return to the Cosmic Infinity 06:34
  Trembling earth, under chanting cults,
Chill winds bring vast new fear 
Shattered-sky holds luminous bolts,
Old ones cast bondage of strange fever
Cosmic secrets of the glowing stone,
Planetary Giza alignment
Gates and Passages through voids unknown
Now unlocking a true god's confinement

Night howls peer haunting ecstasies,
they tear & echo like the wolves of hell
Possession through control-lost orgies,
for him...we are whipping ourselves
High-delerium & stagnant motion,
our minds are not our own-
Imprisoned animalistic fury,
peaceful now to the phantom; a drone

Soon be the season of the proper moon's cycle
Resurrection when the stars align
First signs of liberation & revival
Mi-gos plunge like comets in our skies

Like glowing hale falls alien orbs, 
crashing violent into colossus-wave
Descending down upon our oceanic floors
implanting us with visions of his grave
3. The Depths of Dreams & Terror 07:39
The horrors I've seen
within my sleep & dreams
awakens my mind
to the absolute strangest things
From deep inside
it's astronomical mind,
starring from below
watching with gazing eyes

Reverse anthropod abortion,
convulsive subconscious contortions
A new unrestricted reality
trapped in prismatic distortion
Dark universe coursing through my veins, 
black planets begin to roll without aim
Beyond the realms of my mind, 
lays a city I cannot yet name

Unknown superior; he who will drown the sun
Laying below a chasm of stone,
shielding him since the sun was young
Blasphemies from elder stars
which dream beneath the sea
The old ones were, the old ones now
& again the old ones be
4. Below a Mirror of Stars 04:04  
5. Submerged Stones of R'yleh 08:51
Awakening now, from an emerald-hazed slumber Panic & mania...brought from what I have seen. A city shrouded in complete & utter silence Forbidden landscape of my blasphemous dreams Obsolete vista of unknown architect Cyclopean structures; malachite-like dripping ooze It will bring horrors beyond the likes of Dunwich It will bring horror, revelation & truth It has gripped my mind; subconscious residuum Involuntary visions of an estranged citadel Luring Master; Telepathic Disseminator I will find you through consciousness & will Supreme dweller, who whispers in darkness Seeking one...made of flesh & bone Necronomic scriptures shall map my path Descending unto undimensioned crypts of stone "What I see is unmeant for mortal eyes. Paralyzed in dream state I somehow telepathically float towards the abstract monolith. I seem to be lowering further & endlessly down. Diminishing is the light of the sun which breaks through what I can only imagine to be the crown somewhere on the Pacific. Darkening becomes my vision except for the unworldly structure I fear to know. Engulfed in black oceans, I am channeled forth...beyond my will. As spoken by the Esoteric Order, here lays the sea soaked perversion that houses a great dead dreaming priest. I have reached the monstrous acropolis. It sits in loathsome shapes that could only be built by travelers from dark stars beyond galaxies we've yet to discover. Oh what mass this holds. Surely only a titan must lurk within these stones. Not even the gates of heaven could rival these dimensions. Here surely rests the supreme dweller. Deepest of deepest ones laying behind the wall of sleep. I now must begin my decent beyond earth's alternate dimensional plane. Outside the circles of time & downwards through dark pillars bearing inscriptions foreign to the eyes of man. Behold the mighty nightmare-corpse city we once thought unreachable. Behold a dripping Babylon of elder-demons. Behold the metropolis tomb & colony of Cthulhu. Behold R'lyeh"   
6. Crypt of the Kraken King 05:56
Those of The Void, seek passage here Dead but dreaming...His time draws near Continuing forth...following forbidden signs I must crack the seal to release the chains that bind Elder-devil who dances in astral flames I hear your silent howls, I hear you call my name Eater of time & space, ancient spawn of the stars Illustrate your dementia, unseen haunter of the dark Submerged sepulcher, inert daemonical pool Hair-raising silence slumbering nightgaunt & ghoul Divine Viridian Nexus, magnificent celestial tower Entombed super-Omega, ensnared sleeping power Great Nodens of the Silver hand, Abysmal-lord beneath the waves Secret teacher of the nether, Yog-Sothoth stands behind the Gates Unknown darkling-forms move & gather round, Leering shadows guide my way Supreme Sultan who controls my will, Deliver me unto his grave  
7. A Throne Below the Black Sea 05:54
  Iridescent golden flecks radiate within blackened stone
Hieroglyphic-colossal blocks, undoubtedly
The Destroyer's Throne.
Indestructable contraption that bears inscriptions,
Resurrecting instructions, aloft a heap of bones.
Terror of apprehension...creating imagination
I weave wild witchery to wake...thee unknown.
Alternative Universe, descend unto our atmosphere
Dark gods ascend in us, we reap what we have sown.

