Origen: Alemania, Marburg.
Formados:?
Estilo: Black, death
Temática: ?
Enlaces: Instagram.
Miembros:
- G. Bajo y voces
- L. Guitarra
- Attack Attack Attack! Demo 2024
- Sword, Sorcery, Vengeance EP 2026
Origen: Alemania, Marburg.
Formados:?
Estilo: Black, death
Temática: ?
Enlaces: Instagram.
Miembros:
CORONACH (2026)
El escocés James McBain está de vuelta con el cuarto álbum de estudio de su proyecto Hellripper, ocho nuevos temas de ese sonido que sabe sumergirnos en una vertiente cruda y extrema del metal clásico, en donde hay cabida para el black o el thrash, pero también, como no, para elementos de rock retro e mismamente el speed. Un álbum que vuelve a incidir en la facilidad que demuestra James para crear temas directos e incendiarios con un pasmosa facilidad para arrojar riffs incendiarios y crudos, combinados con una buena base de melodía que buscan su inspiración en sonidos clásicos, si cabe, una vez más buscando mayores influencia en esta ocasión en elementos del heavy más clásico. Es cierto también, que este nuevo trabajo ha logrado profundizar en determinados aspectos que redundan en unos temas que aún conservando cierta inmediatez como sucedió en pasadas entregas, logran también mantener el pulso a la hora de ofrecer un sonido más elaborado, que permite que los temas desarrollen diferentes facetas, desde aquellas en donde una atmosfera densa y oscura ha ganado enteros, hasta las secciones más características de Hellripper, en donde los riffs se suceden de forma directa, crujiente y retro, aunando ese carácter más crudo con unas melodías marca de la casa. Tal vez este sea el aspecto más reséñable de este "Coronach", la capacidad de James de bajar revoluciones al conjunto y dejar se su música se empape de otro tipo de influencias más cercanas si cabe a un estilo más clásico como le rock o el heavy más clásico, logrando un sonido que permite trabajar otras facetas en el mismo a las cuales no nos tenía tan acostumbrados. No es esto impedimento, para que sonidos thrash o un primitivo black, junto con una endiabla velocidad sigan estando presentes, conformando todo ello un registro que ha ganado en mayores matices, ofreciendo secciones que cuando parecen querer languidecer se reformulan en partes más directas y profundas, equilibrando registros e influencias de manera directa y precisa, inspirándose en cualquier registro de metal clásico, al mismo tiempo que la habilidad innata de James para escupir riffs de forma precisa e incendiaria nos ofrezca un buen número de acertados momentos a lo largo del álbum. Un álbum que incide en una faceta más heavy o rock dentro de sus estilo, pero que también saben sacar partido a elementos de un primitivo black o un incendiario thrash, para conformar un sonido que aún mostrando síntomas de evolución se mantiene preciso y crudo. (7,7).
Good morning, thank you so much for answering these questions. How's everything going in Athens?
Greetings!!! Thank you for the invitation. Athens is as it is the latest years, great for tourism and depressive for locals.
1. W.E.B. was formed around 2002. However, there's a strong connection with Eternity, the band you were a part of. How did the creation of a new band parallel to Eternity come about? What were you looking for in creating W.E.B. that Eternity didn't offer? Why the name W.E.B., and what does it refer to?
This question takes me way back and thank you for making me remember those days. The actual story is as follows. As a teenager I wanted to form my own band and called it W.E.B. and I was trying to find members from anybody around the neighborhood, school etc. It was cool at the time but not exactly what I was looking for through music. Then came the years I was in Eternity, which was absolutely awesome and I felt we could go somewhere with this band. I did not stop with W.E.B. though but back then, my main priority was Eternity. When came a point I could not be in Eternity anymore and parted ways, I decided to make W.E.B. my main priority and chase my dreams. So, Eternity offered me what I wanted but obviously when I stopped being in that band, I had to find another way. The name W.E.B. is just something I came up with in my teen years. To me “Where Everything Begun” represents the source of our actions which is somewhere in our complex brain wiring.
