jueves, 15 de agosto de 2013

SUN WORSHIP - ENTREVISTA

1. Tell us how and why he decided to create Sun Worship. I do not know if you like also talk a bit about the band members and the subject matter of his lyrics, and there is not much information on these issues, or on the contrary prefers anonymity as a way to make the public more focused on music.

The three of us started out in early 2010. The plan is somewhat older but sometimes things take their time. These days, anonymity is a luxury, and we're not really that anonymous. We just want our music to speak for itself as much as possible. We're not important as individuals in this context. We don't want to shroud ourselves in obscurity per se, but we don't feel particularly comfortable with the idea to promote anything else than our artistic output. 

2. How was the songwriting process of "Surpass Eclipse"? What changes can be sensed in his music throughout his releases from 2011? (Perhaps a better production and higher weight of abandoning guitars somewhat atmospheres).

The songwriting process was pretty much the same as before, with everything coming along in the rehearsal room. We recorded and mixed the songs on the 12" differently to suit their heavier and more aggressive character. The demo tape had more of a typical black metal sound, which was good but would not have worked too well with the new songs. 

3. Has your music has been labeled as belonging to Cascadian movement, do you feel comfortable with the definition of the movement and that he related to him? How would you define your music?

Yeah, we've been through that. I'd rather be compared to Wolves In The Throne Room than a lot of other bands so that's ok. Although I don't really think we sound much alike, I guess we share more common aspects and attitudes with them than, say, most German black metal bands. We really seek to disassociate ourselves from movements of any kind, and we don't like to define our music either. People need categories for  the sake of convenience, it's tiresome but there are worse things. 

4. What bands have inspired you to create and compose for Sun Worship? What about the theme of his lyrics, to which they refer and that fact will inspire you to write?

We listen to and are inspired by a vast number of bands and artists. During our recent tour we listened a lot to Agitation Free, Magma, Peter Gabriel, Daft Punk, Michael Yonkers, Bobby Beausoleil, Genesis, Robert Wyatt, Goat, Jackson C. Frank, Grouper, ... 
The lyrics to our songs may be published in the future, so interested people may make up their own minds about them. 

5. What fundamental fact in his life considered important to want to pursue music? How were your beginnings in black metal?

I can only speak for myself here, of course - when I heard "Eye of the Tiger" on the radio as a kid. 
As far as black metal goes; the first Enslaved album. 



6. His covers have a relationship with nature and especially the transit of the sun, who deals with the design? What relationship can be found between the covers and the music? They want to convey with your music?

The first tape was designed by ourselves based on early 70s photography by an artist whose name escapes me right now. The split tape was designed by our friend Olle Holmberg and the 12" was designed by Anna Vo of Sn Out Recordings in close cooperation with ourselves. 
The underlying theme of "Surpass Eclipse" are personal transitions reflected in natural phenomena, or natural phenomena as metaphors for personal experiences, nature as recluse, as a place to return to make up ones mind about crucial decisions etc., which we (that is us as the band and Anna) sought to express through the artwork (especially on the blank side of the vinyl) as well. 

7. All his works were self-published, with an elegant design, did not have any label interested in publishing his work, or on the contrary believes that self-publishing is the best way to work for a group like Sun Worship?

In fact only the demo tape was self-released. The split tape with Earth Chaos was released by Tweak Tyme Tapes, and the 12" was released by An Out Recordings (who also released stuff like Thou and Encircling Sea). All close friends of us though, which is the way we prefer to work.  In fact there mot many labels around WE would be interested in working with. 

8. Are you considering the possibility of future concerts to offer?

We just did a tour with O, and will play a few shows with Unru in November, plus the occasional on-off things and festivals. 

9. As for the future of the group, after a demo, a split and an EP, is working on something new, perhaps a long lasting?

We're currently finishing a full-length album which will be released on tape later this year. Further plans include a split with Unru and some sort of collaboration with O. 

martes, 13 de agosto de 2013

ELDJUDNIR - ENTREVISTA

1. Why did you decide to create Eldjudnir in 2004? What happened within the group for not releasing anything until 2010 with Ragnarok?

Jacob (the original drummer) and I decided to form Eldjudnir because we had discovered, and developed a passion for black metal. We simply wanted to write harsh and aggressive music in the style of Marduk and Mayhem and all the other great bands that have influenced so many other fine acts around the world. We have evolved a little since then, I hope. The reason that we didn't record and release anything until 2010 is that we didn't have any real tracks written until around 2009, when Jacob and I moved in together. Up until that point, Eldjudnir only truly existed as an idea.

2. After nine years of stocks you're the only member of the original lineup, how have been these nine years Eldjudnir? Did you ever think to terminate the band?