Let the voices of the faithful be heard beyond boundless
wells of night.
Chant boisterous, spirits of earth...shout hymns amidst
greatest might.
Dread & admiration, dream-sculptured incantations,
Psychotic mind-molestation, he is within my sight!
Great old one, elusive external King,
generate stellar blackness; our world devoid of light.
Electric anathema, bring song from Tru'nembra
cease the clock of time, import our spheres last rite.

My orifices dripping with jellied-green
For sure Shoggoths within my limbs
Protoplasmic organ fiends
Moving through my blood like a slithering Yig

Re-animator; I am the chosen one
Gifting re-birth to he who eternally lies
Yet with strange aeons...
Even Death may die.
8. Above a Reflection of Water 03:46  
9. Storming the Pacific 05:53
Formless presence smoke rising Black Aether erasing our horizon Seven seas freshly flood Seven continents concealed in blood Ceaselessly Crawling Chaos, Planetary-wreckage holocaust-seance Ithaqua flares riding winds Abysmal stares burst unhinged "Praise him; he with tentacles like serpents, Praise with the black goat of the woods with a thousand young, Praise the blind demon who dwells within the pit of chaos, Praise the destroying eye, the cold flame & the burning ones" IA! IA! IA! IA CTHULHU!  
10. Swallowed by the Aeons of Time 09:37
Darkness constructing, the vast deep rises forth Great poison from the sea, tenebrous wings storm the shore. Lunacy exploding, reclaiming realms of wonder Wailing out to infinity, roaring like a thousand thunders. Rise & set blackest sun, shine upon the end of man Let us pray to see Kadath, let us dream on plateaus of Leng. Cover Earth with slate Abyss, reverberate our all-knowing end, Welcome us through shamanic portals, let our minds from our bodies ascend Transparent being gleaming through emerald light Undimensioned knowing not the day or night Great mountain of madness, wielding wormholes from beyond, Space-aquatic-levitator; summoning star-clusters blocking dawn Yuggoth descend from what is left of our sky, and now the world & all contained inside shall die This is the end, the end of all. For all is lost...& lost are all. 
11. Endless Oceans 05:24  
  01:10:41  
Disco 2
1. Cthulhu Unbound 01:00:57  
  01:00:57  


domingo, 18 de enero de 2015

PURE


Origen: Suiza, Lausanne
Formados: 2013
Estilo: Raw black
Temática: ?
Enlaces: Bandcampfacebook
Miembros:
  • Bornyhake Todo
Discografía:

  • Kingdom of Wrath CD 2014  
  • And the Waters Turned to Blood CD 2014
  • Art of Loosing One's Own Life CD 2015
  • J'aurais dû CD 2017
  • Horna / Pure Split 2018
  • Disclosure of Knowledge Demo 2020
  • Seeds of Despair CD 2021
  • Prison of Flesh and Bone CD 2023

