PURE WRATH

 BLEAK DAYS AHEAD (2026)

Desde el comienzo, hace ya más de diez años, Pure Wrath se ha caracterizado por ofrecer álbumes abrumadores en cuanto a ambientación y atmosfera, no entendiendo de barreras a la hora de afrontar una propuesta de un estilo como el black metal alejado de los focos de países con mayor tradición en el género, para alcanzar una madurez compositiva que no debería de dejar indiferente la oyente. "Bleak Days Ahead" deja un tanto de lado ese tono más folk o pagan de pasadas obras, para adentrarse por pasajes de corte atmosférico, en donde la melancolía y la oscuridad se acompañan de cierta crudeza y agresividad, con un importancia capital para el fluir de la música en pasajes que logan recrear esa faceta más emotiva de sus música. Y es que esa emotividad emana del álbum desde que arranca, dibujando un paisaje de desolación y soledad, donde la desesperación se impone al conjunto, trabajando un entramado de guitarras que desgranan riffs con una alta carga de emotividad, equilibrando esa faceta más directa y cruda con un tono más melódico del que surge ese carácter melancólico del álbum. Equilibrio también que se logra tanto en las secciones en donde el ritmo es más lento, lugares estos en donde el conjunto fluye hacia la consecución de un black atmosférico con infinidad de diferentes sensaciones, pero sin lugar a dudas, cuando el sonido se muestra más directo, con un ritmo más elevado, ahí es donde sin ningún tipo de concesiones se abrazan las influencias más importantes de un black nórdico de reconocido origen clásico, moviéndose Ryo con una habilidad abrumadora a la hora de vestir su sonido de una tono agresivo y melódico, en donde el equilibrio entre crudeza y melancólica una vez más, está al alance de de muy pocos, sirviéndose de unos temas, en general extensos, para desplegar todo el potencial, no ya solo en el apartado meramente instrumental, sino también con el trabajo de unas voces portentosas en las diferentes exigencias que supone un álbum de estas caracterices, sirviéndose de algunos invitados a la hora de ofrecer nuevas vertientes en voces y añadidos de instrumentos alejados de lo más convencional en el genero, cuyo resultado en sonido de este "Bleak Days Ahead" acaba por situar a Pure Wrath, sino lo estaba ya, en un lugar destacado dentro del black atmosférico de hoy en día. (8).

Debemur Morti Productions

1. Bleak Days Ahead, Pt. I 10:04  

2. Bleak Days Ahead, Pt. II 10:01  

3. Haven of Echoes 07:39  

4. Spectral Insomnia 07:27  

5. Opaque Mist 06:00  

  41:11

Wode ‎– Burn In Many Mirrors 29,99 €

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VOIDTHRONE

 

Origen: E.E.U.U., Seattle.

Formados: 2016

Estilo: Black, death

Temática: Exilio, muerte y venganza

Enlaces: Bandcamp, facebook, spotify y youtube.

Miembros:

• Gavin Brooks Bajo
• Josh Keifer Batería
• Ronald Foodsack Guitarra
• Zhenya Frolov Voces

Discografía:

• Spiritual War Tactics CD 2016  
• Kur CD 2018
• Spiritual War Tactics / Kur Recopilatorio 2022  
• Metaphysical Degradation CD 2022  
• Dreaming Rat CD 2026

DREAMING RAT (2026)

Cuarto larga duración para los de Seattle, que desde su creación hace cosa de diez años, con cada nuevo lanzamiento parecen querer dar rienda suelta a un sonido despreciable, fangoso y violento, en donde la podredumbre de la sociedad acaba por imponerse. Un álbum que a lo largo de sus nueve temas hace una combinación estertórea de elementos death como base y ciertos registros que hacen énfasis en elementos que mas tiene que ver con el black. Un álbum que desde el inicio se muestra totalmente inaccesible, centrado en sembrar la destrucción, la locura y la violencia más extrema, para dejar y presentar al oyente un descomunal paisaje de muerte y vacío. Para ello la banda afronta su propuesta desde un plano en donde se maneja con total soltura y donde es bastante improbable salir airoso, por supuesto, es no es el caso, Voidthrone se regodea en esa violencia más angustiosa de un detah metal repleto de profundidad y plagado de disonancias y cambios de ritmo casi que impropios del estilo. Unos temas que se enorgullecen de sonar despreciables, nada dados al reconocimiento, en donde cada riff logra destrozar conciencias, desde la mayor impunidad que le podamos encargar, sin que sea impedimento para que la oscuridad acabe por cernirse también sobre le conjunto en forma de un acusado velo de locura y desesperación. Estas sensaciones de muerte, locura y desesperación, están perfectamente integradas en todo el álbum, en forma de un sonido denso, donde cuando parece querer arrancar en una dirección se pliega sobre si mismo y se transforma en un ente si cabe más destructivo, donde cada riff esconde una doble intención, donde las voces de Zhenya invitan al suicidio o cuando menos la locura y en donde el oyente es zarandeado y destruido en unos registros en dode ya no solo la angustia, sino la esquizofrenia, la muerte y la violencia más absoluta cobran forma. (8,2).