Even though Eldjudnir was formed in 2004, we have only really been active as a live entity since 2010. And these last four years have been great; so much has happened with the band that it never crossed my mind to terminate Eldjudnir. Since this spring we are actually a band with more than one active songwriter. We are stronger now than ever.



3. How was the songwriting process of "Angrboða"? How is your way of working in the studio?

Angrboða was written by me. Jacob was free to do whatever he wanted with the drums, and I'm very satisfied with the result. Including Angrboða, every release has been recorded at home - Guitars and bass first, then we would borrow a rehearsalspace and record the drum parts and lastly record vocal parts and whatever else we thought was appropriate. 

4. Can we say "Angrboða" is a new beginning for the band after the compilation that collected your first two Eps?

I'd say Angrboða was a big step on the way for Eldjudnir. The next album (which is being written as we speak) will be more of a "new beginning", since it will be so much more than Angrboða is. But every record is just a step on the way for us to become what we will eventually be. 

5. In the review of "Angrboða" quoted as Solbrud Danish band, but we could also talk about Satyricon, What are your main musical influences? What can you tell us the Danish scene; for example, we can see that you have shared the stage with the aforementioned Solbrud?

Well Solbrud means a lot to us, since they are the only band in Denmark that sort of shares our philosophy about what Black Metal is and should be. We get along really great, both on and off stage, and have shared stages multiple times since we first met. They have meant very much for our success on the danish scene. Their debut album has received a lot of respect both in and out of the danish metal scene, and we have been lucky to share some of that limelight. Our main musical influences obviously differ from member to member. I would say Ulver's Bergtatt and Ved Buens Ende are huge influences on what I want Eldjudnir to be. Also Wardruna and Gorguts, especially their new release (Colored Sands). Christian is really into Deathspell Omega and Bjarne is more of a Folk Metal kind of guy.

6. The letters deal Eldjudnir around Norse mythology, what elements of Norse mythology believe and how they are present in their texts? Are the lyrics are written in Danish? Why did you choose this language?

We have written lyrics solely based on Norse Mythology, that much is true. None of us are 'Asatro' though. We obviously have tons of respect for the ancient beliefs, and will most likely continue to write songs based on them. All of the lyrics on Angrboða are written in 'Norrønt', old Icelandic, the language that was spoken in scandinavia around the age of Vikings, when Denmark was an actual world power. I believe that singing in another language than your own can give the music a different feel and mood. The new album will be written partly in Norrønt, partly in Danish.

7. What brand of instruments used in the local recording and concerts?

I personally play a Parker Fly Deluxe, which I bought in '09. That guitar is featured on every record, and is responsible for almost every guitar part up until now. It has the standard DiMarzio pickups. Christian plays an Ibanez S7420 MIJ, w. Bareknuckle War Pig in the bridge and an Ibanez RG7321, which he has heavily modified. Drummer Mads plays a Tama Artstar in various setups, depending on the gig. Bjarne plays a Cheri 5-string on a Hartke amp.

8. Five fundamental cds in black history

In no particular order:
Mayhem - Chimera
Ulver - Bergtatt
Ved Buens Ende - Written in Waters
Marduk - Plague Angel
Blut Aus Nord - 777 - Cosmosophy




9. How has the reception at concerts by the public? Do you wear a hoodie kind of habits? What does that mean?

We have garnered much acclaim for our concerts, both in reviews and in national radio. We wear the hooded cloaks because we want people to focus on the music. I believe it helps both ourselves and the audience to get in the right mood for our music. There is nothing philosophical or any traditional reasons for us to wear them, but they have become part of our image, so to speak. We consider them a replacement for the traditional corpse-paint, which wouldn't suit our style.
Since noone recognises us, it's interesting to go into the crowd after a concert and gauge people's responses when they don't know that you were just on stage.

10. Who designed the album cover? What is the relationship between the cover and the contents of the disc? What do you try to convey with your music?

The cover of Angrboða is designed by the girlfriend of Michael from Schattenkult Produktionen. It depicts the root of 'Yggdrasil' - The world tree. Angrboða is about the giantess Angrboða who gave birth to Fenris, the wolf, Jörmundgandr, the midgard serpent, and Hel who is the ruler of the halls of Eldjudnir in the domain of death.

11. Are you happy with the reception that is taking "Angrboða" media level?

Very happy. It seems to have received a fair amount of positive reviews from all over the world. I hope that means that the next album will receive the attention it deserves.

12. What reason in his life led him to want to be a musician? Are they still valid today these reasons? What does it mean for you the black metal?

I started playing music when I was 10-11 years old, so it has always been a huge part of my life. Perhaps the most important one, as it has always been able to get me through the inevitable rough patches of life. Personally, I started to play because I went to a very creative school with some amazing teachers, that encouraged every form of creative outlet. I was actually introduced to metal by my former music teacher, who decided that I should listen to Meshuggah's 'Destroy, Erase, Improve'. I think that was a defining moment for my musical direction.