KINGDOM OF WRATH (2014)
Ormenos ha sacado tiempo de sus múltiples ocupaciones en bandas como Borgne, Enoid, Haine, Kawir o Deathrow para sacar adelante un nuevo proyecto de crudo black metal. "Kingdom of Wrath" supone su carta de presentación, en donde desde el comienzo ofrece un sonido crudo como pocos. Guitarras afiladas y distorsionadas una batería rápida y unas voces en la mayor parte de los casos chirriantes con gritos de agonía. En conjunto suena bastante bien, la producción es sucia y escasa pero está acorde con la propuesta ofrecida, que no es otra que la transmitir una crudeza total. El álbum arranca muy bien, lo primeros temas son directos y una aura primitiva envuelve toda la música, ofreciendo un claro homenaje a los clásicos del género, tal vez a medida que caen los temas estos pierden un poco de frescura, pero en líneas generalas está toma de contacto con este proyecto es muy interesante. (8,2).


1. The Nightside Throne 00:37  instrumental
2. Astral Vanity 06:08
3. The Red Moon 09:36
4. Shroud of Hate 07:07
5. Imara 09:22
6. This Is Life 04:02
7. The Last Ritual 08:41
  45:33


sábado, 17 de enero de 2015

CRUACHAN

FOLK-LORE (2002)
Con una línea continuista con respecto a su anterior "The Middle Kingdom" Cruachan lanzaban a principios del año 2002 su tercer larga duración "Folk-lore", que sigue teniendo las virtudes de su anterior obra que no son otras que saber encontrar un  equilibrio perfecto entre la instrumentación folk, celtica y medieval de la mano de instrumentos de vientos, flautas, violines y algunas partes de teclados con guitarras afiladas de influencia pagana. Sin embargo si que hay cierta evolución en algunas estgructuras, esta álbum a pesar de conservar las voces femeninas y los ritmos pausados y contemplativos folk, se ha realizado un esfuerzo considerable en abrir la música hacia terrenos más metal y las guitarras y batería son más representativos, tienen más peso e influencia en el resultado final del álbum. Las voces de Keith también han ganado protagonismo elevando el sentimiento agresivo y bélico de la música. Estos dos lanzamientos de Cruachan aún ofreciendo un completo trabajo de folk, black metal, no se pueden comparar a otros lanzamientos similares de otros grupos que coincidieron en el tiempo, su atmósfera y musicalidad son totalmente diferente y más influenciado por el celtic y el folk. (9).



1. Bloody Sunday 04:15
  Remember well the 30th of January
The feeling of dread that was in the air
The people marched for their right to equality
They only wanted to be treated fair
Shots were fired by a mindless military
The people ran they were unarmed
Across the world we will read of Derry
And those who died by oppressive hands

13 people lost their lives that Sunday
Women, children and innocent men
Many wounded lay crying in agony
The knights of Malta attended them
And so began the government cover up
And so began the lies and deceit
Soldiers statements would be changed and torn up
No reports would come from men on the street

As the years went by the people began to talk
The hidden crimes were now being told
Innocent protestors - shot in the back
Left to die in the winter cold
The bullets used had all been tampered
Maximum injury would come from them
This tyranny will not go un-noticed
Our day will come again
2. The Victory Reel 01:21  instrumental
3. Death of a Gael 05:38
 A warrior so proud of the woman by his side
His faithful heart would take no other bride
For three years they lived, midst the forests of the land
Strong and proud was the love of this woman and man

Like the sky high above, no beginning and no end
The woman that he loves, his life and best friend
Until that day in December when the snowstorms did start
Stalked the Norseman with his bow, put an arrow through his heart

Hear the cry, the cry of the winter wind
Blowing across the land
Stealing his life from him
From the earth, and into the otherworld
The land of Tir Na N'Og
Is the place where he must go