2. Up until the release of "Darkness Alive," you've released five albums, three demos, and a couple of EPs. How would you describe the band's trajectory in its almost twenty-five years of existence? What are the best and worst moments you remember from this time?
It has been a rolercoaster with highs and lows. Too many difficult moments, sacrifices, backstabbings, endless work and at the same time amazing times with fans, successes and dreams coming true. I would say the worst period was back in 2010-2011 that the whole line up collapsed in a very bad way. There was no band, not anyone, all plans that were already posponed for no reason went way back and basicaly what I had to do was to regroup myself and start building everything again. This is why we basically started again in 2012 with the first EP and third álbum came out in 2014. Second álbum was in 2008, so you can tell there was so much going on that I had to control just by myself. Since 2012 the band changed line ups again but fortunately no change was able to stop W.E.B. anymore. The Good times are now and in the future!
3. In recent years, the band has seen a couple of new additions, Vasilis and Alexandros, and suddenly decided to release a live album. How did you arrive at the decision that it was the right time to release a live album? Does “Darkness Alive” serve as a turning point in your career, a closing chapter with your past, a way to introduce the new band members live, or simply because it was what you felt like doing at that moment?
It was mostly the simple answer you just said. We just felt like it and we did it. In the live álbum it is only Vasilis playing. Alexandros joined the band a couple of months after the live álbum recording. In the live álbum we have a sessión guitarist playing.
4. Listening to “Darkness Alive,” it seems as if everything was captured in a single concert recording. How did the recording process unfold, and how did you select the setlist? What was the most difficult aspect of recording the live album?
Exactly, it is a single concert. No second chances there. A random W.E.B. concert that anything could go wrong – many did - and the band just giving it all on stage as we always do. The setlist was basically the setlist of our most recent tours, very Little things changed. Now the recording was not difficult in particular, we cooporated with a guy that knows how to do it and we made the whole engineering together for this. The actual difficult aspecto was the mixing because a live recording has mic bleeding almost everywhere and was quite had to handle.
5. Psychon Production once again appears as the company responsible for the recording and mastering process. How would you describe the relationship between W.E.B. and Psychon Production?
We actually go way back together. Psychon was the other guitarist of Eternity actually (now guitarist of Septic Flesh) and imagine we know each other years before Eternity so, naturaly our chemistry is amazing and since we have worked together in “Tartarus” , “Colosseum” and “Into Hell Fire We Burn”, why not work together in “Darkness Alive” as well? He did a briliant job in the mix and I loved it since the first draft he sent me.
6. The sound of “Darkness Alive” lends itself to different interpretations. It's true that you've never abandoned a certain gothic element in your music, but the fact is that once you delve into the album, there are defining components like melodic death metal and symphonic black metal. How would you describe the band's current sound, and what might the future hold for W.E.B.?
I just go with the Flow of my inspiration with no limits. I never think of descriptions ect. Maybe your description is the most accurate. Back when we started the band, since I already figured that we would have such questions a lot, i said ok, let’s call this “dark metal” and incorpórate all that.
7. How did the possibility of releasing the live album as Metal Blade come about?
As you already mentioned, we were inbetween changes in the band. Very necessary changes to be honest. We were very excited about it and we had already started composing the new material for the upcoming full length. We booked some concerts for 2024 and just decided to make the live álbum and informed Metal Blade about it and all our plans. They came back with a “go for it” answer and here we are again!!
8. Often, live albums only serve to showcase the band's skills and feature a setlist that's recognizable from the start. However, they forget the connection and the importance that the audience deserves, an aspect that “Darkness Alive” manages to convey. How important is this connection with the audience for you, and what does it bring to you once you're on stage?