13. Both the compilation like this "Angrboða" have been edited by Schattenkult Produktionen, how did the contact with the seal? Are you satisfied with the work done? Will a future linked to that label?

SKP actually haven't been involved in anything other than releasing the material on cassette tapes. That came about because Michael wrote to me and asked if we wanted to have the music released through SKP. I think we will surely do some more with them, as soon as we have more material to be released.

14. What will the future bring more immediate Eldjudnir about upcoming releases, concerts....?

Good question. We plan to record our new album this winter. The songs on this album will be more in the avantgarde vein of black metal, like Ved Buens Ende, Blut aus Nord and Deathspell Omega. Our next planned concert is february next year, so we are laying low while we write for the album. 

15. Thank you very much for taking the time to Black Metal Spirit, if you want to add something for the followers of Eldjudnir, this is the place. I hope the questions are to your liking.

Thank you so much for the great questions! I hope the answers are satisfactory. I will only add that I'm very grateful for all the positive responses and general interest in the band. Thank you!

Para más información sobre la banda consultar su página oficial: eldjudnir.dk

domingo, 11 de agosto de 2013

REGARDE LES HOMMES TOMBER - ENTREVISTA

Regarde Les Hommes Tomber was created in 2011. How and why you decided to make Regarde Les Hommes Tomber? Was difficult to find all the members of the training?

Hi. Tanks For your interest. I’m Jean-Jérôme, guitarist. I started to write the songs on my own. That was an introspective and lonesome work, very personal.  Then, gradually, I played the demo of the songs to my current fellows. We are friends and played together in several bands before.  Excited, they all decided to take part of this project. We have been working together for one year and half before going into the studio.

Your first publication as a group is a complete album, was this your first choice or we handle other possibilities, such as editing an EP or a demo? What was the process of creating the album? What is your way of working in recording studio? Describe some of this album, the listener can find it?

When we start the band, we have enough tracks to publish a full length. So we decided to publish a coherent package with a main theme and a dedicated artwork, a sort of concept album. 
Our album is composed with 5 tracks and 2 instrumental tracks. It starts with a slow and a strong crescendo ascent track called “Prelude”. Then, you can listen to the peaceful eponymous track “Regarde Les Hommes Tomber”: calm, melancholic, only composed with Larsen. The five last tracks are quite the same, in a very powerful and yelled register.  Two of them are shorter (less than 5 minutes) and more accessible. The first one “Wanderer of Eternity” is a good song to discover the universe of the band. The Second one “Sweet Thoughts And Visions” is more melodic with some accelerations. The longest tracks are “A thousand Years of Servitude”, “The fall” and “Ov Flames, Flesh And Sins”. They are all an explosion of “black anger”. The first one starts slowly. In this track, you can hear black riffs and spoken works. The second one has a lot of  changes in the atmosphere and dark melodies. “Ov Flames, Flesh and Sins” is the top song of the album. This track can be compared to a tormented journey; a sign of an uncontrollable apocalypse. The ingredients of the song: aerial passages, syncopated riffs, a bit of Doom, Hardcore vocals, worrying narrative voice, not to mention the devastating and powerful  Black Metal.
We recorded in different places. A particular attention was paid for drums. We wanted a good natural reverb on it. So, we looked for a big space with a very high ceiling. That's why we first had thought of old deserted buildings. For the anecdote, that was the place where ships were built at the Nantes Shipyard before closing. This place was very huge, cold and perfectly appropriate and gave us a nice natural reverb. Guitar and bass have been recorded in an old shack located in a very brushy garden. We also paid a particular attention to the reverb. Finally, the singing, mixing and mastering have been done to the Darkened Studio.

Listening Regarde Les Hommes Tomber one has the feeling of being in a job with a lot of musical influences from post metal, post black, sludge, what are your main influences when composing? What bands have influenced you? How would you define your style of music and you want to convey with your music?

I'm totally addicted to Classical Music and Post Rock. I like a lot listening to different groups such as Sigur Ros, Caspian, Mono and also Envy. They are all groups who make you travel because of the atmosphere they create. That what I wanted to recreate in a darker way with a slight touch of Black Metal in order to highligh the desperate side of the music. To be perfectly honest, I also listen to groups like Secret Of The Moon, Enslaved, Emperor, Mastodon, Ulver or Deathspell Omega.
Above all, we want to create a heavy, desperate, oppressive, intense and an explosive atmosphere with our music which can be sometimes aerial. It’s a kind of apocalyptic sludge.



The name 'Regarde les hommes tomber' refers to a film by Jacques Audiard. Why did you choose this name for the group? How important was this movie decanters to put the name to the group?