'Woman come to my side
Let your arms shield my pain
For I know I will not spend another day with you again'
They say she will not move
From the place where he did die
Once so strong and so proud
She cannot talk but cry
4. The Rocky Road to Dublin 03:07
In the merry month of June, from me home I started, Left the girls a tune, nearly broken-hearted, saluted father dear, Kissed me darlin' mother, drank a pint of beer, Me grieving tears to smother, Then off to reap the corn, leave where I was born, With the stout black horn to banish ghosts and goblins, A brand new pair of brogues, rattling o'er the bogs, and frightening all the dogs on CHORUS: The rocky road to Dublin; one two three four five Hunt the hare and turning her down the rocky road, and all the way to Dublin! Whack fol lal dee rah! Well in Mullingar that night, I rested limbs so weary, Started by daylight, me spirits blithe and airy, took the drop o' the pure, To keep me heart from sinking, that's the Paddy's cure, Whenever he's on for drinking, To see the lassies smile, laughing all the while, At me curious tales, which set your heart to bubblin, Asked if I was hired, wages I required, till I was nearly tired of Chorus. Well in Dublin next arrived, I thought it such a pity, To be so soon deprived, a view of that fine city, so then I took a stroll, All among the quality, bundle it was stole, While in the neat locality, Something crossed me mind, when I looked behind, No bundle cord I find, upon me stick a wobblin, Inquiring for the rogue, set me call to brogue, wasn't much in vogue on Chorus. Well from there I got away, me spirits never failing, Landed on the quay, just as the ship was sailing, the captain at me roared, Said that no room had he, when I jumped aboard, A cabin found for Paddy, Down among the pigs, they'd some funny rigs, Danced some hearty jigs, the water round me bubblin, When off Hollyhead, wished meself was dead, or better far instead down The rocky road to Dublin; one two three four five Well the boys of Liverpool, when we safely landed, Called meself a fool, I could no longer stand it, blood began to boil, Temper I was losin, for old Erin's Isle, They began abusing, "Hurrah me soul," says I, me shillelagh I let fly, Galway boys were nigh, and saw I was a'hobblin With a loud hurray, joining in the affray, we quickly cleared the way for Chorus.  
5. Ossian's Return 04:44
The sky was grey and leaden Wolves howling on the wind Above the land of Tir Na N'Og The ancient calm still reigned 'I long to stand on my home shore' Said Ossian in a glare 'But Ossian love, this is your home' Said Niamh of the golden hair She seen the look upon his face She knew the pain he felt He longed to be home among his race With his ring-sword strapped to his belt 'Return my love to the land of man But be warned, time rests heavily there Come back to me if you ever can Back to the land of the fair' 'Do not dismount from the steed you ride From this world it belongs If you dismount you will fall by its side To be rememberd only in fairy songs' He galloped across the fairy seas Back to the land of man Watched by the Gods and the Daoine Sidhe His life to end as it began 'I have returned', he said aloud But no one was there to hear His noble home once bold and proud Had crumbled through the many years A power had come into the land To threaten the olden ways The people ignore the ancient Gods They bid farewell to a golden age Ossian stopped his gallant steed He could see some people ahead 'Help us please, our brothers are trapped Beneath this dolmen', they said He leaned down from his mount And gripped the domen firm From the earth the rock was freed The people beneath unharmed But from the strain his saddle broke To the earth he was cast A cry of pain burst from his throat The years now caught him at last In Tir Na N'Og Niamh shed a tear When she saw the rider-less horse Ossian was gone, her greatest fear Her heart was full of deep remorse   6. Spancill Hill 06:00
 Last night as I lay dreaming of pleasent days gone by
Me mind been bent on rambling to Ireland I did fly
I stepped on board a vision and followed with a will
Till next I came to anchor at the cross near Spancill Hill.

Delighted by the novelty, enchanted with the scene
Where in me early boyhood where often I had been
I thought I heard a murmer and I think I hear it still
It's the little stream of water that flows down Spancill Hill.

To amuse a passing fancy I lay down on the ground
And all me school copanions they shortly gathered round
When we were home returning we danced with bright goodwill
To Martin Moynahan's music at the cross at Spancill Hill.