It is the most important element. My dream when I wanted to form a band was to make i ton stage and make people have a Good time and offer them amazing moments. You cannot have a live álbum without the people that come there to see you. All our existence and motivation comes from the audience!! We respect them and owe them so much for the honor they give us by paying for tickets, merch, their time, their words. This is without question.
9. Who designed the album cover, and how does it relate to the content?
The álbum cover is designed by Jon Toussas. He has also done the cover artwork for our latest full lenght álbum “Colosseum” and we have had him also design some of our tshirts. He is one of the greatest out there for sure and he delivers amazing Works. The theme of the cover artwork of “Darkness Alive” is quite simple. We call our fans “Demons” and as such, Jon has demons in the cover ready to devour a human and make him a Demon too, hence new fan. I like the symbolism of this artwork and how chaotic it looks.
10. You're not newcomers, and you come from Greece, a country with a long history in extreme metal. How do you think the Greek extreme metal scene has evolved in recent years? What do you think has been lost within the underground scene due to globalization and the internet? How would you describe the scene in a city like Athens?
This question can be a whole 2 hour podcast conversation you know. There are bands in Greece that many of them are of monumental historic level in global metal, not just extreme metal. I think that what keeps the local scene so strong is that there are bands with strong connection to the niche roots and tradition. So the core is there and is hot as hell.
11. Where can your fans enjoy a concert from you this year? Are you already working on new material for an upcoming album?
We have booked some summer festivals for 2026 and we already discuss for tours in 2027. As of now we are focused on the promo of “Darkness Alive” but at the same time, we are currently mixing the new full lenght álbum. Basicaly 2026 is going to be a behind the curtain working year and from 2027 onwards we aim to tour and play everywhere!
12. What were your beginnings in music like? What were the first concerts you attended, the first albums you bought? What event in your lives pushed you to want to become musicians?
I started music lessons very Young, at the age of 5. Didnt really have an interest in music back then, even when I discovere heavy metal, I just liked it as a fan. But one day a friend called me and said, you know we are going to a rehearsal studio to jam, wanna come with and maybe sing and play some guitar? I said yes, and this changed my life forever. I wanted to be with Good people and play music and then play it in public. That gave meaning to my life and still to this day is my oxygen. I had already bought some Iron Maiden, Scorpions, Manowar albums, very quickly also Mercyful Fate and Cradle of Filth also came about in my life and then the list goes on. My first concert also was Mercyful Fate in 1997 and I cannot believe that last summer I followed the King Diamond tour for a week, because as you know Hel Pyre is doing the backing vocals and playing keyboards in KD band.
13. Which album represents the essence of black metal for you? What are the most recent albums you've bought?
My personal favorite is “Cruelty and the Beast” by Cradle of Filth but I would not agree with it having the essence of black metal. I think this must be a bunch of albums by Mercyful Fate, Mayhem, Darkthrone, Emperor, Venom, Bathory, Immortal to have a Good representation of the genre. Most recent álbum I got, is “Archees Legeones” by Lloth.
15. Thank you very much for taking the time to answer these questions for Black Metal Spirit. If you'd like to add anything for W.E.B.'s followers, this is the place. I hope you enjoy the questions.
Thank you again for supporting W.E.B.
“Darkness Alive” is out there by Metal Blade in digital format and on physical digipack format by Sleaszy Rider!
Don’t forget to order “Darkness Alive” on digipack format here https://sleaszyrider.com/product/w-e-b-darkness-alive-sr-0378-digipack-pre-order/
STAY DARK
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Origen: Ucrania, Mykolaiv.
Formados: 2018
Estilo: Black, ambient
Temática: Amor, melancolía, muerte, naturaleza y soledad
Enlaces: Bandcamp, deezer, facebook, instagram, soundcloud, spotify, tidal y youtube.
Miembros:
Origen: Alemania, Bruckmühl.
Formados: 2008
Estilo: Blackened death, doom metal
Temática: ?
Enlaces: Bandcamp, deezer, facebook, Funeral Pile, instagram, spotify y youtube
Miembros:
Origen: Alemania, Memmingen.