1. II-I. Homeless Animal  

2. II-II. Morbid Seagull  

3. II-III. Ren Omega  

4. I-I. Bergen  

5. I-II. Dreaming Rat  

6. I-III. First Blood  

7. III-I. Surfing the Abyss  

8. III-II. The Dying Squid  

9. III-III. Worm Spiral

Human Agony ‎– Putrescence Of Cavalry 19,99 €

Vinyl, LP, Album

NECROSEXUAL - INTERVIEW

 1. Necrosexual was formed around 2011, with you as the sole member at the beginning. Over time, you've recruited several more musicians who have joined the band's lineup in recent years, and you're still solely responsible for Necrosexual. What led you to create this project? Why did you choose the name Necrosexual, and what did you want to convey with it?

I burst onto the scene performing stand up routies at comedy and burlesque shows. I chose the name Necrosexual because it was both a satire and celebration of the heavy metal I grew up listening to. The “Necro” portion deals with all things grim and the “sexual” aspect speaks to my dark sense of humor. I also began interviewing a lot of classic bands on my youtube channel beginning in 2012. Steve Grimmett from Grim Reaper went on to say I was the favortie interview he ever did, which means a lot to me now that he's gone.

Anyway, I love metal and I also play bass and guitar. So it seemed fitting for me to elevate Necrosexual to a musical project as well.

2. The arrival of Anthony "Vigo" Gabriele in Necrosexual in 2015 can be considered a pivotal moment for the project. Years later came the first full-length album, and other musicians have joined since then, giving the band greater solidity. What has the band's trajectory been like over the past decade and a half? Did you imagine when you started Necrosexual that you'd still be active today?

It's been 15 years since I started, but I feel like I'm just hitting my groove on the musical front. Necrosexual is part solo project and also a collective. I welcome collaboration, but I am always prepared to do it all myself. The less people I rely on, the less variables for disappointment! 

Vigo and I go way back to the early 2000s. We met when we worked together in the kitchen of an upscale restaurant. He was lead chef and I was the dessert guy. I always looked up to him, and knew he could shred too. So Vigo was the first guy I called once I had Necrosexual music ready. He played his first show with Necrosexual just days after the birth of his first born son. The Vigo has been a consistent member, playing leads and co-writing a fair number of songs. Otherwise, I'm the primary mover.

3. “Road to Rubble” is Necrosexual’s second album. It’s been a long time coming, but it’s finally here. With such a long gap between “Grim1” (2018), how do you think the band’s sound has evolved between the two releases? What level of involvement have the new members, Miles and Nick, had in the process? What brands of instruments did you use during the recording?

I think I've found my voice as a vocalist and songwriter on Road To Rubble. This album encapsulates all my heavy metal heroes. Since GRIM-1 in 2018, I released two EP s and two comic books, and even got to perform at a heavy metal burlesque festival in Portland, Oregon. The time between albums allowed these new songs to simmer in my mind's eye.

Road To Rubble is my most ambitious album in terms of song writing and sheer number of personnel. But it's also the most DIY album I've ever done. I recorded all the rhythm guitars, bass and keyboards from home. Anthony and Nick just showed up to lay down solos from my home studio. Miles and I jammed a little bit together to figure out the drum parts, but most of drums he recorded in the moment with only my demos for reference. I was in the recording room with him conducting the songs as we built the tracks hit by hit.

For equipment:

A Peavey 6505 was used for reamping the rhythm guitars. For Anthony's leads we used a Mesa Boogie Triple Rectifier lent to us by Ed Gonet III from Wild Beyond and Daeva. (Thanks Ed)

I recorded the bass straight to my computer with a sans amp driver attached to my pedal board, on a Music Man Sting Ray 5 string.

I played analog Casiotone and Yamaha keyboards for all the synth parts. 

I recorded most of the rhythm guitars with a DiPinto Galaxie IV with Seymour Duncan pickups and a Gothic Ephiphone Futura Explorer, also with Seymour Duncan pick ups. I believe Anthony Vigo played his solos on a custom Warmouth Stratocaster and a Jackson modified Frankenstein stratocaster. We all have a lot of guitars between us, so it's hard to keep track of exactly what we played when.

4. Upon first hearing Necrosexual, the name alone might conjure up images of a grindcore band. However, the cover art doesn't exactly inspire optimism, as it seems to aim for a relaxed atmosphere. Yet, once the album starts playing, the content is brutal and distinctive. We could discuss countless elements: a taste for 80s metal, thrash, speed, hardcore, synthesizers, a retro feel in many aspects, and a hint of classic heavy metal. In short, it's an immense work that is thoroughly enjoyable and difficult to describe. How would you describe the album's sound? What bands and styles influenced the composition and recording process?

To quote my own music, I'd describe this abum as “High voltage and heavy doses!” I'm certainly a child of the eighties and the Road To Rubble spans all my musical influences without sounding too much like any single band. It's a love letter to classic heavy metal with my own blood injected throughout.

5. Something similar can be said about the album's themes; there's an ambiguous tone to them. The topics can be taken seriously and profoundly, or, conversely, their more humorous side can be explored. Where do you find inspiration for the song themes? How do you balance the more serious aspects with the more humorous ones? Do the lyrics adapt to the music, or vice versa?

One new technique I did for this album is I recorded the choruses to the songs first, and saved the verses for later. It allowed me to really nail the hooks and then have extra time to flesh out the lyrics and get the delivery perfect.