It was on the twenty-forth of June, the day before the fair
When Ireland's sons and daughters and friends assembled there
The young, the old, the brave and the bold came their duty to fulfill
At the parish church in Clooney, a mile from Spancill Hill.

I went to see me neighbours to see what they might say
The old ones they were dead and gone, the young ones turning grey
I met the tailor Quigley, he as bold as ever still
For he used to make me britches when I lived at Spancill Hill.

I paid a flying visit to me first and only love
She's as fair as any lily and gentle as a dove
She threw her arms around me, crying Johnny I love you still
She was a farmer's daughter, the pride of Spancill Hill.

Well I dreamt I hugged and kissed her as in the day's of yore
She said, Johnny you're only joking as many the times before
The cock crew in the morning, he crew both loud and shrill
And I woke in California, many miles from Spancill Hill.
7. The Children of Lir 05:08
  In a time of myth and magic
Lived a man of timeless power
Lir was his name
But his temper had turned sour
He would not be king of the land
Bov Dearg was chosen instead
Lir would pay no tribute to him
And secretly wished he was dead

Alas with time Lir's wife did die
And he was full of great sadness
Dearg heard this and sent word to Lir
To meet him in his palace
When they met, they both embraced
Their friendship was made then
Dearg summoned his daughter Eve
And told Lir he must marry again

Lir's love for Eve was as strong as with his first wife
A seed was planted, Fionnula and Aedh were born
But her next child birth would take away her life
Fiachra and Conn
From their mother's stomach were born

Lir's sadness knew no bounds
He cried out to the night
Dearg was there to comfort him
And help him see the light
He had four beautiful children
And with time another bride
Eve's sister Aoife would stay loyal to his side

But Aoife had a jealous side - a cancer in her mind
She moved against the children
Love for them she could not find
She took them in her chariot to a lake not far away
And changed them into swans
Like night time into day

300 years on Derravaragh, so commenced the spell
The children would swim to the shore
Their story for to tell
300 years on the sea of Moyle
A cruel and bitter place
The children missed their father here
The smile upon his face

In the sea of Moyle the waves did crash
And beat the land with might
The rain fell fierce and the wind blew hard
The swans all feared for their lives
Fionnula was strong and wisest of all
And guarded her brothers from strife
Under her wings they hid from night
And waited for the morning light

Finally the day did come to leave this terrible sea
300 more years to live as swans
Then they at last would be free
To Inish Gluaire the swans did fly
As last as they would go
New lands and kingdoms everywhere
Fionnula did see down in below

There they waited, till at last the day did dawn
The spell was ending
They felt themselves transform
They were now ancient
Their youth was gone forever
And as they died
They held hands and went together
8. Ride On 04:41
 True you ride the finest horse I have ever seen,
Standing sixteen, one or two. With eyes wild and green,
And you ride the horse so well, hands light to the touch, 
I could never go with you no matter how I wanted to.

CHORUS (Two times)
Ride on, see you, I could never go with you 
No matter how I wanted to.

When you ride in to the night without a trace behind,
Run your claw along my gut one last time.
I turn to face an empty space where once you used to lie,
And look for a spark that lights the night
Through a teardrop in my eye.

CHORUS
9. Susie Moran 04:11
 Life for you, it was not easy
And at ties was so unfair
In a time when work was scarce
Many burdens were yours to bear

You bore the brunt of grief
When Patrick left the earth
Such a tragedy to happen
To a child four months from birth

When husband Jack did lay
For years in a hospital bed
You were by his side relentlessly
To help him through this dread

You had no time for science
Technology was not your friend
You lived your life in black and white
Until the very end

You've gone now to that other place
Your work on earth is done
Jack is waiting there for you
In his arms he holds your son