Formados: 1994
Estilo: Black.
Temática: Muerte, oscuridad y vikingos
Enlaces: Bandcamp, facebook, instagram y spotify.
Miembros:
Origen: Bélgica, Wemmel.
Formados: ?
Estilo: Black
Temática:?
Enlaces: Bandcamp.
Miembros:
SUB JANUS (2026)
"Sub Janus" es el regreso de la enigmática banda italiana Calvana después de casi cuatro años de silencio, con un tercer álbum que profundiza en ese carácter primitivo y reservado de sus música. Un álbum que a lo largo de sus nueve piezas recorre un paisaje helado, desolador y desbordante de soledad, en donde la naturaleza marca las pautas en el devenir de los acontecimientos. Sirviéndose de un sonido que se mueve con soltura en pasajes lentos, en donde cierta melodía sabe recrear esos tonos más folk o atmosféricos, con reminiscencias paganas, pero que se torna en una maquina perfectamente engrasada cuando la velocidad aumenta, aquí, en estas secciones, la destrucción que aporta el sonido y la violencia del mismo, son del todo innegociables, dibujando un sonido mucho más directo y profundo, en donde la batería se mueve con soltura en un terreno endiabladamente directo y frenético, con unos riffs de poderoso y clásico black metal, con una gusto por esa parte más cruda y sin pulir del todo, para que el bajo acabe también por dar cierta texturas de mayor profundidad o cuando menos oscuridad, con un participación destable. Hay que referirse a las voces como un ente en si mismas, sin apenas concesiones, en una faceta bastante directa, con un registro de profundidad y oscuridad, en donde se desprende un tono tanto clásico como impregnado de violencia. El resultado es un álbum realmente completo en diferentes facetas, porque es capaz de dejar un aroma a black clásico, por que es capaz de de equilibrar una producción que sabe trabajar cierta rugosidad de sonido y por que por supuesto, es también capaz, de trasportarnos a un entorno gélido, solitario y en donde la naturaleza tiene la última palabra. (7,6).
Good morning, thank you so much for answering these questions. How's everything going in Manchester?
Si: it’s a grey, miserable traffic jam. Other than that, all good.
1. Wolfbastard started around 2012. What led you to create the band back then? Why did you choose the name Wolfbastard, and what does it refer to?
Si: Wolfbastard was a project started by Dez and Dave wanting to do something more punkier, but still with a black metal edge. I don’t know about the name but it seems to fit the music and it made people laugh back in the day. I suppose that says it all!
2. The band members came from, or were later involved in, other projects with different styles, from death and black to stoner, etc. However, over the years you've remained together in Wolfbastard. What attracts you to this project compared to the others you're involved in? Is Wolfbastard more than just a band for you? Could we say you're almost a family?
Si: we’re three very good friends playing the music with love. We all grew up with heavy and extreme metal, but also have a great interest in punk, especially older bands like Discharge, Varukers, Misfits, GBH, plus post-punk stuff, like Manchester’s Joy Division. It’s fucking miserable like us.
3. You will soon release “Satanic Scum Punks,” your fourth studio album, four years after its predecessor, “Hammer the Bastards.” How do you think this time has affected the evolution of the new album's sound? What was the songwriting and recording process like? What brands of instruments did you use?
Si: the recording process was fairly smooth as we’ve done a few full-length albums now. Dez loves adding spooky black metal elements to certain songs and Dave is a fucking relentless drummer. The songs emerge after a few jams and once we’re happy we get them recorded.
In terms of instruments, Gibson guitars, Fender basses, Mapex drums. Good solid equipment, big amps, no crazy pedals, straight to the point. Stuff that can be bashed-about on tour and have beer spilt on it.
4. Over time, you have remained true to a style that blends a strong retro character in your music, fusing a black metal sound with significant punk and crust influences. Some even describe the new album as a punk album disguised as black metal. How would you describe the sound of the new album, and what inspired you to compose it?