Lyrically, this album deals with a lot of destruction hence the adage “All Roads Lead To Rubble.” “High Times In Hell” is about self destruction, whereas the title track deals with societal collapse and environmental decay. “Kiss The Knife,” “Brimstone” Brothel” and “Hard Leather Woman” details a fetishistic aspect with sadomasochistic humor and horror themes.

Usually I have the riffs first, and a chorus or song title will pop into my head, and then I'll build the rest of arrangement around those lyrics.

6. Regarding the recording, mixing, and mastering of the new album, there isn't much information available. Did you handle this process yourselves, or did you work with someone in a recording studio?

The majority of the guitars, bass and keyboards I self recorded. Drums and vocals were recorded at Permenant Hearing Damage Studio, and the album was mixed by Steve Roche. Arthur Rizk also mastered it.

7. The album is being released in physical format by the record labels Fiadh Productions and The Black Metal Archives Label. How did the opportunity to release "Road to Rubble" with them arise?

This is the first time I've had an album available in the UK via Black Metal Archives label, and Road To Rubble is the first release of their catalogue. A high honor!

8. Regarding the cover art, there seems to be a connection between this album and the first. Is that possible? Who designed the cover for the new album? What does it represent, and how does it relate to the album's content?

Our dear confident and high class pervert Scott R Johnston illustrated both my LP covers. He is a true diamond in the Philadelphia nightlife scene. The green Mustang on the GRIM-1 album cover is based on Vigo's car. He really drives a neon green Ford Mustang. So it made sense to incorporate into our album art work. For Road To Rubble I asked Scott to design a more apocalyptic element. “ZZ Top Eliminator meets The Road Warrior” is the term I used.

9. It seems we're experiencing a surge in black metal with new bands drawing inspiration from the more retro sounds of 80s extreme metal for their latest releases. Do you share this perception? How does Necrosexual fit into the US extreme metal scene?

Nostalgia is a hell of a drug. I grew up listening to thrash metal in the early 2000s at the height of nu metal. Old school shit was NOT popular back then. These days, I see people walking down the street in Mortician long sleeves, or kids dressed like Max Cavalera in the eighties with the high tops and denim vests, and I chuckle.

I'm a disciple of the old school, but I think it's also important for artists to find their own voice. Elevate the art form into the future. I simply hope Necrosexual stands the test of time and people will be rocking Road To Rubble loudly in 20 years.

10. How would you define the Philadelphia black metal scene? How are the album release shows going? What can your fans expect from one of your concerts?

Philadelphia has a long and storied heavy metal scene, across all genres. Bands come and go, but I'm still here. I'd recommend listening my collaborators in Morgul Blade and Wild Beyond, for starters.   

11. How did the idea for a music video for a track from the album come about? Why did you choose the song “Nocturnal Ignition”? What was the video recording process like?

"Nocturnal Ignition" is the odd ball song of the bunch, but in a charming way. Anthony wrote the keyboard parts for it way back in March 2020, the same day everything went into pandemic lockdown. A few years later I got around to listening to it again and wrote the song around it. And Lord Klauf from Morgul Blade actually played drums on this song, because we had began recording it prior to the rest of the songs on the new album in early 2023. 

The music video is an homage to INXS "Guns In The Sky." Each shots begins with the doors opening and the camera moving backward in the hallway, and repeats. I should mention that I also act as the video department for most of my stuff. That means, I'm the one who gets stuck editing the footage. So I wanted something that would be easy to film and quick to edit! I worked with my two long-time collaborators Chris Koontz and Liam McGlynn on camera, and also got to include some of my burlesque friends as dancers. We had it all set up and wrapped in about three hours. 

12. What were your beginnings in music like: the first concerts you attended, the first albums you bought? What event in your lives pushed you to want to become musicians?

First metal concert: Slayer, Roseland Ballroom NYC in 2002

Some of the first albums I ever bought that really blew my mind:

Slayer - Reign In Blood

Metallica - ...And Justice For All

Sepultura - Beneath The Remains

Kreator - Terrible Certainty

Morbid Angel - Gateways To Annihilation 

13. Which album represents the essence of black metal for you? What are the most recent albums you've bought?

For me, the quintessential black metal album will always be VENOM Welcome To Hell. They really nailed the attitude, the arrogance, the look and the sound. It's a perfectly crafted weapon from start to finish. Honorable mention to De Mysteriis Dom Sathanas by Mayhem, another haunting and horrifying album. 

Recent albums I've bought in the last month:

Voivod - Killing Technology

Entombed - Clandestine 

Blur - Parklife

Jeff Beck - Flash

Cradle Of Filth - Dusk...And Her Embrace

Dark Funeral - Secrets Of The Black Arts

14. Thank you very much for taking the time to answer these questions for Black Metal Spirit. If you'd like to add anything for Necrosexual fans, this is the place. I hope you enjoy the questions.

Thanks a lot for reading this. If you've made it this far I implore you to listen to my new album ROAD TO RUBBLE. But more importantly: Play heavy metal music loud, party all night long, quit your job for rock and roll!

-----------------------------------------------------------------------------------------------------------------------------

Goath ‎– Luciferian Goath Ritual 14,99 €

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IATT - INTERVIEW

1. Around 2008… what led to the creation of I Am the Trireme?

I Am the Trireme was born from a need to build something immersive something that wasn’t just music, but a vessel. The “Trireme” itself is a warship of the ancient world precision, power, and purpose moving as one. That idea resonated with us. It wasn’t about individuals, it was about propulsion many forces aligned toward a singular direction.