We took a long time to choose a name for the band. We tried to find a name fitting with the music and the general theme of our texts: the perpetual failure of the Human Being in his quest for the absolute. We wanted the name represents the melancholic and desperate side of our music. Antoine, the second guitarist, was really affected by the movie “Regarde les Hommes Tomber” directed by Jacques Audiard. That's why he made us this proposal to be called like the movie. At the beggining, we were scared of being penalised because of a french name for the band but this unsual name RLHT is just perfect with the image we want to give of ourselves and our music.




What topics you treat in your lyrics? What inspires you when writing lyrics?

The main theme is about the perpetual failure of the Human Being in his quest for the absolute but also the opposition between the Man and the Divine. Man wants to be greater than the Divine, greater than he is and keep failing in his quest for the absolute because his meaningless condition as a mere mortal is unable to understand a tiny part of this immensity. It's an hopeless struggle with an inevitable conclusion. Man will always be caught by his lower instincts, his desires and his egoism. The Human Being, starting from a will to become a better Man, will always turn his quest for the absolute into a mean of domination in order to control his environment and people. This thematic is discussed in a lot of biblical stories. So, we asked our friend to get the inspiration from those biblical stories to write the lyrics of the songs. The story of Babel, Noah, Cain and the Dante's initiatory route with Virgile are all told and expressed in our songs. These examples show that the immensity which surround us, called God by the Human Being or natural elements, will always bring the Man to the reality; to his mortal and meaningless condition. 

Who is designing the album cover? Is there any biblical reference in it? How can you connect the cover with the contents of the album?

We asked Fortifem, Parisians graphic artists, to be in charge of the artwork. They got the inspiration from different existing prints  such as Gustave Doré's engravings. We proposed them to draw the Tower of Babel in the foreground which perfectly illustrates the theme of our album : the failure of the Human Being and the Divine punishment

What kind of equipment do you use music in the rehearsal room and that you use at concerts?

We use the same equipment in rehearsal room and stage. We used to play on Orange amps, Blackstar amps, Marshall Cabs and Ampeg cabs. Concerning instruments, we play on Gibson guitar, LTD guitar, Warwick Bass and Gretsch Drum. At last, we used a lot of reverb and delay pedals !

What event in your life made you want to dedicate to music? How were your beginnings in extreme music? What is the cd that you are most proud of having in your collection?

When I was 10 years old, I discovered the four legendary Metallica albums. It was so amazing I decided to learn guitar. Then, I discovered band like AC/DC, Iron Maiden, Queen, RATM. My beginnings in extreme music came later with bands like Emperor or Entombed. My all times favorite cd : AC/DC Live at Donington !

Are you in contact with other bands from Nantes or France? How would you describe the local scene and that of France?

We are used to play with french bands such Taste The Void or The Great Old Ones. They are good friends of us and excellent bands. In France, there are more and more interesting groups, which was not the case ten years ago. Things are moving on... thanks in part to the new generations who hasn't been influenced by Neo-Metal. The Black Metal scene has proven itself for a long time, and groups such as  Deathspell Omega, Blut Aus Nord, Celeste, Antaeus or Aosoth keep proving it.

The album was released by Les Acteurs de l'Ombre Productions, how did this collaboration? Do you feel comfortable with the label? Will you continue publishing your work through this label in the future?

We gave our very first gig in May 2012 in opening for A Wolve In A Throne Room where Gerald from Les Acteurs de L'ombre Productions noticed us. Convinced by our music, he decided to sign us up on his label and produce our first album. We are very satisfied with our label cooperation. LADLO give us the opportunity of streaming our music in large scale. We are very thankful to Gerald. He is doing a great job for us. Thanks to him, we did the opening of Enslaved, on March in Paris. He spends days and nights to promote his groups. We respect his work. It's also an honour to work with LADLO because the other bands are excellent.




Are you happy with the reception that is taking the album a level of public and media? What does the future hold closest Regarde Les Hommes Tomber as concerts, upcoming release, etc?

We have a lot of magazine and webzine feedbacks. We have many positive and laudatory music articles. LADLO gives us a strong visibility in France and overseas. We didn't expect for such good feedbacks. It's a big surprise. It's very motivating. Concerning upcoming concert, please take au look to our official Facebook page to get in touch : http://www.facebook.com/rlhtband


Thank you very much for your time, if you want to add something for people who like Regarde Les Hommes Tomber, this is the place, thanks. I hope the questions are to your liking.