We know it may be long
Before we hear your voice again
You will always be remembered
Never forgotten - Susie Moran
10. Exiles 06:36
Loneliness was all she knew Because of her God sent beauty Evil and carnage were sure to ensue Her death was Conchobars duty The high king Conchobar would not dare So he hid her away from his people 'Deirdre will live and grow up fair Then marry me in my temple' (18 years later) She was disgusted by Conchobar And vowed she would not be wed 'I love only the man who bears the colours - black, white and blood red' 'I know such a man', her aide explained But Deirdre could only hope Uisneach's sons were led to the forest With Naoise, she would elope No place was safe for the four exiles They left Eireann with heavy hearts But to see her face, and see her smile Gave the brothers strength to depart In Albas' hills they made their home And began a simple life Local hatred had suddenly grown Men wanted her as a wife Conchobar dreamed of Deirdre his true love He longed for the touch of her skin His duties neglected, his life so affected 'Why did she leave the court of the King?' After some time he explained he was wrong or so we were led to believe 'This sorrowful song I have sung for so long, Naoise agus Deirdre I now forgive' Naoise always longed to go back home When he heard the news he wept The brothers prepared for the journey ahead With Fergus Mac Roth they all left The exiles returned to the King alone And knew there was something not right Conchobar made his plans be known The brothers took up the fight The exiles fled to the sorrowful forest Followed by the king's men Deirdre was hidden but they needed rest They could not fight again Naoise smelt death and he quietly said 'Please Deirdre stay where you are' A belt of a sword and the brothers fell dead Deirdre smelt blood on the air Conchobar: 'Cannot you see, I did this for you Our wedding can now take place' They left for Fern Mag, as the cold wind blew In a chariot she felt death's embrace 'I am Deirdre, for a short time alive To end life be evil, it is worse to survive' From the chariot she fell to her death To be with Naoise, to smell his sweet breath  
  45:41

CRUACHAN


Origen: Irlanda, Dublín
Formados: 1992
Estilo: Black, folk
Temática: Folklore celta, historia de Irlanda y mitología.
Miembros:
  • Audrey Trainor Violin
  • Joe Farrell  Bajo
  • Keith Fay Voces, guitarra, mandolina, teclados, percusión y banjo
  • Tom Woodlock Batería

Discografía:

  • Tuatha na Gael CD 1995
  • Promo '97 Demo 1997  
  • The Middle Kingdom CD 2000
  • Ride On Single 2001
  • A Celtic Trilogy Recopilatorio 2002  
  • Folk-Lore CD 2002
  • Pagan CD 2004
  • The Very Wild Rover Single 2006  
  • The Morrigan's Call CD 2006
  • A Celtic Legacy Recopilatorio 2007  
  • Blood on the Black Robe CD 2011
  • Blood for the Blood God CD 2014
  • Nine Years of Blood CD 2018
  • The Hawthorn Single 2020
  • The Crow Single 2022 The Reaper Single 2023 The Living and the Dead CD 2023
THE MIDDLE KINGDOM (2000)
El segundo larga duración de los irlandeses Cruachan es toda una declaración de intenciones, desde el comienzo del álbum con la instrumental "A Celtic Mourning"el sonido de la gaita irlandesa ya tenemos claro que el sonido folk celta nos acompañará a lo largo de todas las composiciones. "The Middle Kingdom" es una obra muy cuidada en cuanto a sonido, en donde se le ha dado un protagonismo importante a la instrumentación folk con el empleo de instrumentos de viento como las flautas y las gaitas, recreando también paisajes solitarios y medievales debido a la incorporación de teclados en consonancia con estas partes folk. También han dejado lugar para partes más oscuras y las guitarras muchas veces hacen acto de presencia de manera inusitada, casi por sorpresa para acabar por elevar el sonido a niveles más épicos. Las voces se reparten entre las femeninas, pausadas y melódicas, y las masculinas con menor peso en las canciones que crean vertientes más agresiva pero sin llegar a excesos. Este es un álbum muy equilibrado, en la vertiente del folk metal, que seguramente repudiarán los acérrimos del blak más rápido y brutal, pero que hay que reconocerle los méritos de saber conjugar las dos facetas y el oyente sale satisfecho, ya que también se puede apreciar arrancadas próximas las power, el metal tradicional y sea atmósfera pagana que nunca abandona del todo a las composiciones. (9).