2. The shift to IATT and a new sound why take that risk?

Evolution isn’t a risk it’s survival. The early roots were a foundation, but we outgrew it quickly. The black metal/progressive influences were always there and with the addition of Joe Cantamessa (Lead Guitarist) and Paul Cole (Drums) we were able to pull closer to the vision that we imagined. IATT became the distilled form of that transformation. The acronym stripped away excess and left something sharper, more intentional.

3. The new album vs Magnum Opus and Viatica what does it represent?

Etheric Realms of the Night is the convergence point.

 Viatica was the seed.

 Magnum Opus was expansion.

 This new record is transcendence.

The writing process for Etheric Realm of the Night was more deliberate less about proving something, more about channeling something. All hands were on deck, any creative thought was on the table. We allowed the songs to breathe, to evolve naturally. As for gear, we work with tools that give us clarity and weight layered orchestration, analog/digital hybrid approaches. It’s less about brands, more about control over atmosphere.

4. Have you reached your musical peak? How would you describe the sound?

There is no peak only ascent. We don’t like to put limits to our creative process. 

This album is a synthesis: melodic death as the spine, black metal as the shadow, progressive elements as the architecture. It’s cinematic, it’s aggressive, it’s immersive. Influence comes from everywhere Scandinavian extremity, progressive ambition, and beyond metal entirely. We don’t emulate we absorb and transform.

5. Working with Didier Malherbe and Valček how did that happen?

We wanted textures that felt ancient and otherworldly something beyond the traditional metal palette. Lead Guitarist Joe Cantamessa grew up listening to Prog rock bands from the 60’s/70’s and having Didier on ERotN was a salute to his father who introduced to such artist from that time. Violinist Ben Karas (Thank you scientist/Windfaerer) has performed on our previous two albums Magnum Opus and Nomenclature so the alliance was natural. Their contributions added a spectral, almost ritualistic layer to the album. It wasn’t just collaboration it was invocation. Every element serves the atmosphere.

6. Your lyrical themes occultism, history, medicine why these topics?

We’re drawn to what exists beneath the surface hidden systems, forgotten knowledge, altered states. Those themes are reflections of transformation, decay, rebirth. These topics are part of my questioning spirit. Sometimes the music comes first and demands a narrative. Other times, a concept manifests and shapes the sound. It’s a symbiotic process. IATT allows me to put ink to paper and words to a sonic assault where I can question the concepts that are fed to us. 

7. Recording, mixing, mastering how did it come together?

We maintain a strong level of control over our sound. We’ve handled recording duties since 2013, ERotN was no different. A lot of the process is handled internally, but we’re not isolated we worked with long time friend and  mixing/mastering engineer Marcos Cerutti (Nomenclature/Magnum Opus) to elevate the final result. The goal is always clarity without sacrificing intensity.

8. “Drift Away” and “Somniphobia” why those tracks for videos?

They represent two sides of the album’s psyche.

 “Drift Away” is the descent.

 “Somniphobia” is the confrontation.

We chose those tracks immediately demanded a visual counterpart. The process was collaborative, but always anchored in our vision: immersive, unsettling, and cinematic. Every song on the album has a video/chapter that collaborates into a full Film. 

9. Your relationship with Black Lion Records how did it start?

It’s built on alignment. They understood the vision from the beginning (2018) and gave us the space to execute it without compromise. That kind of trust is rare, and it’s why the relationship has endured across multiple releases.

10. The cover art what does it represent?

The artwork channels that late 90s melodic death aesthetic but refracted through our lens. It represents passage between realms, between states of being. It’s not just an image, it’s an entry point into the album’s world.

11. The Philadelphia scene how has it evolved?

Philadelphia has always had an undercurrent of extremity it’s just become more refined, more diverse. There’s less concern with fitting into a mold and more focus on identity. The U.S. scene as a whole is expansive fragmented in a good way. There’s power in that chaos.

12. Live shows what can fans expect?

We’re already moving toward live execution. What people can expect is total immersion. Not just a setlist a ritual. Atmosphere, precision, and intensity from beginning to end. No wasted motion. Over the last few years we’ve poured everything into this Album and you can expect to see us pour that onto the stage live. 

13. Your beginnings in music what pushed you into this path?

Music wasn’t a choice for IATT it was something that was always there, embedded early and impossible to ignore.

As a whole, we all came into music in childhood. Jay Briscoe started out playing trumpet in school bands, laying a foundation in structure and melody. Joe picked up guitar young, following in the footsteps of his father, a guitarist himself music was part of his bloodline. Alec was classically trained on piano before evolving into a self-taught guitarist, bridging discipline with exploration. Paul Cole was introduced to drums as a kid by his father, carrying on that same generational rhythm.

What pushed us into this path wasn’t a single moment it was a convergence of upbringing, influence, and an early connection to sound that kept evolving into something heavier, darker, and more intentional. Music became more than expression it became identity.

14. Essence of black metal? Recent listens?

Black metal, at its core, is atmosphere and conviction. It’s not just sound its intent. The albums that define it capture something primal and uncompromising.