I hope you'll enjoy reading this interview and thus to know RLHT better. The most important thing about us it's we are big fan of music above all: its history, its environment, its evolution and its differents trends...We always try to learn and discover new things. Real geeks and bulimics of music! We don't do that just for fun! It's this passion who drives us and gives us the motivation to go ahaead. We just wish to convey it to a wide audience!

sábado, 10 de agosto de 2013

CHTHONIC



Origen: Taiwan, Taipei
Formados: 1995
Estilo: Black melódica, death con influencias folk orientales.
Temática: Nacionalismo y leyendas y mitologñia taiwanesas
Enlaces: FacebookForomyspace y twitter.
Miembros: 
  • CJ Kao  Teclados
  • Dani Wang  Batería
  • Doris Yeh Bajo, voces
  • Freddy Lim Voces y erhu
  • Jesse Liu Guitarras y voces
Discografía

  • 越海 第二乐章 - 深耕 (Deep Rising) Demo 1998   
  • 夢魘 (Nightmare) Demo 1999   
  • 髮扣帶 (part 2) Single 1999   
  • 祖靈之流 / Where the Ancestors' Souls Gathered CD 1999
  • 靈魄之界 / 9th Empyrean CD 2000
  • 永劫輪迴 / Relentless Recurrence CD 2002
  • 鬼王西征 / King of Ghosts Western Conquest Demo 2002   
  • 冥誕七年.加藏 / Relentless For 7 Years, Plus Recopilatorio 2002   
  • 極惡限戰 / Satan's Horns EP 2003   
  • 震氣蔓延 1995~2002 (Spread the Qi 1995 to 2002) DVD 2003   
  • 賽德克巴萊 / Seediq Bale CD 2005
  • 鬼脈轉生 帝輪十年經典 (Anthology: A Decade on the Throne) Recopilatorio 2006   
  • 登基十年 演唱會 / A Decade on the Throne DVD 2006   
  • UNlimited TAIWAN Single 2007
  • Pandemonium Recopilatorio 2008   
  • 十殿 / Mirror of Retribution CD 2009
  • 49 Theurgy Chains Single 2009   
  • The Message 3 Single 2009   
  • Painkiller Single 2010
  • 皇軍 / TAKAO Single 2011   
  • 高砂軍 / Takasago Army CD 2011
  • 鎮魂三部曲 / Souls Reposed Trilogy Boxed set 2011   
  • 醒靈寺大決戦 / Final Battle at Sing Ling Temple DVD 2012   
  • 火燒.島 / Set Fire to the Island Single 2012   
  • Defenders of Bù-Tik Palace Single 2013   
  • 武徳 / Bú-Tik CD2013
  • 演武 / Ián-Bú DVD 2013 失竊千年 CD 2014
  • Broken Jade 2015 Colaboración 2015
  • 鎮魂護國交響戰歌 EP 2015
  • 鎮魂護國精選集暨紀錄DVD DVD 2016
  • 失落的令旗 / Souls of the Revolution EP 2017
  • 政治 / Battlefields of Asura CD 2018
  • Supreme Pain for the Tyrant (Rearrange) Single 2020 台灣大凱旋 Taiwan Victory (Live) Directo 2020
  • Megaport 2021 Directo 2021
  • 護國山 / Pattonkan Single 2023 百萬遍 Endless Aeons Single 2025 Megaportal 2425 Directo 2025
BU-TIK (2013)
Nuevo trabajo de los taiwanes que supone una evolución lógica en el sonido de la banda y que la sitúa en una posición privilegiada dentro de la música extrema de la zona asiática. Con una producción muy cuidada y unos temas más dinámicos y con mayor número de matices, se acercan cada vez más a las producciones occidentales, ganando variedad en los temas y dinamismo pero perdiendo un tanto el elemento diferenciador de sus sonido así como el feeling que desprendían sus anteriores trabajos. Los elementos de su música que les llevaron a situarlos en su actual status siguen estando presentes, llámense por ejemplo la mezcla de elementos orientales tanto en la instrumentación como en las voces, mezclado con el metal sinfónico, pero tal vez ahora se han dejado abrazar por el mainstream y las mieles del éxito y todo suena un poco más prefabricado. Hay que destacar el buen trabajo a la guitarra , con unos riffs veloces y las partes de ambiente oriental que crean una sensación folk en los temas. Sirva de ejemplo de lo anteriormente expuesto el segundo tema de Bu-tik en donde se ejemplifica perfectamente todos los elementos de su música, y tal vez sea eso, el haber escuchado el primer tema el oyente se puede hacer una idea perfecta de por donde van a transcurrir los temas del álbum, por que puede haber en algún lugar una mayor carga sinfónica aquí o la incorporación de más ambientes folk pero todo se muestra un tanto predecible. No deja de ser un buen trabajo pero tiempos pasados tal vez fueron mejores. (7,6).