1. A Celtic Mourning 04:01  instrumental
2. Celtica (Voice of the Morrigan) 05:38  
3. The Fianna 04:53  
4. A Druid's Passing 03:22
5. Is fuair an chroí 04:51   
6. Cattle Raid of Cooley (Táin Bó Cuailgne) 04:46  
7. The Middle Kingdom 04:38  
8. Óró sé do bheatha abhaile 04:17  
9. Unstabled (Steeds of Macha) 04:26  
10. The Butterfly 03:46  
  44:38  



lunes, 12 de enero de 2015

ORDINANCE


Origen: Finlandia, Helsinki
Formados: ?
Estilo: Black
Temática: Satanismo
Enlaces:?
Miembros:
  • Arttu Ratilainen Bajo, guitarra y voces
  • Lauri Laaksonen Batería
Discografía:

  • Ordinance Demo 2007  
  • Relinquishment CD 2014
  • In Purge There Is No Remission CD 2020
RELINQUISHMENT (2014
Álbum debut para la banda finlandesa Ordinance que vienen ofreciendo en este álbum "Relinquishment" un interesante híbrido que combina la elementos más tradicionales del black metal escandinavo con otros más actuales resultando a todo ello un álbum muy interesante y completo. Wulture se las ha arreglado para trabajar y mucho el apartado de guitarra del álbum arrancando una fuerte musicalidad encada tema, han dejado espacio para desarrollos musicales extensos que se apoyan en unos riffs de guitarra de tintes fríos y oscuros. Las voces de Impidicus no hacen otra cosa que acentuar ese aura algo mística y primitiva de su música. No estamos ante el álbum más rompedor en cuanto a sonido de un tiempo a esta parte pero la verdad es que acaba por convencer en ese aporte de black tradicional en cuanto a ambientación y respeto por los sonidos más clásicos y la innovación en forma de aporte de pasajes sonoros más complejos, pausados y de grandes riffs que aportan épica y majestuosidad a la propuesta, y lo más importante con mucha calidad. (8)



1. Relinquished 04:13  
2. The Shadowcast 08:00  
3. Yielding Servitude 10:27  
4. Ascending Unto the Unknown 07:51  
5. Peregrination Unto the Inevitable 07:52  
6. Cipher 05:15  
 7. Sword of Division 01:13  
8. Waning Light 07:55  
9. For Satan My Soul 12:33  
  65:09

 


sábado, 10 de enero de 2015

WHITE MEDAL

GUTHMERS HAHL (2013)
Este álbum es el primero de la carrera de George Proctor, después de varios años en los cuales se ocupado de ofrecer diferentes splits, eps y demos, años bien empleados si han servido para encontrar un sonido como el ofrecido en este "Guthmers Hahl". De todos es sabido como se las gastas Proctor y su música siempre ha reflejado un sentimiento pagano y de búsqueda en la raíces históricas del norte de Inglaterra en general y de Yorkshire en particular. "Guthmers Hahl" no iba a ser menos y en él descubrimos ese ambiente pagano, rodeado de un black metal que siempre tiene presente los comienzos del género y a Burzum en un lugar privilegiado. Llama también la atención que ha conseguido incluir en su propuesta más influencias, así podemos descubrir una actitud más punk en algunos temas y un aporte de clara influencia heavy. Se vislumbra también cierta incorporación de elementos sinfónicos que sirven junto con el ritmo marcial de la batería para acrecentar sensaciones de batallas lejanas. Las voces discurren por terrenos rasgados y fríos, predominando cierta agresividad y en cuanto a las guitarras por momentos han conseguido rayar a buen nivel llevando a su black a terrenos con cierta melodía. (8,2).