We’re always absorbing new material right now the Germany has put out a good amount of quality albums from Der Weg Einer Freight, Groza, Firtan, Waldgeflüster I’d like to give those bands a nod. 

15. Final words to the followers 

Etheric Realms of the Night is more than an Album, it’s a Film,  it’s an experience we’ve built for those willing to step into it.

May 8th approaches.

 Prepare accordingly.

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Antlers ‎– Beneath. Below. Behold (2LP) Limited to 288 copies. 38,99 €

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LISTA COMPLETA DE DISTRIBUCIÓN - ABRIL 2026

NOVEDADES 9-4-2026

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LP

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*Kosmokrator ‎– First Step Towards Supremacy 11,99 € 

*Kringa ‎– All Stillborn Fires, Lick My Heart!25,99 €

*Kudlaakh ‎– Poisoned 21,99 €

*Le'Vampyric ‎– Vladislavs Dracvla, Wallachiæ Weywoden 27,99 €
*Lucifixion  ‎– Trisect Joys Of Pierced Hearts  21,99 € 

*Mactätus ‎– Provenance Of Cruelty 27,99 €

*Mefitic – Woes Of Mortal Devotion (bronze) 19,99 €
*Megiddo – The Holocaust Messiah   9,99 € 

*Mental Cavity ‎– Neuro Siege 14,99 €

*Morast ‎– Il Nostro Silenzio 17,99 € 

*Morbid Slaughter ‎– A Filthy Orgy Of Horror and death 10,99 € 

*Mourning Dawn ‎– The Foam Of Despair 29,99 €

*Mystruin - Gånget äro ljuset 10,99 € 

*Neige & Noirceur ‎– Vent Fantôme 17,99 

*Nevoa ‎– The Absence Of Void12,99 € 
*Nightfell ‎– The Living Ever Mourn 11,99 €
*Nocturnal – Serpent Death 20,99 € 

*Nostalghia– Au Milieu De L'hiver 26,99 €

*Olio Tähtien Takana ‎– Spectral Katharsis 29,99 €

*Ondfødt ‎– Norden (Opaque Cyan Blue) 24,99 €
*Okkultokrati ‎– Raspberry Dawn13,99 € 

*Ordinance ‎– In Purge There Is No Remission 14,99 €

*Orgrel ‎– The Oath Of The Black Wolf18,99 € 
*Ossuary Insane - Part II: Demonize The Flesh (White) 15,99 € 

*Pandemic ‎– Phantoms 19,99 € 

*Pestilent Hex ‎– Sorceries Of Sanguine & Shadow 25,99 €

*Reaper ‎– Unholy Nordic Noise 16,99 € 

*Revenant Marquis ‎– Pitiless Black Emphasis  21,99 €

*Rites Of Thy Degringolade – An Ode To Sin15,99 €

*Ritualization ‎– Hema Ignis Necros  20,99 €

*Sadness – April Sunset (2LP Purple [Transparent]) 31,99 €

*Sadness ‎– Somewhere Along Our Memory (pink transparent) 37,99 €

*Sadness ‎– Tortuga (2LP Orange/appaque) 31,99 €
*Sammath ‎– Across the Rhine Is Only Death 16,99 €
*Sammath - Godless Arrogance 7,99 €
*Scatmother ‎– Sadotantra (Blue)23,99 € 
*Se Lusiferin Kannel - Valtakunta 25,99 € 

*Sicarius ‎– God of Dead Roots 21,99 €

*Sisyphean ‎– Colours Of Faith 24,99 € 

*Skuggeheim ‎– Vinterrikets Konge 24,99 €

*Spider God ‎– Black Renditions 22,99 €

*Sulphur Aeon ‎– Seven Crowns And Seven Seals 38,99 € 

*Sunken ‎– Lykke 49,99 €

*Tjaktjadálvve ‎– Encompassing Nothingness 29,99 €

*Temple Of Baal ‎– Mysterium19,99 €

*Tengger Cavalry ‎– Die On My Ride18,99 €

*Teufelsberg ‎– Pakt mit der Teufel 19,99 €

*The Third Eye Rapists - Hets Mot Allt 13,99 € 

*Thronum Vrondor ‎– Dies Tenebrosa Sicut Nox 18,99 € 

*Torrid Death's Fire ‎– From Beneath The Crumbling Reality 22,99 €

*Trhä ‎– Inagape 29,99 €

*Trhä ‎– ∫um'ad∂ejja Cavvaj 38,99 €

*Ungfell ‎– De Ghörnt (Permafrost) 29,99 €

*Unpure ‎– Prophecies Ablaze 20,99 € 

*Varmia ‎– Bal Lada 22,99 € 

*Vahrzaw – The Trembling Voices Of Conquered Men 20,99 € 

*Vauruvã ‎– Mar Da Deriva 29,99 €

*Vigilance ‎– Hammer of Satan's Vengeance11,99 € 

*Vile Ritual ‎– Caverns Of Occultic Hatred 27,99 €

*Warpvomit - Barbaric Triumph Of Evil  10,99 € 

*Weregoat ‎– The Devil's Lust 24,99 € 22,99 REBAJADO

*Werewolf Bloodorder ‎– Rites Of Murder And Sacrifice 18,99 € 

*Witching Hour - Where Pale Winds Take Them High... 10,99 € 
*Written In Torment ‎– Maledictus Dies Illa (Black or White vinyl)  20,99 € 
*Wulkanaz ‎– HaglaNaudizEisaz13,99 € 