1. 武裝 / Arising Armament (Intro) 02:27  instrumental
2. 破夜斬 / Supreme Pain for the Tyrant 04:45
  作詞:林昶佐
作曲:林昶佐 劉笙彙
編曲:閃靈

烏雲罩月 茫茫的暗暝

困佇這咧無聲無說的世界
泅袂出這片翕死人的死海
敢是五感失常資信全無接受
也是心肺失能空氣攏無吸收

等無彼咧人
等無一聲霆雷響
等無彼咧人
等無一改暢心情

若連聲音攏毋准發
咱用銃聲來揣正義
若連蠟燭攏毋准點
咱點炸彈來揣光明

清算血債 清算仇冤
清算血債 清算仇冤
血債仇冤

烏雲罩月 茫茫的暗暝

櫼佇這咧袂振袂動的世界
泅袂出這片翕死人的死海
敢是頭眩腦頓啥麼攏要吞忍
也是血路袂順跤手攏毋敢伸

等無彼咧人
等無一聲霆雷響
等無彼咧人
等無一氣挵崩盤

若連聲音攏毋准發
咱用銃聲來揣正義
若連蠟燭攏毋准點
咱點炸彈來揣光明

清算血債 清算仇冤
清算血債 清算仇冤

Let me stand up like a Taiwanese
Only justice will bring you peace
3. 尼可拉斯 / Sail into the Sunset's Fire 04:00
作詞:林昶佐 作曲:林昶佐 劉笙彙 編曲:閃靈 給規身軀的束縛敨開 拆破腐敗的規矩 離開無情無義的土地 阮甘願來去海上流浪 相信海無絕人之路 惡夢總會消失無蹤 恁這片土地無情閣無義 阮甘願來去海上流浪 給規身軀的束縛敨開 拆破腐敗的規矩 束縛敨開 拆破規矩 離開假鬼假怪的社會 阮甘願來去放蕩江湖 相信海無絕人之路 來作新世界的英雄 乘風破浪航向大世界 予海鳥帶領咱的夢 大船是厝 天地為家 一呼百應作陣行 乘風破浪航向大世界 予海鳥帶領咱的夢 袂爽就反 路家己開 群策群力作夥拼 海風 海湧 海連天 追雲 追夢 追勝利 搶船 搶錢 搶查某 爭名 爭利 爭權威 乘風破浪航向大世界 予海鳥帶領咱的夢 大船是厝 天地為家 一呼百應作陣行 乘風破浪航向大世界 予海鳥帶領咱的夢 袂爽就反 路家己開 群策群力作夥拼 一呼百應作陣行!  
4. 共和 / Next Republic 04:12
 作詞:林昶佐
作曲:林昶佐 劉笙彙
編曲:閃靈

雨落袂停 雺霧袂散
數百年的壓迫 凌遲袂煞
家己的命運 家己來擔
行過坎坷 起造國家

新共和 新國家
新共和 新國家

做主人的骨氣
親像破湧的軍艦
絕對袂回航
出頭天的氣魄
親像倔強的戰車
堅定向前行

為著大家的共和 咱冒寡齊風險
為著大家的共和 咱犧牲寡齊人
為著大家的共和 咱代代仝心肝
為著大家的共和 咱齊力拼大業

氣勢拼山河石獅嘛喝振動
意志撼天地虎爺嘛來護航
苗生衝雲頂 文毅鬥武藝
義理堂堂 天理昭昭 歷史明黑白

氣勢拼山河石獅嘛喝振動
意志撼天地虎爺嘛來護航
苗生衝雲頂 文毅鬥武藝
義理堂堂 天理昭昭 歷史明黑白

雨總會停 霧會散
囝孫的前途 海洋開闊
家己的命運 家己來擔
行過坎坷 起造國家

新共和 新國家
新共和 新國家
新共和 新國家
新共和 新國家
5. 大械鬥 / Rage of my Sword 04:38
  作詞:林昶佐
作曲:林昶佐 劉笙彙
編曲:閃靈