Si: I’m quite happy with “a punk album disguised as black metal” hahaha..
5. Punk has always been associated with struggle, rebellion, and nonconformity. Is there any of this in your lyrics? What specific themes do you address? Do the lyrics adapt to the music, or vice versa?
Si: we’re very much ‘music first’ when it comes to songwriting. Lyrically, we don’t tend to go near politics, not because we’re not necessarily interested in politics, because the music is an escape from the depressing world we live in. That’s why we sing about beer, Satan and madness.
6. The new album will be released by Apocalyptic Witchcraft Recordings, initially available on CD, cassette, and vinyl. How did the opportunity to work with Apocalyptic Witchcraft Recordings for the release of the new album come about?
Si: Dez and Dave have worked with Apocalyptic Witchcraft with their other band Burial, so we knew how good they were to work with. We approached AW on completing the album and they were really keen to release it. It’s been a great partnership and they seem really ‘get’ what we’re doing.
7. There isn't much information available about where the album was recorded, mixed, and mastered, but the ability to capture that raw and direct sound while maintaining clarity is remarkable. In which studio did you record the album?
Si: we recorded the album with our very good friend Chris Taylor at Noise Boy Studios in Salford. He did a fantastic job, as you say, at capturing the raw sound whilst still keeping some clarity and professionalism. Chris Fielding at Foel Studio did the mastering and he did an equally fantastic job. They made us sound like we know what we’re doing!!! What an achievement!
8. The cover art is both simple and open to multiple interpretations, ranging from violence and alcohol to elements of street fighting, even incendiary imagery. How did the idea for the cover come about, and what do you intend to convey with this image?
Si: The superb Branca Studio in Barcelona did the artwork. We went to him with an idea, and he said “fuck that”, and came up with the design we have now. It fits the music really well, and I personally really like the street fighting imagery.
9. Your musical style lends itself to fiery and violent concerts. How would you describe one of your concerts? What dates do you have confirmed for the release of the new album?
Si: we have an album release show in Manchester on 14/03, then another 6 dates touring it in the UK in March. We’ve also a few dates confirmed throughout 2026 including Cosmic Void Festival in London. We’re always looking for new shows though!! Get us to mainland Europe ok!!
10. Has the contrast between traditional Manchester, in the sense of a working-class city that played a pivotal role in the Industrial Revolution, and modern Manchester, a business city more oriented towards the service sector, influenced the style and themes of your music? What is the extreme metal scene like in a city like yours? What bands from your area would you recommend?
Si: the scene has always been strong in Manchester, and we’re lucky that a lot of touring bands come through the city, despite some venues closing down over the years. We grew up around the city in the working class areas and the pubs and clubs. I think a bit of that may have crept into the music. Great Manchester bands include Wode, Aggressive Perfector, Cairns, Argesk, our brothers in Burial and Foetal Juice too. There’s loads to be fair.
11. How did you get started in music: the first concerts you attended, the first albums you bought? What event in your lives pushed you to become musicians?
Si: We’re all obsessed with music and it’s a huge part of our lives. I grew up with my mum and dad both playing music in the house and the car. Especially my dad, with old rock like Neil Young, Pink Floyd, Deep Purple etc. As for the first concert I went to, a family friend bought us tickets to watch Nickleback when I was about 14. That’s why I’m the coolest one in the band now.
12. Which album represents the essence of black metal for you? What are the most recent albums you've bought?
Si: Black Metal is a varied beast these days, but if you made me pick only one to represent the essence I’d say Darkthrone’s A Blaze in The Northern Sky. The riffs and the coldness. Perfecto.
13. Thank you very much for taking the time to answer these questions for Black Metal Spirit. If you'd like to add anything for Wolfbastard fans, this is the place. I hope you enjoy the question.
Thanks mate, and thanks for checking out our music. ¡Vamos!
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Mourning Dawn – The Foam Of Despair 29,99 €