*Xirgan ‎– Demo I & II 15,99 €
*Ysengrin – Liber Hermetis (blue)17,99 €  

*Zuriaake ‎– 孤雁  56,99 €

EDICIONES ESPECIALES

Aara ‎– Eiger (2 × Vinyl, LP, Album, White Marbled) 39,99 €

Acacia's Temple ‎– Elegiac Pilgrimage 29,99 €

Aegrus ‎– Invoking The Abysmal Night 29,99 €

Aethyrick ‎– Pilgrimage 36,99 €

Agriculture ‎– Living Is Easy / The Circle Chant ( Merge Aqua Blue & Baby Blue W/ Black Splatter) 69,99 €

Ancient Guard ‎– Desiderans Dissolvi 24,99 €

Ancient Wisdom - A Celebration In Honor Of Death (LP, Gre + LP, S/Sided, Etch, Gre + Album) 31,99 €

Ande ‎– De schemering van werelden (cassette) 15,99 € 

Antlers ‎– Beneath. Below. Behold (2LP) Limited to 288 copies. 38,99 €

Aparthiva Raktadhara ‎– Adyapeeth Maranasamhita 24,99 €

Archgoat ‎– Worship The Eternal Darkness (red) 24,99 €

Argwaan ‎– Violable18,99 €

Azziard / Nirnaeth ‎– Azziard / Nirnaeth (7” Limited to 100 numbered copies on white vinyl) 11,99 €

Baptism ‎– V: The Devil's Fire (Limited to 100 copies - Transparent red vinyl in gatefold.) 29,99 €

Bartzabel ‎– Mentally Mutilated 19,99 €

Beltez ‎– A Grey Chill And A Whisper (2lp grey) 42,99 €

Bhleg ‎– Fäghring 24,99 €

Bloodbark ‎– SacredSound Of Solitude 39,99 €

Borknagar ‎– Fall (2LP Green [Transparent Coke Bottle]) 59,99 €

Carach Angren - Lammendam (2xLP, Album, Ltd, RE, Ora)38,99 € 

Charles Manson / Seges Findere ‎– The Way Of The Wolf 8,99 €

Cursebinder ‎– Drifting (red) 33,99 €

Cursed Penetrator ‎–Demo II 2023 18,99 €

Darkspace ‎– Dark Space -II 37,99 €

Doedsmaghird ‎– Omniverse Consciousness (marble/white vinyl) 49,99 €

Desaster ‎– Churches Without Saints (Yellow Brown Marbled) 34,99 €

Drought  - Rudra Bhakti (10") 3,99 €

Drowning Deeper ‎– Life Is a Failing Existence 19,99 €

Dyspné ‎–Sinnesf​ö​rvirring 14,99 €

Enslaved ‎– Utgard (Orange) 30,99 €

Entartung ‎– Maleficae Artes (gold) 20,99 €

Eths ‎– Samantha 32,99 €

Evoke – Seed of death (100c b/w) 34,99 € 

Fange ‎– Purge (Orange vinyl limited to 500) 14,99 €

Fen  & De Arma ‎– Towards The Shores Of The End (Gold)  29,99 €

Firtan ‎– Marter (2 × Vinyl Gold/Clear/Black Marbled) 49,99 €

Forndom ‎– Dauðra Dura 24,99 €

Gaerea‎– Gaerea 49,99 €

Goath ‎– II: Opposition (limited edition of 100 copies on black vinyl) 19,99 €

Grift ‎– Vilsna Andars Utmark 27,99 €

Grima ‎– Nightside (blue) 59,99 €

Gromowładny, Winter Moonlight ‎– Barbarzyński młot wojny 59,99 €

Herald Ov Wizborg ‎– Herald Ov Wizborg 14,99 €

Hesperia ‎– Fra LiMonti Sibillini (Ice Marble) 39,99 €

Imperial Triumphant ‎– Spirit Of Ecstasy (2lp Clear [Ultra]) 45,99 €

Invincible Force  ‎– Decomposed Sacramentum 27,99 €

Ithilrå ‎– WraithialMoonchant 19,99 €

Johnny The Boy ‎– You (Clear & Black Marbled) 34,99 €

Katharos ‎– Of Lineages Long Forgotten (Ghost,Gold Splatter) 35,99 €

Kill The Thrill ‎– Autophagie 39,99 €

King ‎– Reclaim The Darkness (Blue vinyl version limited to 200 copies) 24,99 €

Kommandant - The Architects Of Extermination - (Red vinyl limited to 100) 12,99 €

Kryos– BoreasExpedition 17,99 €

Lantern – Dimensions (Vinyl, Silver with Black Splatter) 28,99 €

The Lion's Daughter ‎– Existence Is Horror (transparent green vinyl limited to 100 units) 18,99 €