刀 保庄頭 顧鄉土
武裝!
規暝日武裝!
刀 拼地盤 殺仇敵
提高警戒 應變隨機

劍 守田園 護家族
武裝!
滿街路武裝!
劍 斬貪官 刜汙吏
民反官逼

鴨母王登基大天后宮 萬歲吾皇
順天盟主天地會稱王 五十萬武勇
八卦萬生作東王大將 天符人應
旌義應褒忠封義民公 鎮邪四方

衝 承名聲 擔聲望
武裝!
透心神武裝!
衝 持義理 扶正道
懲惡賭強

清水祖師 戰 開漳聖王
觀音嬤 拼 媽祖婆
三山國王 戰 五谷神農
太子爺 拼 王爺公

咱來 大立家規 強行王法
土地 隨我封 山河 隨我開
兄弟 隨我姓 公媽 隨我祀

大展家威 強建王權
戰鼓 隨我擂 戰旗 隨我「立在」
人民 隨我起 歷史 隨我改

搶水 毀家 拆廟 倒厝
枉法 逆天 忤神 招拖注
割海 佔地 農毀 漁傷
刣人 放火 鬥爭 報冤仇

清水祖師 戰 開漳聖王
觀音嬤 拼 媽祖婆
三山國王 戰 五谷神農
太子爺 拼 王爺公

大展家威
土地 隨我封 山河 隨我開
兄弟 隨我姓 公媽 隨我祀

大展家威 強建王權
戰鼓 隨我擂 戰旗 「立在」
人民 隨我起 歷史 隨我改

大立家規 強行王法
大展家威 強建王權
歷史隨我改
6. 亡命關 / Between Silence and Death 04:39
  作詞:林昶佐
作曲:劉笙彙 林昶佐
編曲:閃靈

閃爍的烏影 愈來愈緊 不時相隨
湠開的跤步聲 愈來愈近 漸漸包圍

愈來愈近

看分明 聽斟酌 草木皆兵
提元氣 保清醒 無暝無日

破山林 過暗路 走相逐 覕相揣
毋通喘 袂當退 免躊躇 莫頓蹬
破山林 過暗路 走相逐 覕相揣
崁規頭閣掩規面 我心火著滿身狂

敢袂當揣 無聲的所在 恬恬看未來
走敢無回 生敢無悔 腳步通行去綴

一步一步 行無望的路
等候烏影 掠到我 拆食落腹 魂魄落土

生死走無路 這關袂得過
兄弟拆分途 永遠免再會

漸漸包圍

看分明 聽斟酌 草木皆兵
提元氣 保清醒 無暝無日

爬懸山 落深溪 走相逐 覕相揣
雙跤痠 雙手軟 眼反黑 面反白
爬懸山 落深溪 走相逐 覕相揣
喘無氣閣退無位 我徛袂在掠袂定


敢袂當揣 無聲的所在 恬恬看未來
走敢無回 生敢無悔 腳步通行去綴

走敢無回 生敢無悔 腳步通行去綴

一步一步 行無望的路
等候烏影 掠到我 拆食落腹 魂魄落土

一步一步 行無望的路
魂魄落土
7. 火薰時代 / Resurrection Pyre 05:00
作詞:林昶佐 作曲:林昶佐 劉笙彙 編曲:閃靈 審查 監聽 文字獄 捍衛!公論!爭鳴!自由! 軍警 特務 抓耙仔 獨立!先鋒!發展!民主! 戰鬪!新聞!開拓!天地!創新!台灣!寶島! 全元!新潮!發揚!人權!創造!進步!鄉土! 遮是戰場毋是墓地 莫燒香 毋免紀念 遮是戰場毋是墓地 請提勝利來分享 我是戰士毋是偉人 莫燒香 毋免紀念 我是戰士毋是偉人 請唱凱旋的歌詩來聽 全元戰鬪!全元戰鬪! 審查 監聽 文字獄 捍衛!公論!爭鳴!自由! 軍警 特務 抓耙仔 獨立!先鋒!發展!民主! 我是戰士 遮是戰場 時代的輪 我來捒 自由的火 我來點 帶頭迎向狂風 做火薰化鳳凰 帶頭迎向狂風 做火薰化鳳凰 就算海水會焦 火薰中形影結袂散 就算石頭會爛 鳳凰的形影結袂散 遮是戰場毋是墓地 莫燒香 毋免紀念 遮是戰場毋是墓地 請提勝利來分享 我是戰士毋是偉人 莫燒香 毋免紀念 我是戰士毋是偉人 請唱凱旋的歌詩來聽 時代的輪 我來捒 自由的火 我來點 帶頭迎向狂風 做火薰化鳳凰 帶頭迎向狂風 做火薰化鳳凰 就算海水會焦 火薰中形影結袂散 就算石頭會爛 鳳凰的形影結袂散 迎亂世狂風 做自由鳳凰 迎亂世狂風 做自由鳳凰  
8. 火燒島 / Set Fire to the Island 03:47
作詞:林昶佐 作曲:林昶佐 劉笙彙 編曲:閃靈 孤島頂咱連心海攏揣沒岸 鐵壁內咱連腦門攏拍袂開 教條句句催生完全的麻痺 人人相倚體驗真正的孤單 給拳頭拇攏捏乎絚 義氣相挺頓胸坎 失去的名字要搶轉來 失散的靈魂用恁的命來還 兄弟!給雙手攑起來 兄弟!給勇氣展出來 兄弟!給敵意弓出來 兄弟!給火氣敨出來 硝煙四起陣陣新性命 衝天地超越鐵網 規身軀的血 總會家己焦 雙手展開 戰勝驚惶 孤島頂咱給心海抐甲滾袂煞 鐵壁內咱連腦門嘛給挵乎開 拆開教條暗崁濟年的白賊話 冤仇風火毋通藏佇心肝底 給拳頭拇攏捏乎絚 義氣相挺頓胸坎 失去的名字要搶轉來 失散的靈魂用恁的命來還 兄弟!給雙手攑起來 兄弟!給勇氣展出來 兄弟!給敵意弓出來 兄弟!給火氣敨出來 硝煙四起陣陣新性命 衝天地超越鐵網 規身軀的血 總會家己焦 雙手展開 戰勝驚惶 劫回咱的自由 規身軀的血 總會家己焦 雙手展開 戰勝驚惶 雙手展開 戰勝驚惶 雙手展開 戰勝驚惶  
9. 暮沉武德殿 / Defenders of Bú-Tik Palace 05:23
Original: 