1. Return of Pagan Yorkshire 09:02  
2. Guthmers Hahl 04:00  
3. Us Tiem Ut Bitter Folk 04:53  
4. Ar Deeard Moor 05:54  
5. Skratje's Gate 06:44  
6. Afeeard Ut Setting Sun 06:20  
  36:53  

viernes, 9 de enero de 2015

LORN

SUBCONSCIOUS METAMORPHIS (2013)

No son unos recién llegados a la escena,, llevan más de una década dando guerra con su propuesta musical de sonidos del todo vanguardista, de ambiente densos y molestos que por algún lugar se aproxima al black, por ambientación, pero que por otros se posiciona en una amalgama de sonidos casi que industriales y que posicionan al oyente en una vacuidad total. Lorn construyen un sonido repetitivo, partiendo de una batería repetitiva y constante, sobre la cual se han acoplado un sonido con una fuerte presencia de sintetizadores y teclados que resulta complicado de describir pero que se asemeja bastante a la soledad de un mundo dominado por maquinas. Con voces poco presentes y que se limitan a algún fraseado o grito lejano, el conjunto acaba por sonar vanguardista y frío, acentuado por ritmos pesados y lentos. Complicado encontrar algún apartado del todo metálico con presencia de guitarras, todo discurre bajo la mirada y la dictadura de teclados y ambientes gélidos y si descubrimos algo de black será por ciertas estructuras que recuerdan al comienzo del género. (7)


1. Definitive Conjunction 09:29  
2. Strident Orbits 06:50  
3. Sidereal Synapsis 07:26  
4. Fragmented Souls 02:32  
5. Aeon Fears - Pt. I 04:49  
6. Aeon Fears - Pt. II 03:44  
7. Aeon Fears - Pt. III (Cleaving the Diaphragm) 09:13  
8. Primera Alma 06:44  
9. XXI 09:18  
  01:00:05



miércoles, 7 de enero de 2015

BLODHEMN


Origen: Noruega, Bergen
Formados: 2004
Estilo: Black
Temática:?
Enlaces: BigcartelBlodhemn y facebook
Miembros:
  • Invisus Todos los instrumentos y voces
Discografía:

  • Brenn alle bruer EP 2010  
  • Holmengraa CD  2012
  • H7 CD 2014
  • Mot ein evig ruin CD 2019
  • Logical Madness EP 2021
  • Sverger hemn CD 2022
H7 (2014)
Segundo larga duración para Invisus y su criatura Blodhemn, después de su reconocida anterior obra, nos ofrece este "H7", realmente un álbum que a los seguidores de la banda ya sabrán más o menos como se las gasta Invisus, pero ciertamente es una obra que no debe de dejar indiferente a ningún oyente. El estilo de Blodhemn es un black metal de orientación clásica, con muchas influencias del thrash y me atrevería a decir que incluso en ciertas estructuras recuerda al rock clásico. Con esta premisas tenemos que comentar que "H7" es un álbum que se apoya en unos muy buenos riffs de guitarra, Invisus a trabajado a conciencia es apartado de guitarras hasta lograr ofrecer unos temas en la mayoría de los casos extensos pero llenos de matices que siempre logran mantener la atención del oyente. Un álbum que a medida que va transcurriendo el oyente va descubriendo cosas nuevas y aprecia sobre todo la calidez de un sonido que responde a un sonido del todo clásico. Realmente el sonido arrancando a este "H7" es muy completo, casi podríamos pensar que estamos ante una banda al completo, para fieles seguidores de Dissection, que sepan apreciar un álbum que acaba por enganchar. (8,8).



1. Flammenes virke 05:32  
2. Slettet av tid 07:01  
3. Evig heder 04:09  
4. Veiten 07:32  
5. Åndenes ansikt 04:37  
6. Fandesvenn 05:08  
7. Holmengraa 07:02  
  41:01