Luring ‎– Malevolent Lycanthropic Heresy ( White/Black Splatter) 39,99 €

Lustre  ‎– A Glimpse of Glory (White & Grey w/ Black Splatter) 24,99 €

Lustre ‎– The Ashes Of Light (Silver) 24,99 €

Lustre  – Phantom (Black/Purple Merge) 29,99 €

Madder Mortem ‎– Old Eyes, New Heart (Transparent Blue vinyl) 39,99 €

Misanthur ‎– Ephemeris 37,99 €

Mora Prokaza ‎– By Chance (Limited to 200 copies) red vinyl 29,99 €

Mordant ‎– Back From Hell ( Black vinyl with logo-patch) 13,99 €

Mozart* / Elisabeth Schwarzkopf, Christa Ludwig, Giuseppe Taddei, Walter Berry, The Philharmonia Orchestra* And Chorus*, Karl Böhm – Così Fan Tutte 59,99 €

Murg ‎– Strävan (Silver) 39,99 €

Nefarious Scorn ‎– Unholy Passion - The Devil's Purist 18,99 €

Nexion ‎– Seven Oracles (Grey-white marble vinyl, limited to 200 copies) 35,99 €

Oerheks ‎– Winterzonnewende 36,99 €

Old Wainds ‎– Stormheart (Blue Black Marbled [Transparent]) 54,99 €

Onirik ‎– The Fire Cult Beyond Eternity (Red w/ Black Marble) 43,99 €

Our Throne ‎– Amber and Gold (gold) 28,99 €

Palace Of Worms ‎– The Ladder (Limited to 100 clear with black/red splatter vinyl) 19,99 €

Rites Of Thy Degringolade ‎– The Blade Philosophical ("Die Hard" version on silver vinyl) 38,99 €

Ritualization ‎– Hema Ignis Necros (Oxblood) 26,99 €

Selvans  ‎– Saturnalia (gold vinyl) 39,99 €

Sexual Predator ‎– American Nightmare (Cassette Limited edition to 50 copies) 6,99 €

Slaughter The Giant ‎– Depravity 39,99 €

Sólstafir ‎– Berdreyminn (green) 49,99 €

Soulburn ‎– Earthless Pagan Spirit (Vinyl, Limited Edition to 100 copies Golden) 29,99 €

Sorrow ‎– Oblivion of Astral Desolation (Tape) 19,99 €

Spirit Possession ‎– Of The Sign… (Blue/Red/Gold Mix) 62,99 €

Suidakra ‎– Wolfbite 23,99 €

Theodor Bastard ‎– Oikoumene (Gold & Orange Mixed) 44,99 €

Ultra Silvam ‎– The Sanctity Of Death 20,99 €

Vaamatar ‎– Medievalgeist 19,99 €

Vein  ‎– Blood Oaths 77,99 €

Vieüx Chäteau, SpëctreHarässé ‎– Vieüx Chäteau / Spëctre Harässé 17,99 €

Vévaki ‎– Fórnspeki (green) 34,99 €

Volcanic  ‎– Black Flame (Vinyl, 7", 100 Transparent color) 9,99 €

Vorkreist ‎– Sacrifice (Vinyl, 10", Limited to 105 hand-numbered copies) 16,99 €

Vouna ‎– Atropos (Purple w/ White, Silver, Gold Splatter) 35,99 €

Vuur & Zijde ‎– Boezem (Yellow / Red / Black Marble) 42,99 €

Wampyrinacht ‎– Night Of The Desecration - Les Jardins De Nyx - 23,99 €

Weregoat ‎– The Devil's Lust (Red Transparent) 27,99 €

Winter Deluge ‎– Degradation Renewal 13,99 €

Witchery ‎– In His Infernal Majesty's Service (white vinyl. Limited to 100 copies) 36,99 €

Withered ‎– Grief Relic (Opaque mist blue vinyl in gatefold sleeve, limited to 100 copies) 18,99 €

Wode ‎– Burn In Many Mirrors 29,99 €

Патриархь ‎– Пророк Илия (Gold Edition) 119,99 €

SPLIT
*Anti / Mosaic - Landscapes 2,99 €
*Blakk Old Blood, Black Devotion – Blakk Old Blood / Black Devotion5,99 €

*Carved Cross / Empire Of Hate - Split 29,99 €

*Casket / Filthdigger ‎– Butcher's Vomit  13,99 € 

*Cerekloth, Peine ‎– Cerekloth / Peine - Split 7,99 €

*Daarlig Stemning ‎– Alene I Det Grå 5,99 €
*Dämmerfarben, Blaze of Sorrow – Geister Des Winters 12,99 € 

*Human Bodies / Leather Chalice - SPLIT2,99 € 

*Malthusian & Suffering Hour – Time's Withering Shadow 18,99 € 

*Mars Creation / Eerified Catacomb ‎– Mars Creation / Eerified Catacomb 34,99 €

*Moloch  / Arria Paetus ‎– Moloch / Arria Paetus 14,99 € 
*Moloch / Gurthang ‎– Moloch / Gurthang 5,99 € 
*Moloch / I Shalt Become – Split 9,99 €

*Nadsvest / Necrobode ‎– Ustolicenje smrti : O triunfo da morte15,99 €
*Ordem Satânica / Mons Veneris - Negros Manifestos De Ordem Venusiana 15,99 €

*Procession Of Headless Angels ‎– Yer Universal Tombworld 6,99 €

*Spiter / Diabolus ‎– Split 23,99 €

*Vassafor / Temple Nightside – Call Of The Maelstrom 10,99 € 

*Wampyric Rites, Wampirvs Sinistrvs ‎– Wampyric Rites & Wampirvs Sinistrvs 26,99 € 