作詞:林昶佐
作曲:林昶佐 劉笙彙
編曲:閃靈

厝崩 橋㽎 眾生掣
攑頭面正徛乎在
霆雷 爍爁 天烏陰
意志膽頭掠乎定
砲火 銃聲 獨裁者
同志兄弟結相倚
邪氣 屍臭 魔神仔
降神開面來鎮煞

昨暝夢中 輕聲細說是誰人
今日亂世 改朝換代是逐一冬
武德殿外 敵我不明對誰來效忠
醒靈寺內 鬼神難分向誰來詛誓

厝崩 橋㽎 眾生掣
頭眩目暗徛袂在
霆雷 爍爁 天烏陰
意亂心迷掠袂定
砲火 銃聲 獨裁者
同志兄弟揣無人
邪氣 屍臭 魔神仔
七魂六魄拆分散

昨暝夢中 輕聲細說是誰人 (敢是我)
今日亂世 改朝換代是逐一冬 (敢是夢)
武德殿外 敵我不明對誰來效忠 (佮誰參詳)
醒靈寺內 鬼神難分向誰來詛誓 (等誰宣判)

向誰詛誓
等誰宣判

孽鏡台 鑿目光 火薰中 愈來愈明
萬劫不復
跤鐐手銬 拖磨聲 迷亂中 愈來愈清
萬劫不復

萬劫不復
萬劫不復
萬劫不復
萬劫不復

數百年 戰袂煞 我輩武德
千萬人 拚袂退 勇者無敵
數百年 戰袂煞 我輩武德
千萬人 拚袂退 勇者無敵

千年也萬年
我孤魂已束縛佇遮 千年也萬年?
生死簿的名字
目睭前一逝一逝 生死簿的名字?

千年也萬年
生死簿的名字

數百年 戰袂煞 我輩武德
千萬人 拚袂退 勇者無敵
數百年 戰袂煞 我輩武德
千萬人 拚袂退 勇者無敵

千年也萬年
仁者武德
生死簿的名字
勇者無敵

仁者武德
勇者無敵

千年也萬年? 

Versión en inglés: 

Walls collapsing all around
Heads high face our own demise
Bolts of lightning strike the ground
Demons of the mind excise
Gunfire sounds the first attack
Brothers in arms to the end
Putrid bodies on their backs
Sacred symbols will defend

Who now stands before me like a ghost within a dream? (Within a dream)
When did come the day when things became not what they seem? (Not what they seem)
Outside of this palace where my loyalties to lie (Where do they lie?)
For the gods or demons with but one I choose to die

Bridges crashing to the ground
Heads high watch them as they fall
Tremble at the thunderous sound
Hear the siren's final call
Cannons ripping us to shreds
Brothers, where have you all gone?
Demons collecting the dead
Spirit's final breath is drawn

Who now stands before me like a ghost within a dream? (Within a dream)
When did come the day when things became not what they seem? (Not what they seem)
Outside of this palace where my loyalties to lie (Where do they lie?)
For the gods or demons with but one I choose to die (I choose to die)

Ghosts that I see, haunting my dreams
Surrounding me, what to believe?
Sunset decries, nightfall's demise

Mirror's reflection is blinding I cannot see
Timeless sentence
Sounds of the shackles grow louder, insanity
Timeless sentence
Timeless sentence
Timeless sentence
Timeless sentence
Timeless sentence

War of the ages, the violence returns
Immortal warriors escape from the urn
Hundreds of years and we pledge hundreds more
Infinite hatred for those at our door

千年也萬年
我孤魂已束縛佇遮...千年也萬年
生死簿的名字
目睭前一逝一逝...生死簿的名字

千年也萬年
生死簿的名字

War of the ages, the violence returns
Immortal warriors escape from the urn
Hundreds of years and we pledge hundreds more
Infinite hatred for those at our door

千年也萬年
Violence returns
生死簿的名字
Souls will not burn
Burst from the urn
Violence returns

千年也萬年?
10. 重殖武裝 / Undying Rearmament (Outro) 01:49  instrumental
  40:40