*Weregoat / Eggs of Gomorrh ‎– Orgiastic Rape Of Resurrected Remains 22.99 €
*Whipstriker, War Atrocities – Struck By Warwhip 2,99 € 

EP
*Árstíðir Lífsins ‎– Heljarkviða 13,99 € 
*Chalice of Blood - "Helig, Helig, Helig" 11,99 € 

*Fluisteraars ‎– De Kronieken Van Het Verdwenen Kasteel - III - Grunsfoort 26,99 €

*Goatkraft - Angel Slaughter (White vinyl) 14,99 €
*Har  - Visitation16,99 €
*Hissing – Hissing 2,99 €

*Ifrinn ‎– Caledonian Black Magick 18,99 € 

*Kanonenfieber ‎– Yankee Division 17,99 € 

*Mion's Hill - Torture 11,99 € 
*Moloch ‎– Ein Düsterer Winter Kommt 7,99 € 

*Nexul ‎– Scythed Wings Of Poisonous Decay 14,99 €

*Precambrian - Proarkhe 3,99 €

*Procession Of Headless Angels ‎– Yer Universal Tombworld 5,99 €
*Radioactive Vomit – Ratsflesh  2,99 € 
*Sepulchral Curse – Deathbed Sessions 18,99 €

*Thou Shell Of Death – Cave Hill11,99 € 
*Tyrannic ‎– Exterminating Angel 12,99 €

*Volcanic ‎– Okkult Witch9,99 €

*Vøidwomb ‎– Altars Of Cosmic Devotion 15,99 € 
*Zealot Cult - Karmenian Crypt  12,99 

TAPE

*Agazul ‎– The Emperor Returns 2,99 € 

*Autophagocytosis – Forest 6,99 €

*Azathoths Dream ‎– Infernal Necromantic Mysticism 11,99 €

*Bentala ‎– ꦏꦏꦮꦶꦤ꧀ꦢꦺꦯꦮꦂꦟ꧀ꦤꦤ 11,99 €

*Brigade – Prison Trapped 11,99 €

*Brüja ‎– Polluted Sessions 2020 1,99 € 

*Chaos Luciferi / Gormoth ‎– When The Night Takes Us 6,99 €

*Conjura - Perpetua Tenebris  1,99 €

*Dark Fury ‎– Vae Victis!1,99 €

*Darzum Thuul ‎– Music For Dark Sorcery 5,99 €

*Death Rite ‎– The Sacrifice Of The Shadow 7,99 €

*Deathgod Luciferi - Raw Black Metal Destruction 3,99 €
*Desalmatvs ‎– Manifestvm 6,99 €

*Dibikimitig ‎– Aandeg 14,99 €

*En Følelse – Demo MMXXV 11,99 €

*Eternal Ice  ‎– Demo 2024 6,99€

*Eternal Ice ‎– Curse in the Sky 9,99 €

*Haustið - Basking in Reflected Glory  1,99 €

*Hazelwyrm - Demo I 6,99 €

*Juniper ‎– Primeval Bloodlust 14,99 €

*Kojash – Urmanda 6,99 €

*Landvættr ‎– Solstice Fire  6,99 € 

*Mortality – My Last Day on Earth 6,99 €

*Myrknetsferd ‎– En Vind Af Kulde 3,99 €
*Nihil Invocation ‎– Blood Upon the Gates at Dawn 11,99 €

*North by the River – Nula 4,99 € 

*Nosferatu ‎– Society’s Bastard 11,99 €

*Polemicist ‎– Polemicist 9,99 €

*Poumon Noir - L'obscurité 5,99 €

*Pox ‎– Pocken in Broekzele - 5,99 €

*Rajah – Rajah 11,99 €
*Reidh ‎– Children Of Northern Sun 2.,99 €
*Saqraruna ‎– An Altar to the Nameless Entity 3,99 € 

*Selbsthass - Stille 1,99 € 

*Siralomvölgy - Demo I5,99 € 

*SKXM ‎– SKXM 6,99 €

*Spell Caster ‎– The Fourth Pentacle of Saturn 9,99 €

*Spiritwood ‎– The Apparition Of Horn 13,99 €

*Stimmung  ‎– Cold Touch to the Abyss 6,99 €

*Waawoono ‎– Sky Wolf Trail 14,99 €

*Zesab ‎– Ondaanimad 14,99 €

*Zkywbrezdreb ‎– My Dead Pulsing Vigil 9,99 €

DEMO
*Volcanic ‎– Okkult Witch11,99 €

*Werewolf Bloodorder ‎– Rites Of Murder And Sacrifice (White) 19,99 €

CD
*Black Earth ‎– Diagrams Of A Hidden Order 5,99 €

*Hetroertzen - Ain Soph Aur 9,99 € 
*Infestus - The Reflecting Void 7,99 €
*Ritual Moon ‎– Ritual Moon4,99 € 

*Sumeru ‎– Summon Destroyer 5,99 €
*Taake - Stridens Hus 2,99 € 
*Trollfastheart - What?! An Old Pot For All?! 5,99 € 

*Witchtower ‎– Witches' Domain 11,99 €

*Woest – La Fin De L'Ère Sauvage 3,99 € 


Podéis hacer vuestros pedidos en nuestra tienda, BMSP, en discogs o a través de correo: blackmetalspiritstore@gmail.com.